Cyrano mon amour

One of the best films we've seen in many years. Excellent casting, well paced, captivating plot, well-structured flow, excellent lighting and processing... the craft and effects are top notch. An overall excellent film in all aspects!

Some of the best, most innovative and some of worst, most narcissistic film (lr play) has been "play within a play" premise. I understand the writer of Edmond was attempting to copy the idea of "Shakespeare in Love."

Ultimately though the result is not engaging, or coherent. The premise is good, the result is not. Th dialogue is nowhere near as engaging as Rostand's own work. And the structure and direction don't reflect any talent. I

The cinematography and costumes are good. The actors are not without talent. But it just doesn't work

Paris, 1897. It has been two years since the young Edmond Rostand, poet and playwright, has run out of inspiration. One day, on a whim, he offers a role to the great actor Coquelin aîné, that of Cyrano de Bergerac. The trouble is that Edmond hasn't written the beginning of a line. But a promise is a promise and, inspired by what happens in his surroundings, and carried by his gift for poetic language, he gradually produces lines in which no one believes but which will prove to be the framework of an immortal masterpiece.

The initial idea, to make Edmond Rostand the hero of a play and then of its filmed adaptation, is simply wonderful. Because, if his "Cyrano de Bergerac" was staged and filmed more than often, there had been little interest in his person on the screen before this particular movie. You can see the writer as himself in Sacha Guitry's documentary, "Ceux de chez nous" (1915), as part of a gallery of great artists and writers, and that's all. He could be imagined a little stiff and pompous, which is most unlikely if you consider his linguistic agility, Alexis Michalik does not see him like that anyway : the Rostand he shows us is young, full of life but shy, inspired but overwhelmed by events. Please do not take the film literally but what it actualy is, never claiming to be historical, it is rather a fantasy full of spirit and vivacity around the figure of Edmond Rostand. And even if what happens in it is not an exact reflection of reality, "Edmond" happily explores the field of inspiration, of the gestation of a work, of the influence of the immediate environment on its content at the time of its making. It would be a mistake to be picky about such intelligent and well-paced entertainment, interpreted with contagious glee by a homogeneous troupe. As a tribute, both humorous and sensitive, to a great creator, to theater, to entertainment and to love, "Edmond" is irresistible.

What a pleasant surprise. I started streaming this movie for lack of a better option, thinking I was about to watch a tasteless biopic, and I ended up with the warm feeling of having watched a great moment of cinema.

Far from being a boring biopic, Edmond is a fast paced comedy full of emotions which brings you into the theatrical atmosphere of 19th century Paris. Dialogs are fantastically written (at least if you watch it in French). Casting brings together more than a few good actors, and the acting itself is perfectly on point and really carries the movie.

Overall a very good film, as French as a fine Bordeaux wine. Thanks for this delightful motion picture.

A great homage to French writer Edmond Rostand, the author of "Cyrano de Bergerac", a work that would become a legend, the play was played uninterrupted from 1897 until today, plus being screened many times, with many famous casts, in many films, the most famous being the one with Gérard Depardieu. All the actors are excellent and Alexis Michalik's direction is truly revolutionary.