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IMDbPro

O Menino e a Garça

Título original: Kimitachi wa dô ikiru ka
  • 2023
  • 12
  • 2 h 4 min
AVALIAÇÃO DA IMDb
7,4/10
99 mil
SUA AVALIAÇÃO
POPULARIDADE
1.179
19
O Menino e a Garça (2023)
A young boy named Mahito yearning for his mother ventures into a world shared by the living and the dead. There, death comes to an end, and life finds a new beginning. A semi-autobiographical fantasy from the mind of Hayao Miyazaki.
Reproduzir trailer1:21
6 vídeos
99+ fotos
AnimeFantasy EpicHand-Drawn AnimationIsekaiAdventureAnimationDramaFantasy

Depois de perder a mãe durante a guerra, Mahito muda-se para o campo. Lá, uma série de eventos misteriosos o levam a uma torre antiga, lar de uma garça cinzenta, onde ele entra em um mundo f... Ler tudoDepois de perder a mãe durante a guerra, Mahito muda-se para o campo. Lá, uma série de eventos misteriosos o levam a uma torre antiga, lar de uma garça cinzenta, onde ele entra em um mundo fantástico partilhado pelos vivos e pelos mortos.Depois de perder a mãe durante a guerra, Mahito muda-se para o campo. Lá, uma série de eventos misteriosos o levam a uma torre antiga, lar de uma garça cinzenta, onde ele entra em um mundo fantástico partilhado pelos vivos e pelos mortos.

  • Direção
    • Hayao Miyazaki
  • Roteirista
    • Hayao Miyazaki
  • Artistas
    • Soma Santoki
    • Masaki Suda
    • Kô Shibasaki
  • Veja as informações de produção no IMDbPro
  • AVALIAÇÃO DA IMDb
    7,4/10
    99 mil
    SUA AVALIAÇÃO
    POPULARIDADE
    1.179
    19
    • Direção
      • Hayao Miyazaki
    • Roteirista
      • Hayao Miyazaki
    • Artistas
      • Soma Santoki
      • Masaki Suda
      • Kô Shibasaki
    • 422Avaliações de usuários
    • 226Avaliações da crítica
    • 91Metascore
  • Veja as informações de produção no IMDbPro
    • Ganhou 1 Oscar
      • 34 vitórias e 86 indicações no total

    Vídeos6

    The Final Teaser
    Trailer 1:21
    The Final Teaser
    Official Trailer
    Trailer 1:56
    Official Trailer
    Official Trailer
    Trailer 1:56
    Official Trailer
    Official Teaser Trailer
    Trailer 1:12
    Official Teaser Trailer
    The Boy and the Heron
    Trailer 1:12
    The Boy and the Heron
    The Boy And The Heron: Toshio Suzuki On Hayao Miyazaki & The Future Of Animation
    Featurette 4:37
    The Boy And The Heron: Toshio Suzuki On Hayao Miyazaki & The Future Of Animation
    Promo
    Promo 0:33
    Promo

    Fotos210

    Ver pôster
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    + 206
    Ver pôster

    Elenco principal48

    Editar
    Soma Santoki
    • Mahito Maki
    • (narração)
    Masaki Suda
    Masaki Suda
    • The Grey Heron
    • (narração)
    Kô Shibasaki
    Kô Shibasaki
    • Kiriko
    • (narração)
    • (as Kou Shibasaki)
    Aimyon
    • Himi
    • (narração)
    Yoshino Kimura
    Yoshino Kimura
    • Natsuko
    • (narração)
    Takuya Kimura
    Takuya Kimura
    • Shoichi Maki
    • (narração)
    Keiko Takeshita
    • Maid #1
    • (narração)
    Jun Fubuki
    • Maid #2
    • (narração)
    Sawako Agawa
    • Maid #3
    • (narração)
    Karen Takizawa
    • Wara Wara
    • (narração)
    Shinobu Ôtake
    • Maid #4
    • (narração)
    Jun Kunimura
    Jun Kunimura
    • The Parakeet King
    • (narração)
    Kaoru Kobayashi
    Kaoru Kobayashi
    • Old Pelican
    • (narração)
    Shôhei Hino
    • Great-Uncle
    • (narração)
    Nami Uehara
    • Additional Voice
    • (narração)
    Kiyoko Nishimura
    • Additional Voice
    • (narração)
    Ryûnosuke Watanuki
    • Additional Voice
    • (narração)
    Takuya Yagyu
    • Additional Voice
    • (narração)
    • Direção
      • Hayao Miyazaki
    • Roteirista
      • Hayao Miyazaki
    • Elenco e equipe completos
    • Produção, bilheteria e muito mais no IMDbPro

