Sinônimos

Film undoubtedly directed by pretentious high school students, during an internship.

Cons: 1. Yoav runs away from Israel because Israel is, I literally quote, "méchant, obscène, hideux, ... " and he arrives in Paris to work within the embassy of (guess what!) Israel. Incredible! It's moronic... 2. Yoav does not speak. Yoav yells or shouts. Constantly. Unnecessarily. Sometimes, to change, Yoav screams. It's boring... 3. Yoav impregnates himself, idly and condescendingly, from the customs and traditions of the Parisian natives to fill the void of his own life. It's depressing... 4. Yoav plays music with a machine gun, on a French song interpreted by the american band Pink Martini. It's almost funny. But no, actually. 5. Yoav is sometimes filmed with a basic camera held by a person obviously suffering from epilepsy: right, left, up, down, ... quickly and randomly. I was almost seasick. 6. ... 7. ... and so on, and so on ... 8. ...

Pros: Paris, the city. However, I live there and I may see this city everyday; then, I do not need to waste my time during two (long!) hours in a movie theater, for this kind of movie. So, finally, no positive point. Definitely!

As a synthesis, in one word: no!

... leaves you under no illusion of the differing liberties that exist between two nations and their cultures in the mind of a young man fleeing Israel for France. Irregular and inconsistent, at times a tough nut to crack, although when is life anything other than that? If you need a linear melody and clarity of enunciation then this film is not for you - but who want's to waste their time being spoon fed the kind of valueless stuff the masses grow fat on. A bit of imagination and diversity is so much more wholesome.

Don't listen to all the bad reviews here from people probably pissed they had to look at a naked man. This is a brilliant, original film about the nature of identity - how much is indelible and how much is fluid? - with a blistering lead performance from Tom Mercier, who has the look and charisma of a young Tom Hardy. This is the first of Lapid's films I've seen but will look forward to seeing more.

A young Israeli (Tom Mercier) in Paris tries with all his might to get rid of his Jewish identity and his native Hebrew. It should be clear that this cannot simply be achieved. He finds support from a Parisian couple (Quentin Dolmaire and Louise Chevillotte), but that doesn't work in the long term either.

Enigmatic and yet fascinating! It won the Golden Bear at the BERLINALE 2019. A magical moment occurs when, in a flashback, Israeli soldiers spontaneously start singing Gali Atari's "Hallelujah" (the winning song for Israel at the Eurovision Song Contest in 1979).

Not a film for every taste, but absolutely special!

If a movie polarizers the audience so much as to receive such conflicting opinion, from garbage to masterpiece and winning a prestigious prize - just go see for yourself. A lot of the bad reviews here are just an expression of hurt patriotic feelings which I respect but I don't support in this setting . Art is supposed to be a point of view. But Israel is a very propagandist environment where the army is sacred and there is no other point of view accepted. there is no climate for self reflection. This movie is about being disillusioned angry and sad with what your country has become . It asks a lot of uncomfortable questions about the future of this country. It not a masterpiece but not garbage, it's thought provoking and worth considering .