AVALIAÇÃO DA IMDb
6,8/10
6,1 mil
SUA AVALIAÇÃO
Tae-yul, um espadachim na casa dos trinta, sai para encontrar sua única filha depois de perder um dos olhos. Min Seung-ho, o melhor espadachim da Dinastia Joseon, escolhe uma vida simples e ... Ler tudoTae-yul, um espadachim na casa dos trinta, sai para encontrar sua única filha depois de perder um dos olhos. Min Seung-ho, o melhor espadachim da Dinastia Joseon, escolhe uma vida simples e comum depois de perceber a natureza transitória.Tae-yul, um espadachim na casa dos trinta, sai para encontrar sua única filha depois de perder um dos olhos. Min Seung-ho, o melhor espadachim da Dinastia Joseon, escolhe uma vida simples e comum depois de perceber a natureza transitória.
- Direção
- Roteirista
- Artistas
Kim Hyeon-soo
- Tae-ok
- (as Hyeon-soo Kim)
Lee Na-kyung
- Hwa Sun
- (as Na-Kyung Lee)
Lee Min-hyuk
- Gyeom Sa-bok
- (as Min Hyuk Lee)
Lee Bom
- Young Tae-ok
- (as Bom Lee)
Han Cheol-woo
- Chief #1
- (as Cheol-woo Han)
Avaliações em destaque
This movie has some very good sword fighting sequences n some good cinematography but apart from these two, there is nothing more to it.
At times, the film does transport viewers to that era.
The sword fight sequence where our hero is alone fighting with a sword, while the opponents are with guns n far too many is a bit far fetched.
I found the story, some of the characters and their shifting of loyalty, a bit convoluted as i have not read anything in history about such kingdoms.
So the makers shud have at least opted for a full blown action n mayhem route.
Joe Taslim looked menacing though but his footage ain't that big.
At times, the film does transport viewers to that era.
The sword fight sequence where our hero is alone fighting with a sword, while the opponents are with guns n far too many is a bit far fetched.
I found the story, some of the characters and their shifting of loyalty, a bit convoluted as i have not read anything in history about such kingdoms.
So the makers shud have at least opted for a full blown action n mayhem route.
Joe Taslim looked menacing though but his footage ain't that big.
Everytime I feel i need a break from Hollywood bs to watch a south Korean action movie i always go for the one with Jang hyuk in it and he never let's me down
Simply amazing acting from the lad,no one is better at acting the emotionally broken swordsman as this guy
You should all watch the film,enjoy
Complicated intrigues (not pointed out clearly but made clear by parts of the dialogue without being explained in details or taking away), well over anticipated swordplay, good martial arts, good effects and some emotional parts lying right under the plot and dialogue if you can spot them.
The only real drawback is that it takes it one step to far at atleast 1 point possibly 2.
Not as much as to derail all sentiment, but enough to be disturbing for those enthralled up til that point. The reading of angles also shows how masters of martial arts (try) work to survive attacks by several oponents.
A nice tough is the villain balancing on the borderline to evil rather than being pure evil all the time.
Tae Yul used to be well renown as a terrific swordsman and former guardian of an imperial family. Now aged with deteriorating eye sight he travels the mountains with his daughter in apparent hiding. Tae finds his way to a village named Joseon where he crosses path's with a swordsman from his past, Min Seung-ho, Joseon's greatest military warrior. As Tae attempts to keep a low profile a member of the Qing imperial family and the proclaimed best swordsman of that region by the name of Gurutai reaches Joseon with menacing plans for the village as he doubles as a slave trader. When Tae's daughter is taken by Gurutai and his men he is left with no other option than to fall back into the way of the sword to rescue his only family. In order to accomplish this Tae Yul is up against the two best swordsman in the empire as well as the entire Qing imperial army.
A visually stunning piece of filmmaking as the scenery, wardrobe, and sets take you to a different place entirely. The sword fight sequences are top shelf and are pure cinematic magic. The level of difficulty for the fight choreography is impressive and delivered incredibly, really some of the best camera work out there. The script and dialog are not winning any awards but the amazing fight sequences more than make up for that. If you can stand a foreign subtitled flick than you'll more than appreciate this superb film.
A visually stunning piece of filmmaking as the scenery, wardrobe, and sets take you to a different place entirely. The sword fight sequences are top shelf and are pure cinematic magic. The level of difficulty for the fight choreography is impressive and delivered incredibly, really some of the best camera work out there. The script and dialog are not winning any awards but the amazing fight sequences more than make up for that. If you can stand a foreign subtitled flick than you'll more than appreciate this superb film.
If the story was better told it could become a classic.
The fights scenes are very good.
The protagonist is moved by duty for his king and daughter. He's an interesting character and built on the tradition of the japanese Zatoichi.
The fights scenes are very good.
The protagonist is moved by duty for his king and daughter. He's an interesting character and built on the tradition of the japanese Zatoichi.
Você sabia?
- CuriosidadesFilming began June 15, 2017 and finished September 14, 2017.
- ConexõesReferenced in The Art of Action: Joe Taslim - Episode 25 (2021)
Principais escolhas
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- How long is The Swordsman?Fornecido pela Alexa
Detalhes
- Data de lançamento
- País de origem
- Central de atendimento oficial
- Idioma
- Também conhecido como
- The Swordsman
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Faturamento bruto mundial
- US$ 1.516.150
- Tempo de duração
- 1 h 40 min(100 min)
- Cor
- Mixagem de som
- Proporção
- 1.85 : 1
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