Sobre a Eternidade

Yes. We know Anderson and his style by heart. Yes, we love him with all our heart!

But... I was a bit de-mystified by the fact that in this (potentially very meta-physical) story-composition there was MANY TIMES a voice over telling us what we just saw on our own. Chances are I truly missed the point of this, but after few minutes I felt truly annoyed by it... "yes I see myself a man with a problem that is xy" I thought many times. Was this the point?

Overall, apart from the seemingly unnecessary narrator, some of the scenes were "too light" for my taste, but I guess taste is just taste. Young people, dancing in sunlight; young people staring at each other. More profanity without the dark, underlying melancholy. Most of his other scenes in older movies feature also way more "mystical" (unexplained/riddled) situations, might they be more absurd, more surreal, more melancholic, more dramatic. Many scenes in this film felt quite "un-dramatic"... but again, maybe this was his point, finally giving us more light, more normal situations, more insight into happiness?

Apart from this point ( that I maybe didn't get): loved the absurdity, some of the actors, most of the sets (splendid as ALWAYS), the groteque, the paintinglike style, the "Andersonesque" techniques to tell a story.

Maybe one of you "unlocked" the solution to this film's mystery?

After watching Roy's other films I was really looking forward to this film - as some fans had said it was his best film ever. I set myself up for a treat. But I was let down. Yes, the art direction and acting are absolutely superb. But the stories didn't work for me. I was bored.

This perfect slice of life story vignette its so meticulous and purposeful just a series of random memories from a somebody's life, I never felt so identified with a movies plot before, its a movie about nothing and all at the same time, looking forward to see the other directors work.

It feels like telling a thousand cold jokes to an indifferent person.

"About Endlessness" is a feature length collection of long static camera shots, each capturing a moment in the life of a human being. Some of the moments are mundane, some are disturbing, some are funny, many are melancholy. I was game to engage with the film's experimental approach for awhile -- it's like going to an art museum and having the paintings you're looking at come alive within their frames. But the concept eventually gets a bit monotonous and the film over stays its welcome by a good fifteen minutes or so. The compositions look absolutely gorgeous, though, even when what's on the screen is nothing but a simple, bare room.

Grade: B.