Adicionar um enredo no seu idiomaA haunting tale of family life. A vulnerable young boy finds his mother pushed out of the family home by a strange new woman, and he must confront the terrifying supernatural forces that see... Ler tudoA haunting tale of family life. A vulnerable young boy finds his mother pushed out of the family home by a strange new woman, and he must confront the terrifying supernatural forces that seem to move in with her.A haunting tale of family life. A vulnerable young boy finds his mother pushed out of the family home by a strange new woman, and he must confront the terrifying supernatural forces that seem to move in with her.
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- 3 vitórias e 4 indicações no total
Avaliações em destaque
Dont even waste your time it has terrible acting and storyline its just alot of dribble which is to hard to follow the film is like looking back at a bad 80s film.
Father of Flies (2021) is a movie that I recently watched on Prime. The storyline follows a couple going through a divorce and their children moving in with the dad and his new girlfriend while the mother manages a mental breakdown. As the children and father deal with the divorce and the mental rollercoaster that goes with it, dad's new girlfriend starts to go insane....
This movie is directed by Ben Charles Edwards (Set the Thames of Fire) and stars Camilla Rutherford (Gosford Park), Nicholas Tucci (You're Next), Page Ruth (Shameless), Sandra Andreis (The Girl with the Drahon Tattoo) and Davi Santos (Good Sam).
This movie had some potential based on the authentic storyline, solid acting and good set up of horror elements. The mask, dancing and music created a creepy feel over the villain and what her actions may be. Unfortunately, the potential for the villain never comes to fruition and the attack/kill scenes are poorly executed with nothing to get excited about - no worthwhile kills, gore or attacks that raise your blood pressure. The movie ends up being fairly straightforward and frustrating.
Overall, this is a below average addition to the horror genre that I would recommend skipping. I would score this a 3/10.
This movie is directed by Ben Charles Edwards (Set the Thames of Fire) and stars Camilla Rutherford (Gosford Park), Nicholas Tucci (You're Next), Page Ruth (Shameless), Sandra Andreis (The Girl with the Drahon Tattoo) and Davi Santos (Good Sam).
This movie had some potential based on the authentic storyline, solid acting and good set up of horror elements. The mask, dancing and music created a creepy feel over the villain and what her actions may be. Unfortunately, the potential for the villain never comes to fruition and the attack/kill scenes are poorly executed with nothing to get excited about - no worthwhile kills, gore or attacks that raise your blood pressure. The movie ends up being fairly straightforward and frustrating.
Overall, this is a below average addition to the horror genre that I would recommend skipping. I would score this a 3/10.
The story is a little mixed up for the first part of the movie but all becomes clearer in a sudden unexpected way. I don't watch much horror so I found the whole movie very creepy. For a low budget indie it's better than many and I found myself revisiting the story and untangling some of the initial confusion in my mind after I watched it. I jumped a few times and the latter part had me feeling very uncomfortable for all the right reasons. For the most part it's well shot, the score haunting and on the whole the limitations of budget don't spoil the plot albeit it's thread is a little hard to follow at first. Worth a watch.
A father tries to hold his family together when their estranged mother comes knocking.
Stylish psychic horror, but hard to figure out its shape. There's an in/out dynamic, with the mother outside the house and the mistress inside, the mistress switching in and out of wearing a mask, the daughter only having a life when she goes outside, and the father always going out or coming in. But there's above/below as well, used in a couple of scenes with the boy's bed, and in the use of the basement.
I also had trouble figuring out whose story this is. In the end, it's all on the father, and the most effective sequence is his dream, which ends on the adrenalin buzz of a jump scare. But the story-arcs of the other characters go their own way, and the intriguing reveal doesn't really bring them together - at least, not to my satisfaction.
The cinematography is very good, using one impressive swivel-pan as the mistress sits up on the couch, and the shades of brown and grey are elegant. The score is subtle, and the couple of needle-drops are effective, particularly in a dance scene, when the uncanny quality of the masked mistress shifts the sense of unease into dread. There is some problem with dubbing - I thought it might be down to the sound of passing traffic, but it also occurs in one scene in the boy's bedroom.
The performances are very good too, the standout being the true delivery of the boy's expressions of fear. But for all that, I didn't quite get the role of the mistress, so am at a loss to understand what it meant for the father to lose his family. The role of the witchy neighbour is poorly integrated, and the significance of the TV clown unclear, so it seems the story couldn't make up its mind over the divide between the real and the other world. The director/writer has said the story is a working out of his own experience, but I'm not sure he's given enough for us to crack the code. Another thing is that the opening scene puts a lot of emphasis on communications technology, but that theme isn't played out.
As for the frights, the jump scare at 35 mins is the high-point, and otherwise the effect is of brooding menace building to hysteria.
Overall: Unique style to deliver an obscure message.
Stylish psychic horror, but hard to figure out its shape. There's an in/out dynamic, with the mother outside the house and the mistress inside, the mistress switching in and out of wearing a mask, the daughter only having a life when she goes outside, and the father always going out or coming in. But there's above/below as well, used in a couple of scenes with the boy's bed, and in the use of the basement.
I also had trouble figuring out whose story this is. In the end, it's all on the father, and the most effective sequence is his dream, which ends on the adrenalin buzz of a jump scare. But the story-arcs of the other characters go their own way, and the intriguing reveal doesn't really bring them together - at least, not to my satisfaction.
The cinematography is very good, using one impressive swivel-pan as the mistress sits up on the couch, and the shades of brown and grey are elegant. The score is subtle, and the couple of needle-drops are effective, particularly in a dance scene, when the uncanny quality of the masked mistress shifts the sense of unease into dread. There is some problem with dubbing - I thought it might be down to the sound of passing traffic, but it also occurs in one scene in the boy's bedroom.
The performances are very good too, the standout being the true delivery of the boy's expressions of fear. But for all that, I didn't quite get the role of the mistress, so am at a loss to understand what it meant for the father to lose his family. The role of the witchy neighbour is poorly integrated, and the significance of the TV clown unclear, so it seems the story couldn't make up its mind over the divide between the real and the other world. The director/writer has said the story is a working out of his own experience, but I'm not sure he's given enough for us to crack the code. Another thing is that the opening scene puts a lot of emphasis on communications technology, but that theme isn't played out.
As for the frights, the jump scare at 35 mins is the high-point, and otherwise the effect is of brooding menace building to hysteria.
Overall: Unique style to deliver an obscure message.
Daddy got's a new girlfriend and the kiddies don't approve. She stiff, boring and robotic. Addictive to wearing a UV beauty mask, poshly lounges all day, giving dagger eyes to his unruly teenage punk rock daughter & younger deaf brother who's haveing separation anxiety for his biological mother since the move and divorce. Even for the dull moments I was growing more invested with the appearance of a witchy looking next door neighbor, some smooth edited transition scenes, nice cinematographe with saturation In color definitely helps with a #creepy but modern haunting feel for the film. And the sneaky cleverly (been done) jump scares we're entertaining.. part of it felt jumbled like some scenes where out of order or missing not sure. But the finale was so worth sitting though the chaos having you question a rewind watch to see if you missed a clue to that twisted end.
Você sabia?
- CuriosidadesThe daughter Donna/Page Ruth is the real granddaughter of the old woman Mrs. Start/Colleen Heidemann.
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- How long is Father of Flies?Fornecido pela Alexa
Detalhes
- Data de lançamento
- Países de origem
- Idioma
- Também conhecido como
- Mother - Jede Familie hat ihre Dämonen
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
- Tempo de duração
- 1 h 18 min(78 min)
- Cor
- Proporção
- 2.35 : 1
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