Dois assassinos experientes que deixam sua última vítima em um cemitério lotado são assediados pela antiga floresta por uma força sobrenatural malévola.Dois assassinos experientes que deixam sua última vítima em um cemitério lotado são assediados pela antiga floresta por uma força sobrenatural malévola.Dois assassinos experientes que deixam sua última vítima em um cemitério lotado são assediados pela antiga floresta por uma força sobrenatural malévola.
- Prêmios
- 10 vitórias e 22 indicações no total
Bryan Larkin
- The Woodsman
- (narração)
Avaliações em destaque
Ita a below par film with terrible acting which I had to turn off before the end.
The concept of the film is rather interesting I liked the two main mobster characters, and Greg played his role well. I feel as if some back story on 'The woods people' would of helped the viewer understand why they are there and who they are. The initial start of the film felt slow with the starting credits, it didn't grab hold me unlike most films where the actions starts from the get go, but that's personal opinion.
Overall it was still a good watch, and I couldn't predict where the story was going! Well done to all the cast and crew for creating this thriller/horror!
Overall it was still a good watch, and I couldn't predict where the story was going! Well done to all the cast and crew for creating this thriller/horror!
13 Graves is an underdeveloped film. Not all its ideas are entirely formed. The movie remains an enjoyable waste of time though.
John Langridge, the writer and director, gives the audience a good twist on a ghost story. When a gangster's son tries to cheat her out of a deal, she doles out her justice... She has her henchmen take him into the woods... and not for a picnic. Luckily for him, these woods are not strictly natural. For one thing, the mobsters use them for their graveyard.
Roaming this woodland is a hulk of a woodsman. Could the woodsman be guilty of digging up the executed or is something sinister responsible?
Imagine walking through the foliage shadowed land. You hear a noise. Is an animal nearby or is somebody stalking you? This unease is what you should feel throughout the movie. However, the creepiness is lacking in the film. This is a major disappointment since it's a horror flick.
Langridge doesn't lack the skill to create atmosphere. He easily builds excitement and works in a few comedic elements. He has the talent, he just doesn't utilise it completely.
The ambience isn't the only thing not wholly implemented. When one of the cold-blooded-killers gets chased through the woods, it would have been great to watch the chase. However, he falls into the building his mate's in, rolls over, and say's, "There's something out there!" This is a wasted occasion to create the missing creepiness.
The cast is great. Everyone gives their best, and their expertise is clear. They raise the film out of its directorial and pacing predicaments. They don't make the picture great, but they keep it watchable.
Morgan James as the hitman Terry looks tough, a guy you wouldn't mess with. But he does a great sarcastic face. Terry's the one who adds most of the humour.
Terri Dwyer as the mob boss Maddy is perfect. She's cool, collected, and intelligent. But her cruel ruthlessness is what you'll remember. When she confronts her son about his deceit, you know you wouldn't her for your mother.
Maddy's treacherous son, Billy, is admirably portrayed by Jacob Anderton. He's great at portraying a con artist, always thinking and scheming. It may be these traits that keep him alive.
Even Michael McKenn who plays Maddy's dead husband Len gives a powerful performance. Though he says little, he has the right bearing for a mob boss. Whenever he's on-screen, you envisage a man of power. A man of influence and authority.
This film isn't the best it could be, and the ending is confusing, however, it's still worth one viewing. If you like gangster films or ghost stories, give the movie a look-see. If you don't, then I'd suggest leaving this film alone. Especially since better movies are available to watch first.
Ratings: Story 1.25 : Direction 0.75 : Pace 0.75 : Acting 1.5 : Enjoyment 1 : Total 5.25 / 10
Scarper across to my Absolute Horror list and check where this un-creepy ghost story got planted in my ratings.
Take Care and Stay Well.
John Langridge, the writer and director, gives the audience a good twist on a ghost story. When a gangster's son tries to cheat her out of a deal, she doles out her justice... She has her henchmen take him into the woods... and not for a picnic. Luckily for him, these woods are not strictly natural. For one thing, the mobsters use them for their graveyard.
