Detetive Dee: Os Quatro Reis Celestiais

The story is a complex, multi-character excerise in episodic storytelling. Thre is a full-bodied saga that unfolds in "The Four Heavenly Kings" that offers rich, creative characters drawing on layered back story that, although implied for a lot of the characters, very much recognizable and clear. The main cast give stellar performances potraying what has to be as fascinating a mythos as Disney's fairytale collection.

The special effects are extravagant, over-the-top displays that show a strong desire to "one up" Hollywood, and to a degree Bollywood" , producing a true to score blockbuster experience. I have to say that Tsui pulls it off marvelously. Obviously money wasn't a concern. Think ABC's 'Once Upon A Time' meets -well- Hong Kong! Overall "Detective Dee: The Four Heavenly Kings" is a beautifully filmed fantasy tale of mythical mastery.

This latest Detective Dee film, directed by Tsui Hark, is a colorful epic ancient Chinese saga. It's filled with martial arts sequences, acrobatics, as well as plenty of treachery, deception, sorcery, illusions, and pageantry.

In the movie, the intrepid Detective Dee, head of the Bureau of Investigations, is awarded the super powerful Dragon-Taming Mace by the Emperor for his past heroism in saving the Kingdom. But the Detective will have to contend with the power hungry and evil Empress, as well as a reemerging cult, named the Wind Warriors, who seek control of the Dynasty as well, using magic and mind control.

I would say the film is somewhat overly long at about 2hrs. and 12 min. and it can be confusing and complicated at times.The final battle sequence I thought was too drawn out as well.

However, if one can just sit back and enjoy the wild special effects, the intrigue, the twists and turns, and colorful pageantry of it all, there are rewards here, although the movie is not for everyone.

Beside Chinese Ghost Stories and Wu Ji - originally chines version - the Detective Dee Trilogie are my favourite Chinese fantasy movies. Maybe some people have a problem if the Asian story telling - not always the classic western act driven - or with the stayle of acting and homie, but that is exactly the charming side of that movies. They a well done craft work and released with a wonderful style of love to the story. A fresh experience "out side of the box". I can't wait to see part 4 whenever they will make a bother one. OhI forgot, you can see also again that are good actresses and actors, storyteller and director, movie artist behind and in front of the camera. are exaist without an English native language.

Detective Dee (Mark Chao) heads the Bureau of Investigation in Tang Dynasty China; as a result of his protection of the kingdom earlier (in "Detective Dee and the Mystery of the Phantom Flame," 2010) the Emperor entrusts to him the Dragon Taming Mace, a weapon so powerful that it will serve to save the nation if needed. Unfortunately, the Empress (Carina Lau) doesn't trust Dee and, really, wants to assume complete power for herself, so she instructs one of the royal guard, Yuchi (Feng Shaofeng), to steal the Mace from Dee, knowing that Yuchi and Dee are long-time close friends and relying upon that friendship to turn to betrayal. Meanwhile, there are a number of clans of wizards who use illusion and sometimes magic to further their own ends, in particular to overthrow the Tang Dynasty....The above description only covers the relatively "normal" part of the story; throw in a bunch of seriously ugly monsters, a heavy dose of wuxia martial arts (fighters climbing the air as if it was a staircase, etc.), an extremely serene Buddhist, a totally unhinged Empress and, well, a love story between a doctor and an assassin, plus tons of sword fights and action all over the place, and you have the latest Detective Dee tale. By the way, the Four Heavenly Kings of the title feature in exactly one scene as statues, some of which are destroyed in the scene, and are never mentioned again. Go figure. I liked it all, a fitting end for 2018's Montreal FantAsia Film Festival for me!

I missed my chance to see the earlier Judge Dee movie, but I assumed that this and it were historical mysteries derived from the work of Robert van Gulik. Apparently there was a Dee during the Tang dynasty who was a judge and an imperial courtier. During the Ming dynasty, there were some folk novels about him, and this tradition fell into van Gulik's hands. His novels about this investigative judge were popular enough that others wrote further sequels after his death, and I assumed this was derived from one of those.

I was wrong. Although within the first few minutes, Mark Chao was on the scene of the crime as Dee making acute observations, it soon turned into a fantasy movie about magic maces, wicked empresses, court intrigue, evil Indian sorcerers and monks who are so good they'll let the world go to heck in a handbasket before they'll interrupt their quests for enlightenment.

Plus fiery demons and dragons and such, and it was at that point I began to wince. I enjoy a lot of fantasy movies, and many CGI special effects are well done, but there are film makers who seem convinced that if you render your impossible chimera in sufficient detail, the audience will accept it as real. There may indeed be audience members who feel that way, and they may be numerous enough to make a fine audience for the commercial art that is cinema. Alas for me, I am not part of that particular audience and if you show me something that doesn't exist and render it in sufficient detail to look real.... well, it starts to look cartoonish to me, like a Rube Goldberg alarm clock or what you get when you cross a hippopotamus with an abacus. "That's very nice, but why did you go to such trouble?" is my emotional reaction, as I tap my foot and wait impatiently for the fiery people to stop flying through the air so the movie can get on with it.

It seems a pity, because there are some lovely production values in this movie, in set design and costuming, camerawork and editing seem well covered and the actors hit their marks and seem to speak their lines well -- it's in Mandarin, so I have to rely on subtitles. There's also not a particle of doubt in my mind that if I had gone in knowing I was going to be looking at a fantasy instead of a mystery, I would not have been so disappointed.

Except by the continuing belief that spending lots of money on incredibly elaborate special effects can make up for foolish plotting. I'm sorry about that, but it can't.