Não Feche os Olhos

This is one of those movies that will only resonate with a certain type of audience. Even then, I believe that, in order for its magic to truly work, it must be watched under the right conditions. You'll need a place that is dark and quiet, with little potential for interruptions -- like phones ringing, or that sort of thing.

Despite what anyone says, I easily don't consider this to be a horror movie. So if you're a huge horror fan, and are looking to be scared, or you're looking for lots of gore, then this isn't what you're looking for. Also, if you're an impatient viewer, who needs lots of crazy things happening, in order to constantly keep you entertained and on the edge of your seat, then you should pass on this one. This movie is for the type of person who can appreciate a slower-paced, simple story. It's not boring. However, you have to be the type of person who doesn't need a lot of stimulation, or a complex plot, in order to be intrigued. It basically has the pace of a tempered drama -- although, it's not a drama.

I watched this movie, early in the morning, while it was still dark, and while the world was quiet and still. I truly believe that, if I hadn't watched it in that setting, I wouldn't have appreciate it, as well. This is because it's an atmosphere-driven movie.

One of the things that quickly stuck out, for me, is some of the music, and the overall tone of the film. By the end, I knew that I would likely purchase the soundtrack, and since, have. This is one of those movies where the music plays a critical role.

The casting, for this movie, is done well. I've never seen the lead actress before. However, had someone else been cast in this role, you'd certainly have a different movie. I was impressed by her performance, since she made her character feel authentic, even though there isn't a ton of dialogue. She also has a certain look that easily fits the part.

I truly believe that most people won't like this movie. However, if you're the type of person who can appreciate atmosphere, and doesn't need a lot of loud, fast-paced stimulation, then you may enjoy this movie.

This movie has several things going for it, but ultimately disappoints. The central idea is a good one, and the lead actor gives a strong performance. She's likely to become more well known soon. The cinematography is strong, and the score is good, as is the direction, which owes quite a bit to Kubrick. Where the movie fails is in the writing, and to a lesser extent in the performances of the supporting cast. The dialogue is sometimes trite, and the plot is thin with holes. The end is both predictable and yet somehow even more disappointing than one expects. I don't mean to be harsh; the movie is worth a look. Just be prepared to be let down a bit by it all, in the end.

Come True is an interesting one. The title has multiple meanings, the ending message also seems to have them.

Yet I still wanted it to be so much better. All the visual substance I enjoyed quite a lot. The soundtrack was strangely recognizable but still good. The production design was very reminiscent of Posessor (2020), as well as some of the lighting choices were. Also, the CGI nightmare cut-ins were creative, they felt inspired by some dark art themes, some videogame inspirations even, like Dark Souls and especially Darkwood, or maybe something else I'm not aware of.

Story-wise it is somewhat messy, there is a justification for this, but sometimes it feels really disconnected. The twist felt surprising but in a weaker way. At some point, it becomes clear that they are building up to something they cannot deliver cause they literally have like 2-3 long segments of build-ups that lead to nothing. The problem is that the type of story that they are using requires vague hints or better understandable symbolism. I've seen a couple of similar films but I don't want to name them to avoid spoilers. The way they did it just doesn't connect. Also, the idea of merging the real world with the subconscious nightmare world was awesome, but they still messed it up with that awkward twist.

There isn't much in terms of characters or character development. Some of the dialogue is interesting, but as I've said the characters do not drive the story, they could've been doing anything else or not doing anything at all, the ending would still be the same. This concept is similar to the Evil Within game series, actually.

I really hope that I've just missed the bigger picture (and possible hints) and the film is better than I understood it, but when I re-think what I just saw, I just can't find more good stuff to endorse. Worth a watch.

Best dream sequences I've ever seen in video. Some bits along the way hint at the ending, but very discretely.

Slow moving, but definitely worth the time.

Wow can I understand the mixed reviews after watching this film. I come down on the thumbs up side, partly because of the audaciousness of the script and the pacing, and the clever and well managed homages and allusions to 80s science fiction cinema.

Regarding the pacing, one of the most common criticisms of this movie appears to be that it is "slow" or "boring." In my viewing experience it is deliberately paced, which is not the same thing, and part of what makes it a mesmerizing, dreamlike experience. The somber, atmospheric score adds to this effect. Come True is a curtain blowing in the nightime breeze, in slow motion.

The other main criticism of Come True (a cool title for this particular movie) is how it ends - what is revealed behind the curtain of dreams. The conclusion is unexpected, to say the least, but ultimately, again, I liked it for the sheer audaciousness of it.

There are numerous allusions to classic sci-fi movies of the 1980s. I think Come True has about as much eye symbolism as Blade Runner. In one scene there's a poster of Schwarzenegger from the first Terminator movie, in his famous sunglasses, and one of the secondary characters wears gigantic spectacles clearly reminiscent of Tyrell's in Blade Runner. There is another dramatic homage to the Blade Runner eye symbolism, too, later in the film, but I don't want to give anything away. The plot consciously incorporates aspects of Dreamscape and Brainstorm as well.

All of that is especially interesting if you're a fan of '80s science fiction, but it also somehow heightens the dreamlike quality of Come True. Movies are inherently dreamlike, and almost literally like watching someone else's lucid dreams. It's therefore fitting that this film's tapestry of subconscious and unconscious imagery should be dyed in cinematic references.

As I'm writing this review I'm realizing that, despite its flaws - including what I feel is an unnecessary and eye rolling plot development exactly 2/3 of the way through - I like this movie quite a bit. I don't usually write such long reviews, so that's a reflection of how compelling I found the experience.