Em 1974, uma transcritora da Casa Branca fica envolvida no escândalo Watergate quando obtém a única cópia do infame intervalo de 18 minutos e meio nas fitas de Nixon.Em 1974, uma transcritora da Casa Branca fica envolvida no escândalo Watergate quando obtém a única cópia do infame intervalo de 18 minutos e meio nas fitas de Nixon.Em 1974, uma transcritora da Casa Branca fica envolvida no escândalo Watergate quando obtém a única cópia do infame intervalo de 18 minutos e meio nas fitas de Nixon.
- Direção
- Roteiristas
- Artistas
- Prêmios
- 4 vitórias e 14 indicações no total
- Cheryl
- (as Marija Abney)
- H.R. 'Bob' Haldeman
- (narração)
- General Al Haig
- (narração)
- Samuel
- (as Vondie Curtis Hall)
- Radio Announcer
- (narração)
- OMB Harry
- (narração)
Avaliações em destaque
It plays more like an extended anecdote than a story, so it's good they have some talent in place that can play it for comedy, like Richard Kind as the one-eyed motel owner, and Alexander Woodbury as a fisherman.
It's certainly an entertaining satire, if not particularly deep. Still, who knew that Bruce Campbell could do such a good Nixon impersonation?
Meandering away from Watergate, most of the film explores and revels in eccentric characters and their interactions. Subtle humor and satire abound if you pay attention and let down your hair: conspiracy theories involving Wonder Bread and ITT; Bossa nova music; broken tape machines; mysterious fishermen; one-eyed desk clerks.
Smatterings of the missing 18½ minute recording are revealed and they are nothing more than what we expect although amplified through a filter of ridiculousness and cartoonish caricatures. It really helps to be a student of Watergate and recognize the various characters like Mark Felt (who is referenced hilariously), H. R. Haldeman, Al Haig and Rosemary Woods in order to "get" all the jokes.
This film is an unexpected surprise. Wry, intelligent humor, a brisk pace and wonderful characters make for winning combination. Worth a second viewing to catch all those subtle cues and clues. Bravo, Mr. Mirvish.
This movie wants the audience to look at all the other guests and Jack with suspicion. It wants to be a mystery, but there is really only one solution that makes sense. I guess it could be all coincidences and that's not fun. It becomes a game of waiting until the movie does the reveal. At least, the reveal is fine, but the waiting is not.
Você sabia?
- CuriosidadesThe film was shot at the Silver Sands Motel & Cottages in Greenport, New York, which was at the time owned by producer Terry Keefe. It is the only feature film to be shot at the Silver Sands.
- Erros de gravação@ around 15 minutes when Paul & Connie are talking in the dinner a camera operator can be seen reflected in the mirror behind Connie. The camera operator is visible on the left side of the mirror before slowly moving to the right out of shot.
- Citações
President Richard M. Nixon: Bob, I don't know anything about that.
H.R. 'Bob' Haldeman: No. Of course not. Sir. Uh, my mistake.
President Richard M. Nixon: I won't stand for anyone looking into Colson.
H.R. 'Bob' Haldeman: Right now it's just some flat-foots at DC Metro.
President Richard M. Nixon: Yeah, by tomorrow it'll be the FBI. Colson will fold like testicles in a nutcracker. I don't trust the Bureau.
H.R. 'Bob' Haldeman: Uh, I assure you with Pat Gray acting as... .
President Richard M. Nixon: Acting like a balloon maybe. Ever since Hoover died they're pissed off that we didn't promote from the ranks. Who's that one, uh... Mark something... satin, uh... velvet, uh... .
H.R. 'Bob' Haldeman: Felt.
President Richard M. Nixon: Felt like a weasel when I shook his hand.
- ConexõesReferences Museu de Cera (1953)
Principais escolhas
- How long is 18½?Fornecido pela Alexa
Detalhes
- Tempo de duração1 hora 28 minutos
- Cor
- Proporção
- 2.35 : 1