A Origem do Medo

They advertised it as a (pre-historic) horror, but I would call it a thriller. It's rather slow-paced and the creepiness is mainly atmospheric: long scenes on barren hills and valleys and in dense woods, often in pitch-black nights. In between there are a few exciting outbursts of frenetic action in confrontations with what seem to be monsters; the relentless violence is impressively realistic. The cinematography is beautiful, but with so many dark scenes and with people who are difficult to tell apart since they're packed in thick layers of fur and have smeared faces, it's at many times hard to follow exactly what is happening.

The actors are made to speak the whole movie through some ancient (made up?) foreign language. I suppose this was meant to enhance the feeling of authenticity, but it's a bit tiresome to have to read subtitles for 85 minutes, distracting me from following the images. I also kept imagining what a strain it must have been to learn all these incomprehensible words and sentences. Personally, I wouldn't have minded it when they had chosen for English dialogues. And by the way, how did leader Adem get such a perfectly shaven head, did they have back then some kind of trimmers?

There's a nice twist in the end, with even an existential message: however different people may outwardly look and act, inside they are basically the same human beings. So in spite of the rather cynical and violent conclusion, the movie ended with at least a hopeful touch.

My wife and I attended a screening of the UK film 🇬🇧 Out of Darkness (2022) in theaters last night. The storyline follows a group of individuals working together during prehistoric times, seeking a new home and means of survival. Arriving in a new land with limited resources, they hunt for survival only to discover they are not the sole hunters.

Directed by Andrew Cumming in his major motion picture debut, the film stars Chuku Modu (Captain Marvel), Safia Oakley-Green (She Said), Kit Young (Shadow and Bone), Arno Lüning (Bad Girls), and Luna Mwezi (Needle Park Baby).

A well-crafted picture with a premise reminiscent of 13th Warrior, the cinematography, attire, and props authentically transport you to the era, conveying the desperation for survival and lack of hope. The characters' unity in the face of madness is palpable. While the big reveal didn't resonate with me as expected, it's a smart twist depicting evolution. The film captures a time that could well be a forgotten true story. Solid horror elements, noteworthy kills, and impressive gore contribute to the experience.

In conclusion, Out of Darkness possesses worthwhile elements but falls slightly short of its potential. I would give it a 5.5-6/10 and recommend watching it at least once.

One sentence summary: After embarking on a long voyage, a tribe of ancient humans must navigate a foreign land to find shelter while being hunted by unknown adversaries at night.

The idea for which this film's plot was formulated had some interesting potential. The setting was expansive, the practical effects were outstanding, and the acting was mostly admirable, but the progression of the story led to an ending that left a sour taste in my mouth, to say the least. The core conflict of morality versus survival is certainly a well explored topic, however when portrayed correctly, it still packs a punch. With another rewrite and some fine-tuning of the script, Out of Darkness could've achieved something great. But as it stands, I'll mostly likely look back on this film as something of a missed opportunity.

The movie begins interestingly enough as we are introduced to the characters. There are subtitles as the characters speak a language developed for the film and the story telling around the fire does have a good atmospheric effect, but very quickly the characters begin to distract from that atmosphere. This group of Northern Europeans from 45,000 years ago is made up of what appears to be three people of at least partial African descent, one of Middle Eastern descent and one Caucasian, all of whom have short or close cropped haircuts you'd be unsurprised to see today. The skins they wear are almost modern in their appearance and they are sewn and stitched again in what appears a very modern way. From here the movie continues to be an uneven mashup of entertaining suspense followed by confusing choices while not quite allowing the viewer to suspend disbelief. Loose ends abound from the odd black goo discovered after a major plot point, to the gory "slaughterhouse" area found all the while decrying the lack of game to hunt. It seems forced and manufactured and worst of all the villainous force at the end is comical and absurd. Also, the slaughtered mammoth that is found seems to be related to the villain, but again, that too adds to the absurdity. By the end of the movie, I was out of patience and ready to leave. Very mediocre and ok to watch for free somewhere but don't pay for it.

There hasn't been many films about prehistoric people, especially the meeting of the Cro-Magnon man and Neanderthals. This film had so much potential in exploring this, but instead it was executed poorly as a "horror" film without any real horror. As others have said, most of the film is too dark to see, a lot of running and hiding, jump scares.

What really disappointed me is the lack of simple research in the topic for such a film. The depiction of the Neanderthals and the first Cro-Magnon into Europe after the ice age were completely scientifically off. This makes people who actually know enough of the subject unable to suspend their disbelief.

I'll give this a 4 for the creativity and concept. However, if you really want to watch a good film on this topic, I suggest the NOVA special from 20 years ago which covers it in detail and filmed it with high quality aesthetics.

4/10.