Rosa Amarela

I just screened this movie at the 2019 San Diego Asian Film Festival to a packed house! The audience, although made up of many with a Filipino background - was still quite diverse with other ethnic backgrounds.

This movie depicted what many undocumented families are facing in America today. We don't quite often hear of the Filipino experience, so this was very eye opening and emotional, as our fellow neighbors/friends may be going through this personally and we may not be aware.

Once this movie is widely released, I encourage you to bring your family and friends to watch! This is such a relevant story! Kudos to the director for bringing Filipino perspectives to the big screen. Filipinos are not only great singers or produce beauty queens, but they have Important stories to tell, especially in this film with a fantastic cinematic debut by Eva Noblezada and backed by the supporting actors and a great soundtrack!

This is an important film about immigration, music, and the variety of ways we all try to become the people we want to be. While the acting can come off as a bit stiff with writing that is a little too superficial and full of tropes, the music of Eva Noblezada and Dale Watson, along with a critical story about the struggles of being undocumented and chasing your own dreams, make this very much worth a view!

Before I watched this movie I had no idea who Eva Noblezada was. I was so impressed with her performance, both her acting and her truly marvelous singing voice, I had to look her up. Even though she plays a 17-yr-old high school student living with her mom, she in fact was about 22 during filming. Earlier in her career she starred in the Broadway musical "Miss Saigon" and was nominated for the 2017 Tony Award for best actress in a musical. Her performance at the 2017 Tonys is easy to find on U-tube, it is worth looking up.

So here she is Rose Garcia, her mom works at the Bastrop Inn and they live there, both undocumented. Rose plays guitar and writes songs for herself but she has a lot of budding talent. When her mom gets taken away she has to seek places to stay and one big help is a local Austin country music star. He puts her up for a while and helps her find her voice and be brave enough to sing in front of people.

This is a good movie and Eva Noblezada is very good. There has to be a singing arc and because she is such an accomplished singer she must sing initially with much restraint. Only as the movie is ending do we witness her full vocal abilities.

I like Eva Noblezada, I hope we see her in future movies. To me there is a parallel with Jessie Buckley, the Irish actress who is so good in "Wild Rose", also an aspiring country singer in that movie.

My wife and I watched it on DVD from our public library.

Great acting, casting, direction, locations. Everything but an actual story.

Finally, a film that legitimately makes you feel good without burying you in sugar. Rose (newcomer Eva Noblezada) in soulfully good Yellow Rose is a 17-year-old Filipina from rural Texas whose motel-maid mom Priscilla (Princess Punzalen) is about the be a guest of ICE, making Rose a figurative orphan without any backup.

Hidden in Rose's beautiful spirit is a hankering to sing country music although she first needs to sing for others, not just herself. After she avoids ICE herself, she meets some kind folk who will not only help her have a place to live but also give her a chance to sing.

The strength of this music/drama is that nothing is easy and nothing comes soon enough. When she meets real singer Dale Watson (a white-haired accomplished singer before the camera and in the vibrant world of honky-tonk Texas night life), her epiphany slowly begins.

However, in between meeting Dale, writing a song for him, and singing her first composition in front of a pleasant Dale-centered crowd, Rose has to struggle with mom's wish for her to come to Manila and her own sense of home already in Texas. The film is strong because it doesn't amplify the realities and the sentiment; it just lets Rose find her way on her own.

In a way, Jessie Buckley's Rose-Lynn in Wild Rose as a Grand 'Ol aspirant mirrors Rose in Yellow, only with more flamboyant songs and melodrama. Both films draw you in to the characters because of the actors' charm and talent. Yellow Rose has less music and conflict than Wild Rose but a sweeter take on the heroine's ambition: Although Rose barely registers on the emotion meter, her underlying passion is undeniable.

In Yellow Rose the music is sweet and low, especially when Dale sings (He steals the shot every time-now that's charisma). Like this gentle drama, Rose bubbles up to the top and stays with you like a simple country song.