AVALIAÇÃO DA IMDb
5,0/10
1,9 mil
SUA AVALIAÇÃO
Adicionar um enredo no seu idiomaAn American artist's obsession with a disturbing urban legend leads her to an investigation of the story's origins at the crumbling estate of a reclusive painter in Ireland.An American artist's obsession with a disturbing urban legend leads her to an investigation of the story's origins at the crumbling estate of a reclusive painter in Ireland.An American artist's obsession with a disturbing urban legend leads her to an investigation of the story's origins at the crumbling estate of a reclusive painter in Ireland.
- Direção
- Roteirista
- Artistas
- Prêmios
- 4 indicações no total
Francis J. Tully
- Well Dressed Man 4
- (as Francis Tully)
Avaliações em destaque
I thought this movie had a lot of potential- good acting, great photography, and a promising storyline, however, the dialogue, score, and pacing were too low energy for me to stay fully engaged. Also, I expected more intensity and tension that this movie could have desperately used.
I dont mind a slow-burn movie, but the ending has to make it worth the wait. This fell a bit short.
[5/10]
I dont mind a slow-burn movie, but the ending has to make it worth the wait. This fell a bit short.
[5/10]
While movies like Hereditary and It Follows get praise for being slow eerie movies, this movie takes it to an international level by creating a creepy story around an Irish urban legend, which is terrifyingly realistic.
The Celtic setting of the movie creates an unbelievably uncomfortable atmosphere which transcends in the incredible soundtrack. The directing is over average, but I do agree it's nothing less than cheesy at some points. But the clever 70's style of certain shots does the job of bringing us back into this eerie world.
The acting is also very good, especially for an indie. It's hard to know who you can trust and it's great to see a main actress that doesn't sound or look like the dumb little damsel in distress.
Overall, it's a movie that comes very close to being a classic, maybe only taken back from the fact that it lacks true novelty and, without being predictable, doesn't bring anything new to the table. I'd recommend it to anyone who loves slow burners with a spiritual background that doesn't try too hard to be its own thing and just lets things flow, making for a realistic, downright creepy story.
The Celtic setting of the movie creates an unbelievably uncomfortable atmosphere which transcends in the incredible soundtrack. The directing is over average, but I do agree it's nothing less than cheesy at some points. But the clever 70's style of certain shots does the job of bringing us back into this eerie world.
The acting is also very good, especially for an indie. It's hard to know who you can trust and it's great to see a main actress that doesn't sound or look like the dumb little damsel in distress.
Overall, it's a movie that comes very close to being a classic, maybe only taken back from the fact that it lacks true novelty and, without being predictable, doesn't bring anything new to the table. I'd recommend it to anyone who loves slow burners with a spiritual background that doesn't try too hard to be its own thing and just lets things flow, making for a realistic, downright creepy story.
This is really an intriguing little horror gem. It centers on an artist from America who creates a series of sculptures based on famous missing person cases. One of them spotlights a priest whom painted a portrait of a young girl who ended up disappearing both from her home and the picture. The priest contracts her with the promise to buy her piece inspired by him, commission a new work and have all her pieces sold to wealthy investors at a private auction. Upon arriving strange things begin to happen including strange dreams and weird happenings that lead her to believe the offer isn't genuine and something more sinister is afoot. It all leads up to a shocking and unexpected conclusion. It's definitely a religious horror film but plays like a strange Lynchian thriller. It's not perfect the pacing is a struggle at times but it has an engaging, dread induced atmosphere that feels otherworldly at times.
3.5/5
3.5/5
Actually wanted to like 'Don't Leave Home', and yes there was the intention to judge the film for myself after watching it and even more intention to judge it fairly. Both have always been the case with me when it comes to reviewing a film. The idea was attention-grabbing and it didn't look too bad, so there was potential.
Potential that was not lived up to very well at all. 'Don't Leave Home' was not a waste of time but it is a long way from a must watch from personal opinion. Didn't regret watching it and didn't find that my intelligence was insulted, something that cannot be said for some other films seen recently, it just didn't compel let alone unsettle me which is a primary factor as to why 'Don't Leave Home' as an overall film doesn't work.
Lets start with the good things. 'Don't Leave Home' started off very well, it does draw one right in, sets things up promisingly and has an eerie vibe. It's a decent looking film, with the setting giving off the right amount of unease and the photography has atmosphere. The music is haunting and not too obvious or intrusive.
Generally the acting was better than average, very good actually with the three leads. Nobody over-compensates and nobody looks uncomfortable or robotic.
However, while the characters don't annoy or there could have been much more development to them. The script is an overload of cheese and awkwardness and the direction is at best lethargic.
'Don't Leave Home's' biggest issue is the story. There is very little tension, suspense or dread, with the scares infrequent and being going-through-the-motions-like and obvious when they appear. It is dull too often despite starting off so well and is very predictable from the excessive over-familiarity of a lot of scenes, while it becomes increasingly far-fetched and confused. Not enough is explained properly either, too much is left vague and leaves one scratching their heads.
Not a waste of time but doesn't scare or compel enough. 4/10 Bethany Cox
Potential that was not lived up to very well at all. 'Don't Leave Home' was not a waste of time but it is a long way from a must watch from personal opinion. Didn't regret watching it and didn't find that my intelligence was insulted, something that cannot be said for some other films seen recently, it just didn't compel let alone unsettle me which is a primary factor as to why 'Don't Leave Home' as an overall film doesn't work.
Lets start with the good things. 'Don't Leave Home' started off very well, it does draw one right in, sets things up promisingly and has an eerie vibe. It's a decent looking film, with the setting giving off the right amount of unease and the photography has atmosphere. The music is haunting and not too obvious or intrusive.
Generally the acting was better than average, very good actually with the three leads. Nobody over-compensates and nobody looks uncomfortable or robotic.
However, while the characters don't annoy or there could have been much more development to them. The script is an overload of cheese and awkwardness and the direction is at best lethargic.
'Don't Leave Home's' biggest issue is the story. There is very little tension, suspense or dread, with the scares infrequent and being going-through-the-motions-like and obvious when they appear. It is dull too often despite starting off so well and is very predictable from the excessive over-familiarity of a lot of scenes, while it becomes increasingly far-fetched and confused. Not enough is explained properly either, too much is left vague and leaves one scratching their heads.
Not a waste of time but doesn't scare or compel enough. 4/10 Bethany Cox
What a shame, some good acting and pleasant enough cinematography. However, nothing happens, it tries to use brooding atmosphere to grip the viewer without giving the actual viewer a reason to care. There is no substance to the story, we don't find out any answers or the obvious 'why', your final words to yourself will be 'oh, that's it'. I knew I should have gone for a pint instead.
Você sabia?
- CuriosidadesIn a 2018 interview with Dread Central, Michael Tully spoke about the challenges of getting this type of horror movie made: "It took a long time to write... I knew what the movie would feel like. Like it's not specifically horror or graphic, but that sense when I was younger, watching Bad Ronald (1974) or a movie that just felt unsettling. Like more psychological thriller than horror... Now the hook of the film is that it's based on an urban legend of a haunted painting. That didn't come in until like the 15th draft. I could probably make 10 different versions of this movie that don't even look alike... It took about 3 or 4 years, and trying to get enough money. When you're making an original movie that in the 3rd act, it doesn't go like torture porn or Jogos Mortais (2004), it goes like Andrei Tarkovsky and Ingmar Bergman, that's NOT a recipe for people wanting to throw money at you. But it was sticking to our guns and I felt like that was what I wanted to do."
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- Don't Leave Home
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- Tempo de duração1 hora 26 minutos
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- 1.85 : 1
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