Feng Shen 1: Zhaoge Feng Yun

The original novel was published 400 years ago and have too many memorable moments. So it is very unsuitable for movie use. Moreover, Chinese classical novels, especially this type of novels, (hua beng) do not have the sublimation of characters in modern Western novels, so they are not necessarily suitable for movies. So the director made simplifications and trade-offs here. Many familiar scenes have not been retained. The perspective of the movie is abandoned and the change of a character is the most important driving force for the movie. The visuals have improved a lot. It is already very good to have such a performance.

Absolutely a fantastic movie, the storyline, the acting, the virtual images, the music all made this movie an Epic movie.

Let me talk about the conclusion first: this is the best mythical epic movie in China!

As a fan who read Fengshen Yanyi at the age of seven and re-read the original novel countless times in more than 20 years, I can say responsibly that this movie is definitely not a magic reform! On the contrary, it is the first masterpiece among all film and television adaptations.

Some passages that seem magical at first glance are actually well-founded, and they are the optimal solution after careful research and selection. The adaptation of the movie is very good.

This new story from a contemporary perspective can be called a divine script. It is seamless from beginning to end, and echoes before and after the transition.

Can't wait for the 2nd one!! Highly recommend to everyone!

As a Chinese-speaking expat in China and a movie enthusiast, I've had the opportunity to watch the majority of Chinese films released over the past decade since my move here. With a profound respect for Chinese culture, "Creations of the Gods: Kingdom of Storms" was truly the cherry on top for me. It breathed life into my Chinese mythology fantasies, all while maintaining a remarkable level of professionalism. This movie boasts exceptional quality, and I find myself consistently recommending it to those around me. Witnessing the industry progress to such lengths is nothing short of amazing!

This movie deserves a place in cinemas worldwide. I hope it will be appreciated by viewers around the globe.

GoT meets Shogun meets Indiana Jones meets LOTR meets Wheel of Time! Such a great show with interesting characters and plot, well-balanced with action and drama!

I love Chinese culture, and there are so many references to hostoric China and customs that I really enjoyed.

I am American but have always been interested in the concepts of Chinese culture from Taoism to the Tao De Ching. There is so much to learn.

The cinematography was beautiful as are the actors and actresses. I was hoping for a dragon throughout but there are some satisfying mystical elements for those who seek that type of thing. ENJOY!

Since its detonating release in the mainland, this movie was praised as legend among the viewers. Indeed, Feng Shen represents China's highest standard of film production, whether VFX, production and costume design, screenplay adoption, choreography, and performance. Despite the few scenes at Kunlun with questionable green screen utility, the visual effect is much better than that in The Flash, as the extreme wide shots of the coronation or the sacrificial pyre depict architectural grandeur without forgetting the details of men. In terms of bringing one of China's most famed mythology into life, the movie succeeds once more in modifying the intent of Daji the Fox Demon and adding the Army of Hostages; my personal favorites are Nezha's Fire Wheels and Red Sash, which are exactly what I pictured from the original text. Performance wise, Fei Xiang and Na Ran are doubtlessly the best castings for the devious tyrant and the animalistic temptress.

Onto the negatives, the movie seems to portray plot-driven characters instead of having the characters pilot the storylines. Especially approaching the final act, the deaths and arcs of numerous characters, including the protagonist, either appear scripted or simply do not convince me. This could be the result of extensive editing and condensation in regards to the length, which is always an issue for commercial films with adopted screenplay. The work is enough as entertainment, but if the trilogy wants to become classic, it still needs a push.

Can't wait to see the second.