Them That Follow

An extremely slow burn about faith, secrets, and nature vs nurture set deep in the Appalachian Mountains? Yeah I'm in. The good news is that the acting is superb, the direction and cinematography are eerie, but the story only begins to get interesting in the third act. And for a film that is merely 98 minutes long, that's not exactly something to write home about. And unfortunately, stories like this won't be seen in masses.

6.3/10

Slow-paced. Brooding. Intriguing. Good acting. An unusual movie about a backwoods, Pentecostal, snake-handling congregation. Sinful secrets are bubbling under the surface and threaten to ruin the tight-knit, faithful community. The writers made a creative choice to surround an overplayed love story with the interesting addition of giving us a window into a fairly unknown and controversial religious sect. In My Humble Opinion, it definitely won't be for everyone, with its unorthodox subject matter, subdued acting, and inconclusive ending... but it held our attention through to the end.

Them that follow starts off as quiet movie, almost a social study of a rural, religious community in the US hinterlands. But right from the beginning you can feel, that there is something dark brooding under the soil of this fragile community. And sure enough, the tension breaks at the end into a visceral finale. When the movie almost turns into body horror, you find yourself at the edge of your seat, begging the characters would stop with their gruesome actions. And while you want to look away, you realize that you just can't. This movie already has gone into your veins like the poison of the rattlesnakes, that play such a prominent role in this community drama. Them that follow portraits the coming-of-age of Mara, the pastor's daughter in a religious community, that seems estranged from civilization. Her father and his religious followers practise an equally strange and dangerous version of christian belief. During the service they deal with deadly poisonous snakes, that they collect in the woods. By handling the snakes, the worshippers put their live in God's hands, with the promise that all sins may be forgiven, if you survive the encounter with the reptiles. Mara does not question this behaviour and her own faith, until she becomes engaged with a young man from the village, while secretly loving another. This love triangle leads to unchristian behaviour and, sure enough, the snakes come into play. Mara finds herself into a position, where she must challenge her own belief to save the man she loves. I saw Them that Follow at South-by-Southwest 2019, not knowing anything about this movie. And I have to say, by the end I was fully gripped. The story, which is based on existing snake handler communities, unfolds slowly, but is rip-roaring at the end. The performances from the young actors are very good and you believe in the relationship of the characters. But it is Olivia Colman and Walter Goggins who stand out in the great cast. It is them, who give this people a heart and soul, by portraying as real people, who care deeply about their loved-ones. They are religious fanatics, but they are not insane. Their actions come from, well, good faith and they have the best intentions for the people, who are close to them. That you feel empathy for these characters is credit to the fabolous actors and the good direction of directors and screenwriters Britt Poulton and Dan Madison Savage. Both have personal experiences with fringe religious groups. Them that follow is an indie-surprise. It is heartfelt, gripping and willing to pull some necessary punches to deliver it's story. Worth a watch!

In a backward mountain community that worships the serpent, Mara (Alice Englert) is the daughter of Pastor Lemuel Childs (Walton Goggins). When she is proposed to get married with the local Garret (Lewis Pullman), Mara has to face her demons and come up to a decision.

"Them That Follow" is a slow-paced film about the relationship of religious fanatics in a backward community in the mountains. The pace is too slow and the theme is unpleasant. But for those that like the genre, the movie is not bad. My vote is five.

Title (Brazil): Not available

The first 2/3 of this film are very slow paced, interminable burden on the viewer. The last 1/3 is a series of predictable jump scares and tropes. They are shallow and silly, but I guess the point of the first 2/3 is to put you in such a torpor that you fall for the jump scares.

The acting is not bad at all. But over all this just fails on several core levels due to script pacing and hamfisted directing.