Mademoiselle Vingança

Highest rating because I am happy the French can still pull off films that are fully in character with the culture of the 18th century. This film is right up there with "Ridicule" and, even Dangerous Liaisons.

Arthur Schopenhauer on Women's Love & Hate: ~In revenge and in love, the woman is more barbaric than the man. ~When a woman loves, a man should be afraid: because she sacrifices everything at this time, and she considers everything else worthless.

This movie was exactly like what Schopenhauer said: When a woman loves, a man should be afraid, and he shall scare to death if she hates you. You may fool her once but her revenge will be served cold.

Don't pay attention to the negative reviews below from people that probably like action movies a bit too much and watch this! The movie does start off a bit slow but Édouard Baer and Cecile de France manage to convey their emotions without overacting (something that is too common in this kind of movies). The plot is great and the slow descent into hell of the main character is well orchestrated.

Overall, i was very pleasantly surprised and would recommend this movie to anyone with a bit of sensitivity.

Lady J was such a great surprise for me to see. I was not expecting to like this movie and I had not heard of it before streaming it on Netflix, but I loved it. This movie was filled with beautiful, over-the-top, ornate sets and costume design, with intricacies that made almost every scene fit to be painted. It also had a great soundtrack that fit the genre but was not boring. My favorite feature of Lady J was how the likability of the characters changed throughout the movie. The screenwriting and directing, of course, accomplished that, but I also saw difference in the slight mannerisms of the actors that changed with their likability changes. Since I cannot understand the spoken language, the non-verbals were very important for my understanding of the characters. Each main character was both good and bad and most acts are framed as both good and bad. My perception of who was the hero/villain, who was as the protagonist/antagonist, flawlessly ebbed between the characters and themes. Most of the characters are likable at some point, and all have some good personality traits, but throughout the movie almost all of them do morally wrong, or downright creepy or cruel, things. There seems to be something in Lady J for everyone- it's beautiful to view, fun to hear the French language and musical score, filled with compelling and realistic characters (albeit rushed in terms of character development), and overflowing with meaningful themes about societal themes and interpersonal relationships. Lady J seemed to embrace and push past the cliches of its genre to touch on human nature, the complexities of relationships, and the inherent tensions and corruptions resulting from inequality (sex, age, financial, influence, religion) and self-centeredness (delusion, self-aggrandizement, callousness, vigilante justice, lack of introspection, pride). I'm not sure how those who made this movie managed to do so, but this movie left me with renewed belief in humanity. The value of connection to other people and society and of connection to a transcendent sense of morality, justice, and emotion across humankind reveals itself throughout the movie through the failures of the characters to connect and the messy process that results from the lack of true connection to each other and humankind.

The ending is a good one, depending on which character you ask!

I never write reviews, but I wanted to read one before watching and could not find one so here it is!

So many lines of this script hit me... This film is not only wonderfully written, but the acting is exquisite. The actors do a really nice job of using their expression to relay subtext which makes the movie a more full experience. Alice Isaaz is particularly emotive (in the best way). The ending will leave you satisfied without being too painfully cliche.