Roaming this woodland is a hulk of a woodsman. Could the woodsman be guilty of digging up the executed or is something sinister responsible?
Imagine walking through the foliage shadowed land. You hear a noise. Is an animal nearby or is somebody stalking you? This unease is what you should feel throughout the movie. However, the creepiness is lacking in the film. This is a major disappointment since it's a horror flick.
Langridge doesn't lack the skill to create atmosphere. He easily builds excitement and works in a few comedic elements. He has the talent, he just doesn't utilise it completely.
The ambience isn't the only thing not wholly implemented. When one of the cold-blooded-killers gets chased through the woods, it would have been great to watch the chase. However, he falls into the building his mate's in, rolls over, and say's, "There's something out there!" This is a wasted occasion to create the missing creepiness.
The cast is great. Everyone gives their best, and their expertise is clear. They raise the film out of its directorial and pacing predicaments. They don't make the picture great, but they keep it watchable.
Morgan James as the hitman Terry looks tough, a guy you wouldn't mess with. But he does a great sarcastic face. Terry's the one who adds most of the humour.
Terri Dwyer as the mob boss Maddy is perfect. She's cool, collected, and intelligent. But her cruel ruthlessness is what you'll remember. When she confronts her son about his deceit, you know you wouldn't her for your mother.
Maddy's treacherous son, Billy, is admirably portrayed by Jacob Anderton. He's great at portraying a con artist, always thinking and scheming. It may be these traits that keep him alive.
Even Michael McKenn who plays Maddy's dead husband Len gives a powerful performance. Though he says little, he has the right bearing for a mob boss. Whenever he's on-screen, you envisage a man of power. A man of influence and authority.
This film isn't the best it could be, and the ending is confusing, however, it's still worth one viewing. If you like gangster films or ghost stories, give the movie a look-see. If you don't, then I'd suggest leaving this film alone. Especially since better movies are available to watch first.
Ratings: Story 1.25 : Direction 0.75 : Pace 0.75 : Acting 1.5 : Enjoyment 1 : Total 5.25 / 10
Scarper across to my Absolute Horror list and check where this un-creepy ghost story got planted in my ratings.
Take Care and Stay Well.
Blair Witch meets A Sixth Sense.... just took neither of the positives from either film.
Low budget horrors are usually home to one or more of the following: bad story, bad acting, bad script, bad production design. John Langridge's 13 Graves is a wonderful surprise as it contains none of those!
Quite the opposite. It's a clever, tightly-written script with brilliant cast of quirky characters. The story mixes genre seamlessly and the film is great to look at, especially as night falls (where many horrors resort to frantic 'running around in the dark').
Because it has intelligence, and a story, at its core , it manages to be both gripping along the way and satisfying at the end.
I've seen 13 Graves once, and unlike most horror films, I'd happily watch it again - and that's not something I say very often.
Quite the opposite. It's a clever, tightly-written script with brilliant cast of quirky characters. The story mixes genre seamlessly and the film is great to look at, especially as night falls (where many horrors resort to frantic 'running around in the dark').
Because it has intelligence, and a story, at its core , it manages to be both gripping along the way and satisfying at the end.
I've seen 13 Graves once, and unlike most horror films, I'd happily watch it again - and that's not something I say very often.
Você sabia?
- Curiosidades13 Graves was filmed in 13 days (+2 extra 'pick-up' days, shot six months later).
- Cenas durante ou pós-créditosSPOILER: 'Thy Judgement Cometh...' is seen at the very end of the closing credits.
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Detalhes
- Data de lançamento
- País de origem
- Central de atendimento oficial
- Idioma
- Também conhecido como
- 13. Mezar
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Faturamento bruto mundial
- US$ 2.938
- Tempo de duração
- 1 h 23 min(83 min)
- Cor
- Proporção
- 2.35 : 1
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