Um policial entra em uma corrida contra o relógio quando responde ao chamado de uma mulher que foi sequestrada.Um policial entra em uma corrida contra o relógio quando responde ao chamado de uma mulher que foi sequestrada.Um policial entra em uma corrida contra o relógio quando responde ao chamado de uma mulher que foi sequestrada.
- Direção
- Roteiristas
- Artistas
- Prêmios
- 38 vitórias e 43 indicações no total
Jessica Dinnage
- Iben
- (narração)
Omar Shargawi
- Rashid
- (narração)
Johan Gotthardt Olsen
- Michael
- (narração)
- (as Johan Olsen)
Jacob Lohmann
- Bo
- (narração)
- (as Jacob Hauberg Lohmann)
Katinka Evers-Jahnsen
- Mathilde
- (narração)
Jeanette Lindbæk
- Vagtleder Nordsjælland
- (narração)
Simon Bennebjerg
- Junkie
- (narração)
Laura Bro
- Journalist
- (narração)
Morten Suurballe
- Mand på Skælbækgade
- (narração)
Guuled Abdi Youssef
- Mand ved natklub
- (narração)
Caroline Løppke
- Fuld kvinde
- (narração)
Nicolai Wendelboe
- Politiassistent i bil
- (narração)
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Avaliações em destaque
I watched the Netflix film first, and then thanks to the reviews on that one, discovered this Danish original and watched that too.
The Netflix film is a taught and effective thriller, with a great central performance from Jake Gyllenhaal. It's mostly word-for-word the same as the Danish version. And it's free if you have Netflix!
The Danish version is £2.99 on Amazon. It's less stylish and less melodramatic, but much more believable and affecting. I cared more for all the characters, and despite knowing exactly how it was going to play out, I was hooked throughout. At times I couldn't look away.
The Netflix film adds an unneccesary personal arc, some wildfire-related melodrama, and a set more like a James Bond MI5 office than a 911 (or 112) call centre - all of which reduced the impact and made the film less engaging.
If you're definitely not going to watch the Danish version, the Netflix one is a good bet. If you're ok to watch either, choose this original - it's a lot more suspensful and completely captivating. (Ideally, unlike me, don't watch both!)
The Netflix film is a taught and effective thriller, with a great central performance from Jake Gyllenhaal. It's mostly word-for-word the same as the Danish version. And it's free if you have Netflix!
The Danish version is £2.99 on Amazon. It's less stylish and less melodramatic, but much more believable and affecting. I cared more for all the characters, and despite knowing exactly how it was going to play out, I was hooked throughout. At times I couldn't look away.
The Netflix film adds an unneccesary personal arc, some wildfire-related melodrama, and a set more like a James Bond MI5 office than a 911 (or 112) call centre - all of which reduced the impact and made the film less engaging.
If you're definitely not going to watch the Danish version, the Netflix one is a good bet. If you're ok to watch either, choose this original - it's a lot more suspensful and completely captivating. (Ideally, unlike me, don't watch both!)
Considering all the action is taking place in one room and happens via phone call in Danish language, it's incredible how it keeps you on the edge of your seat with strong character development, great acting and intriguing plot twists
With an amazing actor in Jacob Cedergren, the director and crew of this film has pulled off what appears to be one of the best low-budget movies ever made.
The movie is immensely exciting, and deserves to be world famous. Everything about this movie is perfect, and shows that you don't need deep hollywood pockets to make an amazing movie.
Extra points for having a great trailer without spoilers, seems like this is a hard thing to do for most producers nowadays...
The movie is immensely exciting, and deserves to be world famous. Everything about this movie is perfect, and shows that you don't need deep hollywood pockets to make an amazing movie.
Extra points for having a great trailer without spoilers, seems like this is a hard thing to do for most producers nowadays...
I watched this at the festival where after the projection we had a QA session with the director.
The Film itself is technically impressive, all framed within 2 rooms where all you'll see is the main character at the phone and very little more. This is not a limitation but instead the strength of the Movie itself; it's all about guided imagination. The dialogues push your figurative skills to build this outdoor world that is intentionally not shown to you.
There has been a lot of background work/preparation for this Film and it's all visible in the final product.
The director did a great job alternating long moments of high tension with some short funny ones to engage the audience.
I do consider this Movie very unique and original but you might find some similarities with Locke and perhaps also Phone Boot where a series of phone calls is the actual stage.
Unmissable title for 2018
Bravo!
The Film itself is technically impressive, all framed within 2 rooms where all you'll see is the main character at the phone and very little more. This is not a limitation but instead the strength of the Movie itself; it's all about guided imagination. The dialogues push your figurative skills to build this outdoor world that is intentionally not shown to you.
There has been a lot of background work/preparation for this Film and it's all visible in the final product.
The director did a great job alternating long moments of high tension with some short funny ones to engage the audience.
I do consider this Movie very unique and original but you might find some similarities with Locke and perhaps also Phone Boot where a series of phone calls is the actual stage.
Unmissable title for 2018
Bravo!
"The Guilty" is one of those one-man show movies that revolve around a single character in a single location working through some sort of dramatic situation. In this film, the character is a cop who's been put on 911 call center duty while he awaits trial for misconduct on the job. The way he handles the emergency that falls into his lap and the way he goes about making decisions, most of them bad ones, tells us a lot about him and how he probably ended up on trial in the first place.
Movies like this are always going to feel to a certain extent like gimmicks and will have to deal with the distractions that come with that (How will it maintain dramatic tension? How will it remain visually engaging?) This one uses a plot twist that serves to both throw the audience for a loop and reveal much about our main character, namely that he makes a whole heap of assumptions when dealing with a crisis scenario, not the best attribute for a police officer.
A slick, effective little thriller that's well worth your time.
Grade: A-
Movies like this are always going to feel to a certain extent like gimmicks and will have to deal with the distractions that come with that (How will it maintain dramatic tension? How will it remain visually engaging?) This one uses a plot twist that serves to both throw the audience for a loop and reveal much about our main character, namely that he makes a whole heap of assumptions when dealing with a crisis scenario, not the best attribute for a police officer.
A slick, effective little thriller that's well worth your time.
Grade: A-
Você sabia?
- CuriosidadesThe genesis of the film was a YouTube clip of a kidnapped woman calling an emergency dispatcher while her kidnapper sat nearby. Director Gustav Möller was struck by how much an audio clip could convey on its own with no visual accompaniment.
- Erros de gravaçãoWhen Asger is having a phone conversation (1:11:30) his forefinger is on the cell phone but in the next scene the forefinger is on his cheek.
- Citações
Vagtleder Nordsjælland: Good job, Asger.
- ConexõesFeatured in La noche de...: La Noche de... The Guilty (2022)
- Trilhas sonorasUntitled
Composed by Lasse Martinussen
Principais escolhas
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- How long is The Guilty?Fornecido pela Alexa
Detalhes
Bilheteria
- Faturamento bruto nos EUA e Canadá
- US$ 207.140
- Fim de semana de estreia nos EUA e Canadá
- US$ 60.050
- 21 de out. de 2018
- Faturamento bruto mundial
- US$ 4.598.051
- Tempo de duração1 hora 25 minutos
- Cor
- Mixagem de som
- Proporção
- 2.39 : 1
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