Um ator de televisão apagado e seu dublê se esforçam para alcançar a fama e o sucesso na indústria cinematográfica durante os anos finais da Era de Ouro de Hollywood.Um ator de televisão apagado e seu dublê se esforçam para alcançar a fama e o sucesso na indústria cinematográfica durante os anos finais da Era de Ouro de Hollywood.Um ator de televisão apagado e seu dublê se esforçam para alcançar a fama e o sucesso na indústria cinematográfica durante os anos finais da Era de Ouro de Hollywood.
- Ganhou 2 Oscars
- 146 vitórias e 377 indicações no total
Resumo
Reviewers say 'Once Upon a Time in Hollywood' is a nostalgic, character-driven film focusing on 1960s Hollywood. It is praised for DiCaprio and Pitt's performances, meticulous era recreation, and cinematography. However, it is criticized for pacing, lack of a cohesive plot, and long scenes. The ending receives mixed reactions, celebrated for its surprise yet criticized for feeling out of place.
Avaliações em destaque
It took Quentin Tarantino a lifetime of living, 5 years to write and a 2 hours 41 minutes watch. This is a love letter to a film industry that is no longer recognisable. Hippies, short skirts, westerns..... all have disappeared from our movie world. But worry not, Quentin Tarantino is here to remind us of old school film making from a once beloved industry which has been described as being on life support.
The performances are flawless. I was apprehensive about how the events of August 8, 1969 would be handled. But that is handled tastefully and respectfully, yet with the classic Tarantino flair.
Will be quite a bit for those under 40 who have no recollection of this Hollywood. Some will categorise this as an over indulgent nostalgia trip for movie geeks. And they are likely to be correct. But for those of us who complain that Hollywood is reduced to remakes and comic book films, QT delivers a unique and creative viewing experience.
The performances are flawless. I was apprehensive about how the events of August 8, 1969 would be handled. But that is handled tastefully and respectfully, yet with the classic Tarantino flair.
Will be quite a bit for those under 40 who have no recollection of this Hollywood. Some will categorise this as an over indulgent nostalgia trip for movie geeks. And they are likely to be correct. But for those of us who complain that Hollywood is reduced to remakes and comic book films, QT delivers a unique and creative viewing experience.
Once Upon a Time in Hollywood is a film that is aesthetically appealing from start to finish. Quentin Tarantino's interpretation of 1969 Hollywood is a lush world with superb detail. This movie serves as a love letter to the place Tarantino presumably grew up with.
The cast features an All Star ensemble of actors. Whether supporting or main, every character in this film is portrayed with excellence. Leonardo DiCaprio continues to flex his acting prowess in his portrayal of Rick Dalton. DiCaprio's Rick Dalton is a classic take on the waning career of a once successful actor. His emotion as Rick Dalton is felt in a comical and rewarding sense. His anguish is felt prominently within this film. DiCaprio continues to be brilliant. Margot Robbie's portrayal of Sharon Tate is graceful and wholesome. Robbie's ability to emote with facials alone is true talent. Her on screen presence grants the film and audience with a sense of euphoria. Brad Pitt's character of Cliff Booth is a bad ass in every aspect. His portrayal of the character is presented with an enduring chip on the shoulder. When Cliff Booth is on screen, the film is given security. Pitt continues to exhibit why he is a name that should always be in the discussion of great actors. Pitt's chemistry with DiCaprio's Rick Dalton is excellent. Both men play off each other in a manner that makes you believe they are best friends in real life. On rare occasions will you get a chemistry more authentic than this. Rick and Cliff mirror that of Abbott and Costello, or Batman and Robin. Both men were made for these roles and are symbiotic to one another.
The dialogue in this film is up to par with the rest of Tarantino's filmography. Every word feels natural, and every encounter is perfect. Tarantino continues his streak of quotable One liners. Tarantino does an excellent job of flexing his knowledge of 1969 Hollywood within his dialogue and writing. The film is masterfully paced as well. The flashbacks don't step on the present story and they add incredible depth to an ever growing tale. The film is slow paced in that it adds background and detail to the characters and the world they live in. There are minor points of foreshadowing that tie in perfectly to the overall story. The payoff to this story is incredibly satisfying and unexpected. Tarantino is a master in storytelling at this point in his career.
