AVALIAÇÃO DA IMDb
3,9/10
17 mil
SUA AVALIAÇÃO
Uma jovem é contratada por um homem que se tornou responsável por seu sobrinho e sobrinha depois da morte de seus pais.Uma jovem é contratada por um homem que se tornou responsável por seu sobrinho e sobrinha depois da morte de seus pais.Uma jovem é contratada por um homem que se tornou responsável por seu sobrinho e sobrinha depois da morte de seus pais.
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Avaliações em destaque
Complete waste of time. I was close to walking out but I was hoping it got better. The ending confirmed that I should have walked out.
I'm irritated I lost precious time to go see this train wreck.
I'm irritated I lost precious time to go see this train wreck.
2LSUK
Very annoyed by this movie. It had potential but every good plot idea fizzled out into nothing. There were too many cheap jump scares and way too many unanswered questions. The ending left not only me but the entire cinema audience questioning what actually happened...
Such a good location and atmosphere but I feel like there was too much going on. The acting was good but was ruined by the dull and in my opinion, non-existent story line.
Such a good location and atmosphere but I feel like there was too much going on. The acting was good but was ruined by the dull and in my opinion, non-existent story line.
I didnt hate this as much as others have here. No, it wasnt particularly scary. But I liked the actors in it and I felt they were doing their best. And knowing the book its based off of, I felt it followed the plot relatively well with some minor adjustments. I just think the book or even the Netflix miniseries did a better job with atmosphere. For me, the biggest let down of the film is that ends so abruptly. The film really needed like an additional 10 minutes just to try and tie everything up.
I like horror movies and thrillers, I like modern takes on period pieces and classics, and I like the cast and am a fan of the director's music videos and earlier film work (i.e. The Runaways). So I expected to enjoy this update on The Turn of the Screw. I did not enjoy it, I'm sad to report. There was too little story or suspense to hold one's attention throughout, and that's a shame.
The cast certainly did their jobs -- Finn Wolfhard is no longer the nerdy little kid, and Mackenzie Davis was convincing in her role as a driven-to-the-edge tutor -- and it was visually beautiful throughout a lot of the film. But early jump scares suck a lot of the suspense out of it all. And a distinct lack of backstory/characterization leaves way too many questions about what, exactly, there is to be afraid of in the giant, creaky house. The little girl's fears are left unexplained, at least in terms of being satisfactory; the huge personality shift in the boy is sort of waved away; and the many unexplained deaths in the history of the estate are just confusing. I kept wondering if cuts had been made to the script or in the editing room, because things didn't flow at all and it really affected the atmosphere.
The ending will drive a lot of viewers to yell at the screen. Our half-full opening night theatre did a lot of groaning and saying, "You've got to be kidding me!" as the credits suddenly began to roll. Maybe that finale would've worked better had everything leading up to it actually added up to more...but unless we get a Director's Cut we'll never know. I wish I could recommend this movie. I can't. Not scary, nonsensical, and not enough to be worth the price of admission. -HV
The cast certainly did their jobs -- Finn Wolfhard is no longer the nerdy little kid, and Mackenzie Davis was convincing in her role as a driven-to-the-edge tutor -- and it was visually beautiful throughout a lot of the film. But early jump scares suck a lot of the suspense out of it all. And a distinct lack of backstory/characterization leaves way too many questions about what, exactly, there is to be afraid of in the giant, creaky house. The little girl's fears are left unexplained, at least in terms of being satisfactory; the huge personality shift in the boy is sort of waved away; and the many unexplained deaths in the history of the estate are just confusing. I kept wondering if cuts had been made to the script or in the editing room, because things didn't flow at all and it really affected the atmosphere.
The ending will drive a lot of viewers to yell at the screen. Our half-full opening night theatre did a lot of groaning and saying, "You've got to be kidding me!" as the credits suddenly began to roll. Maybe that finale would've worked better had everything leading up to it actually added up to more...but unless we get a Director's Cut we'll never know. I wish I could recommend this movie. I can't. Not scary, nonsensical, and not enough to be worth the price of admission. -HV
Kate Mandell (Mackenzie Davis) takes on the job of tutoring Flora Fairchild (Brooklynn Prince) at an English estate. She is constantly harassed by Flora's older brother Miles (Finn Wolfhard). Caretaker Mrs. Grose (Barbara Marten) tells her that Flora is haunted by the death of her parents.
This sets up a good moody horror and it has some good actors. After setting everything up, the plot basically stops moving and developing. It feels stuck in place and the story becomes a muddle. Then the movie truly stops in a confused abrupt ending. The style is like an old horror ghost story which is intriguing. If only, the story would flow better than this.
This sets up a good moody horror and it has some good actors. After setting everything up, the plot basically stops moving and developing. It feels stuck in place and the story becomes a muddle. Then the movie truly stops in a confused abrupt ending. The style is like an old horror ghost story which is intriguing. If only, the story would flow better than this.
Você sabia?
- CuriosidadesThis is one of two adaptations of Henry James' novella "The Turn of the Screw" released in 2020. The other is the Netflix mini series A Maldição da Mansão Bly (2020) by Mike Flanagan. Both adaptations are produced by Amblin Entertainment.
- Erros de gravaçãoThe 1994 lesson book for Flora identifies February 28th as a Tuesday and March 1st as a Wednesday. In 1994, those dates were a Monday and Tuesday, respectively.
- Cenas durante ou pós-créditosThe end credits sequence shows Kate's hand dragging across the walls as the credits roll. Halfway through, it cuts to blue figures dancing.
- ConexõesFeatured in Chris Stuckmann Movie Reviews: The Turning (2020)
- Trilhas sonorasThe Brakes
Written by Theresa Wayman (as Theresa Baker-Wayman), Emily Kokal, Jenny Lee Lindberg (as Jennifer Lindberg), Stella Mozgawa
Performed by Warpaint
Courtesy of Warpaint and KRO Records
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Detalhes
- Data de lançamento
- Países de origem
- Centrais de atendimento oficiais
- Idioma
- Também conhecido como
- Presencias del mal
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 14.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 15.472.775
- Fim de semana de estreia nos EUA e Canadá
- US$ 6.950.045
- 26 de jan. de 2020
- Faturamento bruto mundial
- US$ 19.428.166
- Tempo de duração
- 1 h 34 min(94 min)
- Cor
- Mixagem de som
- Proporção
- 2.39 : 1
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