A Roda do Tempo

The Wheel of Time is an ambitious fantasy series based on Robert Jordan's iconic book series, bringing to life a sprawling world filled with magic, prophecy, and a battle between light and darkness. Visually, the show is stunning, with breathtaking landscapes, detailed costumes, and a rich cultural tapestry that sets it apart from other fantasy adaptations. The special effects and world-building are genuinely impressive, capturing the epic scale and complexity of the source material. Rosamund Pike delivers a powerful performance as Moiraine, grounding the story with wisdom and mystery. The supporting cast also brings energy and diversity, representing the wide array of cultures and nations that exist within the Wheel's turning. However, despite all these strengths, the show's momentum is noticeably held back by the portrayal of its central character, Rand al'Thor, played by Josha Stradowski. While the character is meant to evolve from a humble farmer to a world-changing figure, Stradowski's performance often feels flat, lacking the emotional depth and inner turmoil that defines Rand's journey in the books. His stoic demeanor comes across more as wooden than reserved, making it difficult to connect with him or fully invest in his transformation. Given the importance of Rand to the overall narrative, this casting misstep significantly impacts the emotional resonance of the series. One can't help but wonder how much stronger the show could have been with a more dynamic actor in the lead role-someone capable of conveying the vulnerability, fear, and reluctant heroism that Rand embodies. For instance, imagining an actor with the nuanced charm and range of a young Daniel Radcliffe, best known for his portrayal of Harry Potter, could have dramatically altered the feel of the series. Radcliffe's ability to grow with a character and express internal conflict would have added layers to Rand's arc, making the story more compelling and emotionally grounded. That said, the rest of the ensemble cast works hard to elevate the material, and the showrunners deserve credit for attempting to streamline an incredibly dense series into a television format. The narrative pacing has its highs and lows, occasionally feeling rushed or disjointed, especially for those unfamiliar with the books. Still, fans of the series will appreciate the nods to the original lore and the attempts to stay true to the themes of balance, destiny, and the cyclical nature of time. With strong female leads, diverse representation, and a deep mythology, The Wheel of Time has a lot going for it, but it also struggles under the weight of its own expectations. If the central performance had been more engaging, it could have elevated the entire production to a different level. Instead, the series sometimes feels like it's spinning in place, trying to find its emotional core. Despite this, there's still potential for growth, especially if the character development sharpens in future seasons. As it stands, The Wheel of Time is a visually rich and thematically ambitious adaptation that is held back by uneven acting and some awkward narrative choices-but with a few key changes, it could still become one of the greats in modern fantasy television.

I've been struggling to put into words exactly what it is that makes me dislike this tv show, the best I can do is say that Rafe Judkins has removed, changed and added so much that the resemblance to this book series is at best passing. What he has created from a classic fantasy story is a Frankenstein's monster with a rushed story that makes little sense in a world robbed of any character or depth. I watch because I love the book series, and seeing them mangle one of my favourite series is like witnessing a car crash happen in slow motion, I don't want to watch but I can't bring myself to look away.

I could go into detail, but nobody wants that so I'll save you that torment. The book readers know what the changes are, and the tv show enjoyers don't really care. Each to their own, Keeping Up with the Kardashians has been on television for 20 years so it's not like the bar is incredibly high. The crux of my criticism of the Wheel of Time steaming series is this; Rafe Judkins believes himself a better storyteller than Robert Jordan, that is the only way to explain how and why he made the changes that he did. That is the only way to explain it. There are moments that could have been book accurate, but weren't. For what reason? Only Rafe knows.

I never read the books for The Wheels of Time so I had no idea what to expect but I have to say that I've truly enjoyed it so far. This show hooked me from the first episode and held my attention to the last. I binged the first two seasons in less than a week and was still hoping for more episodes when I was done so I'm glad season 3 is finally here. It seems like some of the people who read the books didn't like it as much but as long as you try not to compare it to the book and just enjoy it for what it is...and that's an entertaining fantasy series. The series should be judged on its own and not compared to the book. I'm not saying it's the best show I've ever seen but it's definitely worth watching. The world building and cast are the best things about the show and I can't wait for more.

With great source material to work from this should have been an easy pitch and catch for the showrunners but they have elected to follow the overarching plot without actually following any of the character arcs that make it up.

The sets are painfully reused, CGI low quality for 2021 and the best actor left the show after episode 6. The best parts of the show are the characters with less screen time, especially Dana, Padan Fain, Ishmael and Logain.

There is almost no setup to the Dragon at all and even less to the Dark One. This is the core struggle at the heart of the Wheel of Time and lost completely to the rapid pace of attempting to get through the 'quest' portion of the Wheel of Time as quickly as possible.

After 8 episodes I find myself with very little left to argue against those who see the show as misandrist in nature. Every single male character is deficient in some way whilst women are elevated in terms of power and competence. Given the more equal world we live in than when EotW was penned, along with the fact that the source material has plenty of empowered female characters, it's difficult to understand why.

Absolutely amazing season so far! A snow a bit shy, based on covid and Mat's recast in the ending of season 1, but getting better with each episode since! Season 3 is a must see, great world building, costumes and very good acting already at this point from the kids! Fresh new additions to the cast and solid adaptation. The show is now ready to lose some of the main protagonists as in the books, although that will make me cry! A few things done even better then in the books, especially when it comes to the heroes being more real and relatable in a tv adaptation. It also answers my biggest question as a huge book fan - why the white tower is unaware that there are so many channelers in the world outside of it? It absolutely bothered me in the books that the so powerfull and knowledgeable tower doesnt have a clue about the chanellers amongst the aiel, the seafolk etc if there are so many and each Aes Sedai knows who can channel only by seeing them, even when that person does not hold saidar at the moment. I beg those at Amazon, keep the show going it seems it will only get bigger and better now! The book material from now on has such a rich and unique storyline, that if the show goes all the way to the end, it will be impossible to ever find anything as good as it! PS: I cannot get "The hills if Tanchico" out of my mind! The hills of Tanchicoooo.....