AVALIAÇÃO DA IMDb
6,2/10
4,1 mil
SUA AVALIAÇÃO
Situado em Busan, Coréia do Sul, durante os anos 70, Lee Doo-sam constrói um império como traficante de drogas no submundo de Busan, enquanto o promotor Kim In-goo tenta acabar com o império... Ler tudoSituado em Busan, Coréia do Sul, durante os anos 70, Lee Doo-sam constrói um império como traficante de drogas no submundo de Busan, enquanto o promotor Kim In-goo tenta acabar com o império.Situado em Busan, Coréia do Sul, durante os anos 70, Lee Doo-sam constrói um império como traficante de drogas no submundo de Busan, enquanto o promotor Kim In-goo tenta acabar com o império.
- Direção
- Roteirista
- Artistas
- Prêmios
- 3 indicações no total
Avaliações em destaque
The story is pretty much the same as Scarface, so it's impossible to not draw a comparison. If you take away the legendary cultural status the movie Scarface has in the "West" and just put the two side by side, I would say this one's actually almost as good. What I liked even more in this film, is that it highlights a little bit more the detrimental effects of drug dealing on the community as a whole, instead of just glorifying it Hollywood style. Certainly worth a watch.
Long, scrappy, boring, almost like Korean version of SCARFACE (1983) but much less "exciting."
The main, actually only, selling point of THE DRUG KING (2018) is Song Kang Ho. This movie is in effect his one man show. It is satisfactory as always to watch he performs, anything else in TDK doesn't worth mention. Although TDK is insignificant as such, Mr Song deserves awards before his next work -- the super-hyped PARASITE (2019).
The main, actually only, selling point of THE DRUG KING (2018) is Song Kang Ho. This movie is in effect his one man show. It is satisfactory as always to watch he performs, anything else in TDK doesn't worth mention. Although TDK is insignificant as such, Mr Song deserves awards before his next work -- the super-hyped PARASITE (2019).
Your enjoyment of this movie will undoubtedly depend on your existing familiarity with Korean filmmaking. While I'm certainly not an expert on the subject, I do believe many of the more negative reviews come from western watchers who are less accustomed to the style and feel of Korean films.
The film takes its time to build up and wind down, but I never felt like it dragged out too long or got boring. Even the setting - 70's Korea - is exciting to get a look at and not explored, I think, in other films very much. I have absolutely no idea how well this flick represents the real Lee Doo-sam, but all the key performances felt very fitting and well acted and the cinematography is nice and does the job. I might add that I tend to analyze film pacing, and it hits all the usual turning points at the exact typical time marks.
What I think is most distinctively Asian in the filmmaking is the tone. It is a serious movie about several serious subjects with plenty of gritty scenes and emotion, but it's not afraid to let "wacky" characters act wacky. Some critics call this being tone-deaf or not making up its mind, but I don't think that is it at all. I consider it merely a refreshing cultural difference.
If you care about the setting or subject at all, watch it with an open mind and I think you'll like it enough to not feel like your time was wasted.
The film takes its time to build up and wind down, but I never felt like it dragged out too long or got boring. Even the setting - 70's Korea - is exciting to get a look at and not explored, I think, in other films very much. I have absolutely no idea how well this flick represents the real Lee Doo-sam, but all the key performances felt very fitting and well acted and the cinematography is nice and does the job. I might add that I tend to analyze film pacing, and it hits all the usual turning points at the exact typical time marks.
What I think is most distinctively Asian in the filmmaking is the tone. It is a serious movie about several serious subjects with plenty of gritty scenes and emotion, but it's not afraid to let "wacky" characters act wacky. Some critics call this being tone-deaf or not making up its mind, but I don't think that is it at all. I consider it merely a refreshing cultural difference.
If you care about the setting or subject at all, watch it with an open mind and I think you'll like it enough to not feel like your time was wasted.
Its a decent movie if you like the Narcos driven hype and drug kingpin storyline at the moment. Korean cinema is generally very interesting with a lot of brilliant movies. The story is interesting , the directing overall is good but the movie in a few places lacks a smooth fluid transition between the different chapters of the storyline. The movie is a bit too long and feels dragged out by the time you reach the end they should have prioritized a bit better with what could be left out. The lead actor has done a good job along with many of the co-stars who have performed very well.
A good movie to smoke up, kick back and enjoy. Try and keep up with the subtitles though, don't look away haha.
Você sabia?
- CuriosidadesSong Kang-ho and Bae Doo Na had previously worked together in the 2006 film, The Host.
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- How long is The Drug King?Fornecido pela Alexa
Detalhes
Bilheteria
- Faturamento bruto mundial
- US$ 14.446.477
- Tempo de duração
- 2 h 19 min(139 min)
- Cor
- Mixagem de som
- Proporção
- 2.35 : 1
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