O Matemático

If you want to know what was going on in Los Alamos during the Manhattan project this is the film you should watch, not "Oppenheimer". This film is based on the autobiography of Stan Ulam who was actually there during and after the war ended. Ulam worked in the relatively unknown fusion bomb group headed by Edward Teller. This was a failure during the war so is not mentioned in most histories. This film accurately gives credit to Johnny (as he was known) von Neumann who was the person who was able to make the connection between theory and actual design of the successful bombs. Oppenheimer's main contribution was recognizing von Neuman's ability.

There are several errors even here. One while the stated rationale for making the bomb was to prevent Hitler from making it first. But the German physicists were way ahead of the Americans so knew that an atomic bomb was a very expensive longshot, especially for Germany who was fighting on many fronts. So they never tried. Thus this rationale was mostly hype on our part. But the scientists said nothing because this was a wonderful adventure in physics.

Another was that Tellers main rationale for his fusion bomb was that it was thought to be no radioactive and there would be fewer civilian collateral causalities. As it turned out the eventual hydrogen bomb built after the war was a hybrid, made mostly of uranium and plutonium, which gave the original bombs their lethal radioactivity, with only a small fusion reaction, again mostly for hype.

One error in the visuals is that von Neuman was shown before the Trinity test standing in front of his computer which had presumably made the calculations. Actually von Neuman had only recently come up with the design for the computer and was upset at being recalled to Los Alamos for the Trinity test because he wanted to start building his computer in Princeton. In fact he had at that time only one 20 year old physicist's wife with little formal math or physics background to help him with the calculations. Reportedly he told her that" he was inventing the computer to replace her because she was so bad at arithmetic." Actually it took 15 years before electronic computers were allowed to replace the "lady" computers, see the great film "Hidden Figures" for a good exposition of that.

Sadly this film was had a lower advertising budget so few have seen it, unlike "Oppenheimer". Accuracy is boring so it hard to recommend this film to non science geeks. But as biopics go, this one wasn't bad.

Poor directing, long pauses and unnecessary scenes make it painstakingly slow and boring. There are no adventures or any sort of interesting dialogues or scenes.

Have you ever wondered why US dropped bombs on Japan 3 months after Germany surrendered and US had practically won the war!! Not only that, it dropped two bombs!!!

A moral ethical question that had troubled many brilliant minds in developing the hydrogen bomb as well as the A-bomb. One of them was Stan Ulam. A brilliant mathematician who knew the solution to the immense heat issue in the development of a Hydrogen Bomb. But he fought his own battles of morality vs his job before he could reveal the solution. He later developed the famous Monte-Carlo method from the idea that one does not need to play a game to know its conclusion. Movie lacks thrill and has somewhat poor, but average performances but good production saves a little less known interesting story and makes it a one-time watch.

This is the story of the mathematical geniuses behind the Manhattan Project. It's an overall aesthetically pleasing film with decent cinematography and good in most technical aspects. Unfortunately it falls short in terms of script, where the protagonist's drama misses all targets and becomes very superficial. His story does not convince the viewer of the significance of whatever drives the drama forward: personal, ethical, spiritual, political, or other motivations. It ends up feeling like the director is trying too much to shove some feelings into the viewer, but without any foundations to substantiate them. None of the relationships (wife, friend, colleagues, the institution, etc.) goes at an adequate depth to produce meaningful dynamics - so the torment seems without much reason. It's a pity, cause I would expect that such a context is a great opportunity for the exact opposite.

I thought the story was pretty interesting. But overall it was pretty slow moving. And the actors were all quite wooden and stiff. Almost no one showed any emotion in the whole movie.