Las niñas bien

What could have been an interesting societal study of a change of elites in the times of crisis (the falling down of Sofía De Garay's status and the rising of Ana Paola Haddad's) is lost as the characters, true to the selves of Mexican upper class, are too frivolous to understand the reality they live in. And the film does not go beyond that limited look of things.

Yes, old banking and manufacturing families went down in the crisis of 1982-88, and others -notably the mogul Carlos Slim, well portrayed as Mr. Haddad- made millions and millions, but the process was not as swift and shallow as the movie makes it be.

Acting is good, production is nice, pace is slow and the whole film ends up to (almost) nothing.

Could not hear voices clearly, like as they were speaking from inside a box.

Worst soundtrack ever heard.

This movie stands out from most Mexican movies.

The film is well made, it has a good production design, good photography, very good acting, Ilse Salas doing a good job as always, very good music, it is very well directed, has an excellent hair and makeup job, there is an attractive design costume, good character development and the script is compelling and well developed. The only thing that doesn't convince me is the way it tells the story, making the film a bit confusing and sometimes slow.

The film manages to portray how they were seen in the past, and even today, social classes in Mexico and how appearances were everything in those times, even more important than being happy, the film manages to be a high quality film and very remarkable of the majority of Mexican films with a good script and good execution.

Amazing film, that is all I have to say. Loved everything about it.

Acting is great, production is good, sound is wonderful and the story reminds me of the good old times.