Joan Didion: The Center Will Not Hold
- 2017
- 1 h 34 min
AVALIAÇÃO DA IMDb
7,5/10
3,3 mil
SUA AVALIAÇÃO
O ícone literário Joan Didion reflete sobre sua notável carreira e suas lutas pessoais neste documentário íntimo dirigido por seu sobrinho, Griffin Dunne.O ícone literário Joan Didion reflete sobre sua notável carreira e suas lutas pessoais neste documentário íntimo dirigido por seu sobrinho, Griffin Dunne.O ícone literário Joan Didion reflete sobre sua notável carreira e suas lutas pessoais neste documentário íntimo dirigido por seu sobrinho, Griffin Dunne.
- Prêmios
- 4 indicações no total
Avaliações em destaque
This film is a tribute to Ms. Didion, who was an amazing writer, and her writings were incredible that they were so easy to read and understand. Griffin Dunne does a fantastic job with this. I was actually surprised at how much I enjoyed this film and how much it made me think and maybe tear up a bit. She was an amazing woman whose writings were concise and she was completely unafraid to relate the truth, no matter how unpleasant or downright ugly - or how painful. We have all lost loved ones, children sometimes and certainly spouses, and even innocence in the political and social systems - she really was able to convey the feelings - the reality of loosing major parts of your life and to still survive. This is a wonderful film, and encompasses more than just a tribute to a wonderful Aunt. She is an amazing person.
I really appreciated this film because of the extensive amount of archival research it took to put this together. Full disclosure: I was not a huge Didion fan, even less so familiar with her work. But this was a fun and enlightening journey delving into nearly every facet of Didion's career and personal life. Although captivating it became a tad bit too prosaic defined by the B story diversions that would have presented better in brief, this just being my humble opinion of course. If you're a Didion fan this is a must see, obviously.
Joan Didion was born in 1934, the same year as Gloria Steinham. They both intrigue me as women writers who earned a living as outsiders--reporters--investigating gender, class, community, and the seismic shifts of the larger cultural world from refreshingly different perspectives.
I confess I didn't know much about Didion's personal life--her famous in-laws, her famous friends--and the documentary flicks out photographs, interviews, and archival footage that are a delight to discover. The film gives you a peek into the intimate life of an intriguing person who worked hard to stay hidden, even though her books are so personal. There is a detachment she employed as a writer to report back to us. The documentary strips away some of the distance.
I found the interviews with Dunne fascinating. Her answers surprised me. I loved seeing how the thread of her life weaved through politics, subcultures, music, film, and her own family. And kudos to Griffin Dunne (and several members of her extended family) for putting this together right now. A reflection worthy of your time.
I confess I didn't know much about Didion's personal life--her famous in-laws, her famous friends--and the documentary flicks out photographs, interviews, and archival footage that are a delight to discover. The film gives you a peek into the intimate life of an intriguing person who worked hard to stay hidden, even though her books are so personal. There is a detachment she employed as a writer to report back to us. The documentary strips away some of the distance.
I found the interviews with Dunne fascinating. Her answers surprised me. I loved seeing how the thread of her life weaved through politics, subcultures, music, film, and her own family. And kudos to Griffin Dunne (and several members of her extended family) for putting this together right now. A reflection worthy of your time.
Confession: until I watched this documentary, I had never heard of and obviously therefore, never read, any of Joan Didion's novels. So what attracted me to watch this when it was suggested to me on Netflix? Well, the era that it covered, the fact that it said she is a literary icon, and the fact that she is Griffin Dunne's aunt and that he directed it (big fan of Griffin Dunne). The style, grace and beauty of the subject also intrigued me. Having finished watching it, I then watched the trailer here on IMDB and I am so glad that I didn't see the trailer first as it gives everything away and, even though you might guess at a few things along the way, it would most definitely have lessened my enjoyment of the story unfolding at the pace that the director/writer/producer would have liked me to.
This is a beautifully crafted piece of work. It has a gentleness and fragility about it that makes you want to whisper for the rest of the day. It was such a delight to be able to really focus on this film without the sensationalised over the top music screaming at me in short bursts, that is so prevalent now in programming. Thank you so much Griffin Dunne.
This is a beautifully crafted piece of work. It has a gentleness and fragility about it that makes you want to whisper for the rest of the day. It was such a delight to be able to really focus on this film without the sensationalised over the top music screaming at me in short bursts, that is so prevalent now in programming. Thank you so much Griffin Dunne.
10/28/17. Oh my, what if Griffin Dunne didn't do this biopic when he did? Didion is now in her early 80s and it's amazing why there wasn't one done before this one. Such a celebrated writer and screenwriter finally got what she deserved. While well-known her private life was filled with tragedy, from the sudden death of her husband and early death of her only daughter at 39. Her book, The Year of Magical Thinking, is perhaps the best book ever about how those left behind deal with the death of a loved one. That book and this movie are worth catching.
Você sabia?
- CuriosidadesThe featured instrumental song is called Sandusky by Uncle Tupelo.
- ConexõesFeatures Horizonte Sombrio (1920)
- Trilhas sonorasFive To One
Written by John Densmore, Jim Morrison, Robby Krieger & Ray Manzarek
Performed by The Doors
Courtesy of Elektra Entertainment by arrangement with Warner Music Group Film & TV licensing
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Detalhes
- Data de lançamento
- País de origem
- Central de atendimento oficial
- Idioma
- Também conhecido como
- Joan Didion: Trung Tâm Sẽ Tan Vỡ
- Locações de filme
- Empresa de produção
- Consulte mais créditos da empresa na IMDbPro
- Tempo de duração
- 1 h 34 min(94 min)
- Cor
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