AVALIAÇÃO DA IMDb
5,7/10
1,5 mil
SUA AVALIAÇÃO
Uma releitura moderna de 'Carmen', uma das óperas clássicas.Uma releitura moderna de 'Carmen', uma das óperas clássicas.Uma releitura moderna de 'Carmen', uma das óperas clássicas.
- Direção
- Roteiristas
- Artistas
- Prêmios
- 2 vitórias e 8 indicações no total
Marina de Tavira
- Opening Voice Over
- (narração)
Avaliações em destaque
Predictable and quite basic storyline. Yet, the movie is beautifully done!
If you are into action movies, or dramas - you will find yourself scratching your head a little.. but take it as a new type of presentation.. After all, aren't you already tired of the same gangster, mob stories with racing cars and heavy shootings? (I am! All of the action movies are the same: no real plot line just chasings and gory images.. )
For me, Carmen was like a realistic play that we watch on stages: dialogues are mingled with dance and music to express feelings more than mere images, at times alternating the past and the present, the cause and the effect, the reality and the imaginary..
It's 'almost' an art movie because the image was not spectacular.. Instead, the soundtrack was. Among others, Paul Mescal (I had no idea who he was) sang a song amazingly, reminding me I wanted to learn how to play the guitar..
If you are into action movies, or dramas - you will find yourself scratching your head a little.. but take it as a new type of presentation.. After all, aren't you already tired of the same gangster, mob stories with racing cars and heavy shootings? (I am! All of the action movies are the same: no real plot line just chasings and gory images.. )
For me, Carmen was like a realistic play that we watch on stages: dialogues are mingled with dance and music to express feelings more than mere images, at times alternating the past and the present, the cause and the effect, the reality and the imaginary..
It's 'almost' an art movie because the image was not spectacular.. Instead, the soundtrack was. Among others, Paul Mescal (I had no idea who he was) sang a song amazingly, reminding me I wanted to learn how to play the guitar..
Carmen is a movie that tries to be too many different things at once. It wants to be a musical, a modern dance recital, a drama about ptsd and romance, and an art house forward film. The end result as you can imagine is a slow, bloated mess.
The positives are the performances from Melissa and Paul. This isn't an easy film to act in due to the nature of the story, but they both commit to their roles and deserved a better director.
Outside of the cinematography which accurately captured the mood of the story, there's nothing else to praise. Benjamin Millepied's cinematic vision is pretentious and dreadful. His eye for directing is better suited for the stage, not film.
The positives are the performances from Melissa and Paul. This isn't an easy film to act in due to the nature of the story, but they both commit to their roles and deserved a better director.
Outside of the cinematography which accurately captured the mood of the story, there's nothing else to praise. Benjamin Millepied's cinematic vision is pretentious and dreadful. His eye for directing is better suited for the stage, not film.
Benjamin Millepied is a Filmaker. The three lead characters are fabulous. Melissa Barrera, she can sing, she can dance and she's able to embody a character. Paul mescal in a different kind of character we used to know him : a TOUGH guy (soldier)... I'm glad a director was visionnary enough, to explore the captivating charisma of Rossy de Palma. The dance sequences are fascinating, i love seeing the differents slow-motion used during the whole movie to bring a unique tone to this picture... Marvelous i am pleasantly surprised, and for the future i want to see more pictures signed by Benjamin Millepied.
So the director who choreographed Black Swan, gives us a reimagining on Carmen. It's a musical, it's a dance spectacular.its drama filled study of the border issue in the USA. It's an arthouse study of all of the aforementioned. To summarise, someone has tried to get a quart into a pint pot and ended up with a hot mess. An interesting hot mess. But a hot mess nonetheless.
You can a movie about all of the above but not all at once.
That said, the movie is very well made. There is religious symbolism in the washing of feet, allusions to PTSD, slow motion action scenes, nice cinematography, the director is not without talent and the acting by the leads is very good. It is slow but somehow never boring and worth a watch if you consider yourself a cinephile.
You can a movie about all of the above but not all at once.
That said, the movie is very well made. There is religious symbolism in the washing of feet, allusions to PTSD, slow motion action scenes, nice cinematography, the director is not without talent and the acting by the leads is very good. It is slow but somehow never boring and worth a watch if you consider yourself a cinephile.
It uses the short story of Prosper Merimee, the opera by Georges Bizet as pretext for an impressive show.
This is the first feeling seeing it and it is not just wrong; only not enough.
It is a large puzzle the border immigration, the old myths, music and, especialy dance, the lights are used almost with volupty.
Nice job of Melissa Barrera, fair work of Paul Mescal ( one of main motives, for me, to see the film ) and useful performance of Rossy de Palma.
A provocative remind of essential pieces defining life, from tradition, love, freedom to sacrifice offering staight to each of them.
The sin - the powerful feeling , to the second part of it, to be only an inconsistent improvisation, the dialogue using, too easy, pathetic cliches, the dance being the only matter thing, the sensation to see a puzzle with pieces from many others.
In essence, for me, entire film can be reduced at the dance of Marina Tamayo, reminding more Garcia Lorca than Prosper Merimee or Georges Bizet. For this dance, indeed, Carmen deserves to be seen. So, a two hours ( almost ) film being just beautiful for only three minutes. And this is all.
This is the first feeling seeing it and it is not just wrong; only not enough.
It is a large puzzle the border immigration, the old myths, music and, especialy dance, the lights are used almost with volupty.
Nice job of Melissa Barrera, fair work of Paul Mescal ( one of main motives, for me, to see the film ) and useful performance of Rossy de Palma.
A provocative remind of essential pieces defining life, from tradition, love, freedom to sacrifice offering staight to each of them.
The sin - the powerful feeling , to the second part of it, to be only an inconsistent improvisation, the dialogue using, too easy, pathetic cliches, the dance being the only matter thing, the sensation to see a puzzle with pieces from many others.
In essence, for me, entire film can be reduced at the dance of Marina Tamayo, reminding more Garcia Lorca than Prosper Merimee or Georges Bizet. For this dance, indeed, Carmen deserves to be seen. So, a two hours ( almost ) film being just beautiful for only three minutes. And this is all.
Você sabia?
- CuriosidadesJamie Dornan was originally going to play Aidan, but was replaced by Paul Mescal.
Principais escolhas
Faça login para avaliar e ver a lista de recomendações personalizadas
- How long is Carmen?Fornecido pela Alexa
Detalhes
- Data de lançamento
- Países de origem
- Central de atendimento oficial
- Idiomas
- Também conhecido como
- Кармен
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Faturamento bruto nos EUA e Canadá
- US$ 103.388
- Fim de semana de estreia nos EUA e Canadá
- US$ 10.832
- 23 de abr. de 2023
- Faturamento bruto mundial
- US$ 383.996
- Tempo de duração
- 1 h 56 min(116 min)
- Cor
- Proporção
- 2.39 : 1
Contribua para esta página
Sugerir uma alteração ou adicionar conteúdo ausente