The film is shot beautifully. Every shot matters and serves a purpose. Tarantino exhibits his appreciation for 1969 Hollywood through long shots of beautiful scenery and diegetic sound. Tarantino's angling of the camera is natural, serving as a film student's wet dream. Once again, the world is incredibly lush. The soundtrack exhibits some of the best usage of music in recent cinema. At times the film feels like a big music video, however this does not take away from anything within the film. The music serves as the mascot for Tarantino's 1969 Hollywood. The music and the setting of 1969 Hollywood are inseparable.
Overall, Once Upon a Time in Hollywood is another masterpiece in Quentin Tarantino's filmography. Whereas Pulp Fiction excels in storytelling and dialogue, this film excels in storytelling and cinematography. 1969 never looked so good.
The cast features an All Star ensemble of actors. Whether supporting or main, every character in this film is portrayed with excellence. Leonardo DiCaprio continues to flex his acting prowess in his portrayal of Rick Dalton. DiCaprio's Rick Dalton is a classic take on the waning career of a once successful actor. His emotion as Rick Dalton is felt in a comical and rewarding sense. His anguish is felt prominently within this film. DiCaprio continues to be brilliant. Margot Robbie's portrayal of Sharon Tate is graceful and wholesome. Robbie's ability to emote with facials alone is true talent. Her on screen presence grants the film and audience with a sense of euphoria. Brad Pitt's character of Cliff Booth is a bad ass in every aspect. His portrayal of the character is presented with an enduring chip on the shoulder. When Cliff Booth is on screen, the film is given security. Pitt continues to exhibit why he is a name that should always be in the discussion of great actors. Pitt's chemistry with DiCaprio's Rick Dalton is excellent. Both men play off each other in a manner that makes you believe they are best friends in real life. On rare occasions will you get a chemistry more authentic than this. Rick and Cliff mirror that of Abbott and Costello, or Batman and Robin. Both men were made for these roles and are symbiotic to one another.
The dialogue in this film is up to par with the rest of Tarantino's filmography. Every word feels natural, and every encounter is perfect. Tarantino continues his streak of quotable One liners. Tarantino does an excellent job of flexing his knowledge of 1969 Hollywood within his dialogue and writing. The film is masterfully paced as well. The flashbacks don't step on the present story and they add incredible depth to an ever growing tale. The film is slow paced in that it adds background and detail to the characters and the world they live in. There are minor points of foreshadowing that tie in perfectly to the overall story. The payoff to this story is incredibly satisfying and unexpected. Tarantino is a master in storytelling at this point in his career.
The film is shot beautifully. Every shot matters and serves a purpose. Tarantino exhibits his appreciation for 1969 Hollywood through long shots of beautiful scenery and diegetic sound. Tarantino's angling of the camera is natural, serving as a film student's wet dream. Once again, the world is incredibly lush. The soundtrack exhibits some of the best usage of music in recent cinema. At times the film feels like a big music video, however this does not take away from anything within the film. The music serves as the mascot for Tarantino's 1969 Hollywood. The music and the setting of 1969 Hollywood are inseparable.
Overall, Once Upon a Time in Hollywood is another masterpiece in Quentin Tarantino's filmography. Whereas Pulp Fiction excels in storytelling and dialogue, this film excels in storytelling and cinematography. 1969 never looked so good.
I loved both the acting and the story. Brad Pitt shows a maturity playing "The old guy", and DiCaprio is spot on as the self absorbed, insecure fading star. The ending is classic Tarentino with a twist that caught me totally by surprise. I will watch this movie again. Loved it!
Not one of Tarantino's best. But still a pretty damn good and smart movie with cool sequences, great acting and directing, music and scenes that will stay with you long after the movie and you would love to watch again.
Loved the combo Pitt-DiCaprio but loved more seeing some famous characters in this film such as Steve Mcqueen and Bruce Lee, who are absolutely hilarious in the movie!
8/10
I don't typically leave IMDb reviews but this film deserves so much praise for its risky screenplay in such a dark true crime setting.
For 2 hrs, 41 minutes, I was taken 50 years back, experiencing Hollywood's film industry as a comedic drama filled with desire, tension and everyday life.
