AVALIAÇÃO DA IMDb
6,4/10
15 mil
SUA AVALIAÇÃO
Depois que a família de um homem morre no que parece ser um assassinato, ele recebe um telefonema de um dos mortos, sua sobrinha. Não tenho certeza se ela é um fantasma ou se ele está ficand... Ler tudoDepois que a família de um homem morre no que parece ser um assassinato, ele recebe um telefonema de um dos mortos, sua sobrinha. Não tenho certeza se ela é um fantasma ou se ele está ficando louco, mas acontece que ele não estáDepois que a família de um homem morre no que parece ser um assassinato, ele recebe um telefonema de um dos mortos, sua sobrinha. Não tenho certeza se ela é um fantasma ou se ele está ficando louco, mas acontece que ele não está
- Direção
- Roteiristas
- Artistas
Sarkis Ninos
- Property Officer #2
- (as Nino Sarks)
Daniel R. Lawson Jr.
- Diner Patron
- (não creditado)
Avaliações em destaque
My wife and I enjoyed this movie! It's better then a lot of crap out there today, so hard to find a good flick these days, especially a sci-fi crime film.
Normally don't watch if ratings below 7 but took a chance and it's definitely better than the 6.3 rating. I would say 7 which is a good movie in my book👍
I remember seeing the trailer and feeling potential, then the average or even below ratings came, others called them out and stated the movie's underrated, and, well, eventually I went in with one eyebrow raised high. The director Jacob Estes is guilty of making a movie that hit me hard when I was little, the 2004's "Mean Creek" - seen it a few times and that definitely made me a little more excited for "Don't Let Go". Well, the verdict - flawed and unfocused movie, but not exactly a disappointing experience.
"Don't Let Go" has a lot going on, a time travel plot, a whodunit (and why) mystery & the part that, in my opinion, worked the best - the central relationship between the detective Jack Radcliff (David Oyelowo) and his niece Ashley (Storm Reid), one of the movies main driving forces. The script is somehow both the best and worst thing about "Don't Let Go", it offers exciting themes, heartfelt relationships (helped a LOT by the very fine and devoted performances by the whole cast) & an uneven pacing. The themes of time travel and the many mysteries in need of solutions take turns slowly and sometimes weirdly, maybe even silly, resulting in a plot which, when taken as a whole, can be described as overly convoluted or lost in itself. Given the subject matter, "Don't Let Go" should be more thrilling, engaging and head-strong, but from the many goals Jacob Estes had pinned down only half was reached. Visually "Don't Let Go" is satisfying enough without impressing much, when it comes to action or violence, I can't say it shies away either, but, again, don't expect to be blown away by the movies aesthetic.
"Don't Let Go" is too much of a head-scratcher, strives for eventual coherency but partially misses it. Nevertheless, it has quite enough to offer & the ending has the potential of warming your heart up a bit and muddle some of its flaws in retrospect. If You can believe me, I think that neither the 4's or 8's are to be listened to here. My rating: 6/10.
"Don't Let Go" has a lot going on, a time travel plot, a whodunit (and why) mystery & the part that, in my opinion, worked the best - the central relationship between the detective Jack Radcliff (David Oyelowo) and his niece Ashley (Storm Reid), one of the movies main driving forces. The script is somehow both the best and worst thing about "Don't Let Go", it offers exciting themes, heartfelt relationships (helped a LOT by the very fine and devoted performances by the whole cast) & an uneven pacing. The themes of time travel and the many mysteries in need of solutions take turns slowly and sometimes weirdly, maybe even silly, resulting in a plot which, when taken as a whole, can be described as overly convoluted or lost in itself. Given the subject matter, "Don't Let Go" should be more thrilling, engaging and head-strong, but from the many goals Jacob Estes had pinned down only half was reached. Visually "Don't Let Go" is satisfying enough without impressing much, when it comes to action or violence, I can't say it shies away either, but, again, don't expect to be blown away by the movies aesthetic.
"Don't Let Go" is too much of a head-scratcher, strives for eventual coherency but partially misses it. Nevertheless, it has quite enough to offer & the ending has the potential of warming your heart up a bit and muddle some of its flaws in retrospect. If You can believe me, I think that neither the 4's or 8's are to be listened to here. My rating: 6/10.
The story is a bit creative even though already could predict the ending. However, the way they edit the film, some scene are confusing.
The cast did an amazing job. Was a really good concept. Not completely original, but had original components. Could've been a 10 had the story been developed a bit more and the score not have been so sleepy.
Você sabia?
- CuriosidadesThe film seems to have a similar premise to Alta Frequência (2000), starring Jim Caviezel and Dennis Quaid, which was eventually given a television treatment, Frequency (2016): A person in the current time period has the ability to save a relative in the past , except with the use of cell phones as oppose to a ham-radio.
- Erros de gravaçãoThe newspaper Jack looks at has a date in June 2018, but the calendar on Ashley's bedroom desk and the date on the package in the evidence room is for June 2017.
- ConexõesFeatured in Chris Stuckmann Movie Reviews: Don't Let Go (2019)
- Trilhas sonorasOur Old Song
Written by Daniel Emile Andre Finot, Jean-Michel Vallet (as Jean-Michel Marcel Vallet), Claire Dominique Guillot and Patrick Chartol (as Patrick Jean Merie Chartol)
Courtesy of APM Music
Principais escolhas
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- How long is Don't Let Go?Fornecido pela Alexa
Detalhes
- Data de lançamento
- País de origem
- Centrais de atendimento oficiais
- Idioma
- Também conhecido como
- Crimen contrarreloj
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 5.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 5.215.062
- Fim de semana de estreia nos EUA e Canadá
- US$ 2.338.669
- 1 de set. de 2019
- Faturamento bruto mundial
- US$ 5.288.011
- Tempo de duração1 hora 43 minutos
- Cor
- Proporção
- 2.39:1
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