O Chalé

This movie is relatively good. Movie goers cannot seem to watch movies for what they are now but constantly need to analyze and compare elements of the movie to other films. This movie is a little on the slower side. If you like slow building, psychological thrillers, this one is for you.

Two Children Still Suffering from the very Disturbing Loss of Their Mother are Cooped Up in an Isolated "Lodge" with Their New Step-Mother During a Snowstorm.

The Step-Mother, who by the way, is Blamed by the Children as the Reason They Lost Their Mom.

She is also a Traumatized Victim of Her Father, a Religious Cult Leader who Led His Flock to Mass Suicide, She was the Only Survivor.

What Could Possibly Go Wrong?

Well as You might have Guessed, Quite a Lot.

The Movie is Atmospheric and Frightful, Disturbing and Gets in Your Brain and Under Your Skin,

The Suspense is nearly Unbearable and Unrelenting, and all Three Actors Deliver Cutting Performances while Spinning the "What is Real and What is Not" Scenario.

More Thriller than Horror, but the "Supernatural" Plays a Significant Part in the Unfolding Plot as the Characters are Coming Unglued from Stability.

The Movie-Makers take No Prisoners with Regards to Shock and Unsettling Occurrences with Chilling Developments and a Stone-Cold, Depressing Tone.

Not a Must-See and Not for Everyone.

But those who Like Their Scary Movies Anchored Internally with Psychological Abnormalities that can Cause Disheveling Behavior...

This one comes with a Strong Recommendation.

I've given this a six because we were both effectively creeped out and very impressed with cinematography and the film's immediacy for the front half. The key plot point of why the Dad left his kids in the situation he did wasn't credible but I was willing to go with the premise...up to a point.

I lost confidence in the film's direction when the "mystery" began to be explained. It felt as though the writers decided there HAD to be a violent resolution to the story (and somewhat of a nod to the morbid religiosity that had been pointed to.)

We were a little disgusted with a pat ending after such early promise of something different. I also get tired of films where someone takes it out on an innocent animal to create fear and foreshadow things are going to get really bad for the humans.

I'll get the major cons out of the way first. This movie suffers from the usual problem Hollywood film always seem to have -- no money to afford electricity. Most of the movie is shot entirely in the dark, so goodness knows what happened in those scenes. Also, one or two key bits of dialogue that explain what's really happening are totally lost to mumbling.

However, overall, this film really did improve on second watching. Once you know what the story is, you spot all sorts of little bits of detail that make the whole thing make sense. But more than this, my empathy with Grace, the protagonist and victim, grew exponentially during this second watch. She comes over as an almost wholly sympathetic character. Little things like the carefully wrapped presents she brings and hides make her rather loveable. Her love for her dog and what he represents to her is very moving. She's a very damaged person, but unfortunately for her, she gets entangled with other very damaged people and hell hath no wrath like grieving children.

There's only one jump scare in this movie, but it's a good one. The rest of the film is a more slow psychological horror about the power of grief and early childhood trauma. And human fragility.

I highly recommend this to anyone who likes their horror thought-provoking and real rather than shock-horror jump scares. This clearly borrows from Hereditary: almost shamelessly copies much of the atmostphere of that film with the dark house, the dolls' house, the cult, the dolls, the camera work inside the dolls' house distorting our perceptions.

Pretty good movie with strong performances all round.

The Lodge has been a rather divisive point between critics and audiences, audiences have been more split on the film while critics have been more inclined to view the film favorably. This is not a movie made for a mass horror audience like the films made by Blumhouse or Atomic Monster, rather this is a character study with a no holds barred approach to its themes of lingering trauma and toxic religiosity. The film follows Aiden(Jaeden Martell) and Mia(Lia McHugh) who after the suicide of their mother Laura(Alicia Silverstone) live with their father Richard(Richard Armitage) and soon to be stepmother Grace (Riley Keough). Richard, needing to work through the holiday season arranges for the two to spend time with Grace at lodge in the woods that they frequent in the hopes that they will bond, but once there strange happenings coupled with the lingering resentment and bitterness felt by Aiden and Mia towards Grace for their mother's suicide a slow decent into terror begins.

The Lodge as horror film is very effective at building its mood and atmosphere. The titular lodge becomes a character itself with its empty halls, surrounding frozen landscapes, and generally sense of foreboding created by its minimal lighting and cavernous nature. Be it in the dark of the night or the light of day there is never any sense of comfort felt while in the lodge and a general feeling of unease permeates the film.

The characters aren't written with much in the way of depth, but they do effectively convey the feelings we expect given the circumstances. The crushing despair felt during the opening act's funeral, the mixture of boredom, restlessness, and unease felt during the second act, and finally the sheer terror and resignation that serves as the penultimate lead up to the films final moments. It's a movie where the minimalism is put to good use because it respects its audience enough not to through in a jump scare every few minutes.

The overall narrative deals with heavy themes of grief and religion as the two kids, Aiden and Mia, are devout Catholics as raised by their deceased mother Laura. Grace herself has distanced herself from religion later in life as her involvement with a extremist Christian cult left her with lingering trauma that serves as another point of contention between herself and the children. A key point in which the religious themes come into play is because the children are Catholic they believe their mothers soul will never be able to find peace.

The Lodge uses its themes of religiosity sparingly, and it's not so much of an indictment of religion itself, but more of the followers of said religions who twist what was once a well meaning doctrine into justification for acts of ugliness and barbarism that while not as explicitly graphic as your average Saw or Hostel film leave a haunting emptiness once we bear witness to the proceedings.

With that said however this movie will not be to everyone's taste. The movie is a slow burn with long stretches broken up by the occasional nightmare or sudden noise and there's very little dialogue among the characters so the audience will need to actively look for character in subtle interactions rather than through conversation. The films use of religious iconography may also seem insulting to some who feel themselves to be among the faithful but with that said I don't believe this film to carry any ill will towards the majority of Christians and it's more about those who twist the doctrine as justification for heinous actions. However the ending may leave some wondering where the film stands given where we eventually end up, but it does make a good topic of conversation for people to explore their differing views.

The Lodge is an effectively unsettling slow burn horror film that uses its minimalist aesthetics economically and effectively. From its effective performances to its barren landscapes and claustrophobic cinematography it'll leave viewers in a state of unease that makes them feel as though they're stuck in the titular lodge along side the characters.