Num teatro quase arruinado, entre personagens bizarras, um empresário decide apelar ao seu antigo livro de feitiços mágicos "reais" para modificar a sua crise financeira.Num teatro quase arruinado, entre personagens bizarras, um empresário decide apelar ao seu antigo livro de feitiços mágicos "reais" para modificar a sua crise financeira.Num teatro quase arruinado, entre personagens bizarras, um empresário decide apelar ao seu antigo livro de feitiços mágicos "reais" para modificar a sua crise financeira.
- Prêmios
- 1 indicação no total
Frantzdy Alexandre
- Open Mic Night Performer
- (as Frantzdy Alexandre)
Jacqueline Almonte
- Jackie
- (as Jackie Almonte)
Jules Citro
- Comedian
- (as a different name)
Avaliações em destaque
Not bad, not bad at all. I enjoyed it. The ending was pretty weak though.
Intertwining stories about the manager of a small, struggling theater who has to resort to his real magic book to make ends meet, and a middle-aged man-child having to deal with his girlfriend's unwanted pregnancy.
There's some good stuff here, which would make some sort of minor hit under different conditions. However, the movie falls into the same traps as many other wannabe-indie comedies do:
A middle-aged man who still acts like a child is N-O-T funny. Not since Seinfeld. If anything, the character irritates the hell out of the audience. Plus, assaulting the audience's ears with three people talking at once, with each one trying to outdo the others as if they were in a fast-talking contest, does not help either. Such long dialogue gives the impression that the writer has a deep, Shakespearean story to tell with many facades, although his material is actually very thin, very light. Not that this is a bad thing, of course, great movies can be made from thin material. But as long as they're treated properly, not as if they're a Greek tragedy.
And there are too many references to other movies, which looks like a sad attempt to look Tarantino-esque: Friday The 13th, The Invisible Man, The Elephant Man, Slumdog Millionaire, Misery, and a few more. But I don't expect anyone to think "Well, this guy sure knows his movie history! Welcome, Tarantino 2.0!" They look more like random movie names sprinkled throughout the script for no reason at all.
The director does manage to juggle the two main stories somewhat seamlessly, which is something that not every moviemaker can do. And some characters and some scenes work, but overall, it comes off as mediocre. It's a chore to follow everything that's being said, and that's not a good sign for a comedy. Five stars out of ten is actually very generous.
There's some good stuff here, which would make some sort of minor hit under different conditions. However, the movie falls into the same traps as many other wannabe-indie comedies do:
A middle-aged man who still acts like a child is N-O-T funny. Not since Seinfeld. If anything, the character irritates the hell out of the audience. Plus, assaulting the audience's ears with three people talking at once, with each one trying to outdo the others as if they were in a fast-talking contest, does not help either. Such long dialogue gives the impression that the writer has a deep, Shakespearean story to tell with many facades, although his material is actually very thin, very light. Not that this is a bad thing, of course, great movies can be made from thin material. But as long as they're treated properly, not as if they're a Greek tragedy.
And there are too many references to other movies, which looks like a sad attempt to look Tarantino-esque: Friday The 13th, The Invisible Man, The Elephant Man, Slumdog Millionaire, Misery, and a few more. But I don't expect anyone to think "Well, this guy sure knows his movie history! Welcome, Tarantino 2.0!" They look more like random movie names sprinkled throughout the script for no reason at all.
The director does manage to juggle the two main stories somewhat seamlessly, which is something that not every moviemaker can do. And some characters and some scenes work, but overall, it comes off as mediocre. It's a chore to follow everything that's being said, and that's not a good sign for a comedy. Five stars out of ten is actually very generous.
This is watchable though suffers from a weak script, and some less than stellar acting. The black characters were excellent, but the rest of the cast struggled with the poor dialogue and direction. The plot didnt really make a lot of sense and the ending was weak. None of the white characters were engaging or very likeable. Wouldn't really recommend.
Você sabia?
- CuriosidadesIn just its first half hour, the movie has more dialogue than the entirety of Três Homens em Conflito (1966) which runs at 178 minutes. In its total running time (only 105 minutes) it has more dialogue than Star Wars: Episódio IV - Uma Nova Esperança (1977) and Star Wars: Episódio V - O Império Contra-Ataca (1980) combined.
- Trilhas sonorasBaby Don't Go
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Detalhes
- Data de lançamento
- País de origem
- Idioma
- Também conhecido como
- Beyaz Erkekler İçin Kara Büyü
- Consulte mais créditos da empresa na IMDbPro
- Tempo de duração1 hora 45 minutos
- Cor
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By what name was Black Magic for White Boys (2017) officially released in Canada in English?
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