I liked Brad's character the most, but Leo easily matched with his own performance. A definite see-it-in-theatres watch. Bring your sense of humor though. There are lines of dialogue and laugh out loud bits that completely satisfy your curious mind. Expect everything you would from Tarantino, but also what you wouldn't.
I gave it a perfect 10 because I forgot I was watching a nearly 3 hour film, even though it still wasn't long enough for me. I would like to see a director's cut up to an hour longer as I think this is a unique case that extra footage would only help such an already powerful story.
I had the privilege to watch an early 70mm screening of this film at the cinerama dome with the director, Tarantino, in the audience. It was a surreal experience I'll never forget.
For 2 hrs, 41 minutes, I was taken 50 years back, experiencing Hollywood's film industry as a comedic drama filled with desire, tension and everyday life.
I liked Brad's character the most, but Leo easily matched with his own performance. A definite see-it-in-theatres watch. Bring your sense of humor though. There are lines of dialogue and laugh out loud bits that completely satisfy your curious mind. Expect everything you would from Tarantino, but also what you wouldn't.
I gave it a perfect 10 because I forgot I was watching a nearly 3 hour film, even though it still wasn't long enough for me. I would like to see a director's cut up to an hour longer as I think this is a unique case that extra footage would only help such an already powerful story.
I had the privilege to watch an early 70mm screening of this film at the cinerama dome with the director, Tarantino, in the audience. It was a surreal experience I'll never forget.
Brad Pitt's Top 10 Biggest Box Office Hits
Brad Pitt's Top 10 Biggest Box Office Hits
Now that F1: The Movie has become Brad Pitt's biggest hit, let's take a look at his top 10 best performing movies at the worldwide box office.
Você sabia?
- CuriosidadesThe character Flowerchild (Maya Hawke), who is shown having cold feet on going through with the murders, and who flees the scene in the 1959 Ford Galaxie, is based on Linda Kasabian, who became a witness for the prosecution in the murder trial of Tex Watson, Patricia Krenwinkel, and Susan Atkins. In real life Kasabian was ordered by Tex Watson to wait in the car, during which she heard the murders inside the Tate residence take place and witnessed the murder of Wojciech Frykowski outside the house. Kasabian claimed she wanted to drive away, but was too scared.
- Erros de gravaçãoWhen Sharon Tate was talking to the girl at the box office of the movie theater in Westwood, you can see the Starbucks sign for half the scene before it was covered up. Starbucks was founded in 1971.
- Citações
Jay Sebring: Is everybody okay?
Rick Dalton: Well... the fuckin' hippies aren't. That's for goddamn sure.
- Cenas durante ou pós-créditosLike Django Livre (2012), the film opens with the late 1960's Columbia Pictures logo.
- Versões alternativasIn the teaser trailer and the next 2 theatrical trailers some shots from deleted scenes are shown.
- Cliff Booth see Charles Manson walking away from Sharon Tate's house. Both exchange looks. Charlie initially greets Cliff, later Charlie grunts at him.
- Sharon Tate dancing in a black dress in a moving stage.
- Mr. Schwarz salutes the projectionist before entering the projection room.
- Sharon Tate swimming in her pool.
- ConexõesEdited from Fugindo do Inferno (1963)
- Trilhas sonorasThe Rocks
(from Paladino do Oeste (1957))
Written by Bernard Herrmann
Under license from Sony/ATV Music Publishing
Principais escolhas
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- How long is Once Upon a Time... in Hollywood?Fornecido pela Alexa
Detalhes
- Data de lançamento
- Países de origem
- Central de atendimento oficial
- Idiomas
- Também conhecido como
- Había una vez en Hollywood
- Locações de filme
- Cielo Drive & Bella Drive, Los Angeles, Califórnia, EUA(the bottom of Rick's street begins here)
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 90.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 142.502.728
- Fim de semana de estreia nos EUA e Canadá
- US$ 41.082.018
- 28 de jul. de 2019
- Faturamento bruto mundial
- US$ 392.105.159
- Tempo de duração
- 2 h 41 min(161 min)
- Cor
- Mixagem de som
- Proporção
- 2.39 : 1
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