A Revolução em Paris

A visual feast, if a little too 'clean', in its production design. As much as I enjoyed the view I was ultimately disappointed by this film. Where's the story to engage me? I tried to let that aspect take a back seat in hope that the directors vision/world view would become clear. It didn't appear. A juxtaposition of beautifully executed scenes (though overlit imo), does not make a gripping film. For the major finance behind this project it feels like a wasted opportunity.

An inspired perspective about French Revolution. Beautiful cinematography. Admirable performances. And the sparkles of the change in realistic manner exposed. It is easy to critic it but it is not Danton , not the expected fresco , only a courageous exercise of reflection of small histories and their clash against National Ansembly. It is the film of memorable scenes. And that does it more than interesting, maybe useful for feel old events - fundamental bricks of the our present reality.

A rather good but a little flat historical and semi documentary drama about the French Revolution and the trial of king Louis the XVI. Then his death by guillotine. You have no really leads here, but a bunch of characters, some inspired by the actual ones. Good cacting, directing and also editing. This film is a little too short for such a topic. Mabe it would have been wiser to put more power, more energy in the characterization, more strength in the story telling. But that's my own opinion. Good guillotine scene, maybe the best ever on a screen.

First, the title is wrong: the king is absent of the movie and carricatured when shown. The link between the king and the people is not shown or analysed.

Second, even if the episodes or the short stories are well depicted and in a way interesting, it doesn't make a film. Where is a story? Where is something to care about? It's not even a documentary. It's not much...

Third, the « left wing » (populist?) vision of a people betrayed by the « elites » is boring.

An excellent film about the French Revolution which is addressed to connoisseurs of this historical period without the slightest didactic pretention. Very good actors (Denis Lavant plays a more than convincing Marat and Olivier Gourmet is masterful). One deplores however the presence of Izïa Higelin (probably parachuted thanks to the name of her father) whose acting is painful and lowers the general level until the saving disappearance of her character. The scenes that take place in the assembly are perfectly documented. I would advise to read a good book on the subject before watching this film for those who do not know this historical period well, because they might lose the thread soon enough.