A region bustling with the winds of change throughout the 2010s — both progressive and retrograde — Latin America enjoyed a banner decade that witnessed the rise of films grappling with economic inequality, indigenous discrimination, and Lgbtq+ issues.
Mexico’s production continued to skyrocket (from Amat Escalante to Eugenio Derbez), Chile emerged as a powerhouse in both the arthouse and mainstream markets (with the Larraín brothers’ Fabula production company and the unofficial movement known as Chilewood), and countries like Panama (“Invasion”), the Dominican Republic (“Woodpeckers”), and Paraguay (“The Heiresses”) made strides towards a more consistent output of noteworthy offers. Although far from a definitive list, these 11 features give the world the opportunity to take a peek at the varied perspectives of Latin American creators, veterans and up-and-comers:
“Aquarius” (2016)
Vigorous and sensual, Sonia Braga commands director Kleber Mendonça Filho’s vital character study in her career-best work playing Doña Clara. The timeless Brazilian...
Mexico’s production continued to skyrocket (from Amat Escalante to Eugenio Derbez), Chile emerged as a powerhouse in both the arthouse and mainstream markets (with the Larraín brothers’ Fabula production company and the unofficial movement known as Chilewood), and countries like Panama (“Invasion”), the Dominican Republic (“Woodpeckers”), and Paraguay (“The Heiresses”) made strides towards a more consistent output of noteworthy offers. Although far from a definitive list, these 11 features give the world the opportunity to take a peek at the varied perspectives of Latin American creators, veterans and up-and-comers:
“Aquarius” (2016)
Vigorous and sensual, Sonia Braga commands director Kleber Mendonça Filho’s vital character study in her career-best work playing Doña Clara. The timeless Brazilian...
- 28/12/2019
- por Carlos Aguilar
- The Wrap
Everardo González, documentary filmmaker best known for Ladrones viejos and Drought (Cuates de Australia), is visibly enraged when he starts talking about the case of Javier Duarte, a Mexican politician who in early 2017 was detained for a huge corruption case. We all know the man is absolute dirt and yet the first hearing quickly reminded us that Mexico is the land of impunity. That’s why González is angry, though the very idea that Duarte might beat justice is hardly a surprise in the Narco-state that is our country. Everardo’s latest documentary, Devil’s Freedom (La libertad del diablo), tackles the consequences of the Mexican Drug War from the personal perspective of several individuals. There are testimonies of victims who lost their familiars or have been...
[Read the whole post on screenanarchy.com...]...
[Read the whole post on screenanarchy.com...]...
- 22/07/2017
- Screen Anarchy
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