AVALIAÇÃO DA IMDb
6,9/10
18 mil
SUA AVALIAÇÃO
Um jornalista galês relata na mídia ocidental sobre a fome na União Soviética no início da década de 1930.Um jornalista galês relata na mídia ocidental sobre a fome na União Soviética no início da década de 1930.Um jornalista galês relata na mídia ocidental sobre a fome na União Soviética no início da década de 1930.
- Prêmios
- 4 vitórias e 14 indicações no total
Olena Leonenko
- Hotel receptionist
- (as Olena Leonenko-Glowacka)
Avaliações em destaque
This is a powerful film which I'm afraid few people will watch. Even those who watch it, may feel the situations it portrays are exaggerated or completely made up. They are not. The problems caused by Stalin in Ukraine are, if anything, downplayed.
But beyond the historical accuracy are the questions about the behavior of the people and their morality as it is portrayed in the film. Did diplomats and politicians really behave like this? Not only did they behave like this. They continue to behave like this. I've worked in government NGOs overseas and I've seen the insincerity of most diplomats close up. I've also experienced their ability to blind themselves of the truth if the truth endangers their high paid positions.
There are people out there now who know the truth and who are being told to keep quiet. There are people I've known who were undermined when trying to do what was right. So, this movie is telling the truth for them. You may not like what it has to say, but who says the truth has to be pleasant.
But beyond the historical accuracy are the questions about the behavior of the people and their morality as it is portrayed in the film. Did diplomats and politicians really behave like this? Not only did they behave like this. They continue to behave like this. I've worked in government NGOs overseas and I've seen the insincerity of most diplomats close up. I've also experienced their ability to blind themselves of the truth if the truth endangers their high paid positions.
There are people out there now who know the truth and who are being told to keep quiet. There are people I've known who were undermined when trying to do what was right. So, this movie is telling the truth for them. You may not like what it has to say, but who says the truth has to be pleasant.
I'm very glad I stuck this one out.
It is a little slow at the beginning, but the moral clarity of this film really stands out. This is a true story that needs to be heard. It's a story of an undercover freelance journalist who was a great hero, though many people don't know his name. It's a story of how the New York Times and the other intellectual elites in the 1930s defended one of the most evil regimes in history. It's a story of the naivety of so many well-meaning people. It's a story of the unspeakable evil of communism. These are stories you won't usually hear from Hollywood, but someone had the balls to make this.
The only negatives of this film are some obvious lacking in production value at times. But this is made up by surprisingly terrific acting and some extraordinarily effective scenes portraying the great evils of communism.
It is a little slow at the beginning, but the moral clarity of this film really stands out. This is a true story that needs to be heard. It's a story of an undercover freelance journalist who was a great hero, though many people don't know his name. It's a story of how the New York Times and the other intellectual elites in the 1930s defended one of the most evil regimes in history. It's a story of the naivety of so many well-meaning people. It's a story of the unspeakable evil of communism. These are stories you won't usually hear from Hollywood, but someone had the balls to make this.
The only negatives of this film are some obvious lacking in production value at times. But this is made up by surprisingly terrific acting and some extraordinarily effective scenes portraying the great evils of communism.
All the terror, horror and atrocities of the war and its effects on Ukraine, the Holodomor (Famine of Terror or the Great Famine), including empty villages, starving people, cannibalism and the forced harvest of grain, a beautiful but belated homage to the Lord Gareth Jones (journalist), very sad, appropriate for the current war Russia x Ukraine, a real story, Portraits of War, told simply and efficiently, as he wanted and reports at the beginning of the film...
This story is very engaging. The scenes of famine do etch onto the viewers' brains. I feel very sad for the fate of a righteous whistleblower.
... innocent comrades, as a result of tyrannical, incompetent and blinkered beliefs, in a system that still exists today bizarrely in some parts of the world. The famine of 1930s Russia and the man who bravely revealed those secrets presented in a down to earth and informative way with minimal poetic licence.
Você sabia?
- CuriosidadesOn the April 1st, 2022 installment of "The Lawfare" podcast, screenwriter Andrea Chalupa reports how during the course of filming "Mr. Jones", they reached out to the New York Times for permission to quote directly from Walter Duranty's article that denied a famine had taken place in Ukraine, but the Times refused to grant permission.
- Erros de gravaçãoAfter the main character returns to Britain, he meets George Orwell in a restaurant. In this scene, at the very beginning, a modern cash register is visible, with a flat LCD monitor.
- Citações
George Orwell: [Shaking hands with Gareth Jones] Eric Blair.
Gareth Jones: Gareth Jones
Leonard Moore: But you won't find Eric Blair on the bookshelves. You'll have to look for Orwell, George Orwell, after the river.
- Cenas durante ou pós-créditos"With special thanks and in loving memory of Dr. Margaret Siriol Colley, the niece of Gareth Jones and Nigel Colley, his great-nephew for their tireless research and tending to his legacy.
Thanks to the estate of the late Sonia Brownell Orwell for the use of quotations from Animal Farm by George Orwell."
- Versões alternativasThere are two versions available. Runtimes are: "1h 59m (119 min) (United States theatrical)" and "2h 21m (141 min) (festival)".
- ConexõesFeatured in Sunday AM: Episode dated 9 February 2020 (2020)
- Trilhas sonorasChoo-Choo
Music by Matty Malneck (as Matt Malneck) and Frank Trumbauer
Arranged by Marcin Masecki
Performed by Marcin Masecki (piano), Jerzy Rogiewicz (drums), Jan Emil Mlynarski (banjola, vocal)
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Detalhes
Bilheteria
- Orçamento
- € 10.000.000 (estimativa)
- Faturamento bruto mundial
- US$ 2.855.316
- Tempo de duração
- 2 h 21 min(141 min)
- Cor
- Mixagem de som
- Proporção
- 2.39 : 1
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