    Avaliações de usuários422

    7,498.5K
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    Avaliações em destaque

    7Sleepin_Dragon

    Stunning to look at, just a little hard to follow at times.

    Mahito's life is dramatically changed, he's lost his mother, and his father has started a new life in the country, escaping a war. One day Mahito follows a heron, and enters a whole new fantasy world.

    This first thing I'm going to start with, the visuals, what a feast for the eyes, it is a vividly, beautiful film, some of the scenes are honestly captivating, not just the animations themselves, but the colours and creativity.

    To be honest, I can't say I fully understood what was going on, I did find myself needing to read up about the plot, as some of it did go over my head, I imagine this improves with a second viewing.

    It feels like a very personal story, I wonder if Miyazaki was exercising personal demons through it. As always there's a strong moral angle running through it, but plenty of really good scenes.

    I'm nitpicking, but I did prefer Spirited Away, maybe simply because I found it easier to follow, but I'd recommend this very highly.

    Worth seeing for the incredible visuals alone.

    7/10.
    7alex_with_a_P

    Hayao Miyazaki delivers

    Not his best, but a very solid fairy tale from the master with lots of his trademark elements like stoic characters, spirit worlds, flying scenes and characters running through narrow passages.

    It is stylistically comparable to Spirited Away and Howls Moving Castle, although a bit less epic in scope. Like those films it inhibits a certain darkness and maturity at times with a war as a backdrop, that is not really aimed at children. I personally liked it and wished that more filmmakers in animation would have similar aspirations, but I guess those who do are expelled to do short movies. But back to Miyazaki's movie: it is bursting with lots of ideas, symbolism and fairy tale motifs like Snow White (with a dead mother, seven dwarfettes and a glass coffin with a sleeping beauty). At other times the character dynamics invoke Jim Henson's Labyrinth, where the protagonist has to rescue a kidnapped loved one and work with a henchman who sells him out at every opportunity until they start bonding.

    All the visual ideas are great but sometimes they can unnecessary bloat the picture. It is one of Miyazaki weaknesses to be over-indulgent and unfocused at times, sometimes he needs to tighten the story in certain places - especially during the last stretch it can feel exhausting. I still like the leisurely pace in the beginning and that the movie takes it's time to slowly pull us into another world/afterlife/beforelife however you want to call this place. There are beautiful visual metaphors like when the little balloon creatures fly off into the next world, one can say that those symbolize the protagonists own emotions bubbling up into the surface (this is also the first sequence where we see the main character smile and express genuine emitions) - and that he tries to repress those feelings. Especially towards his new stepmom which he tries to rescue seemingly out of pure obligation for his father. It is also no coincidence that we witness the appearance of an avatar of his real mother in that very same sequence - she tries to protect those cute balloons from hungry predators, but in the process burns most of them. The clinging to the ghost from the past is preventing a new blossoming/beginning. There simply aren't easy and clean-cut solutions, neither in nature nor our society.

    There are certain moments where someone can get the impression that Miyazaki is making a statement towards his own legacy and the studio he helped to build. There are themes of responsibility & duty versus family sharing a lot of similarities to his last movie 'The Wind Rises' . I appreciated the ending, without getting into any spoiler territory, a lot of people wondered or were baffled why the final scene feels sort of "tacked on". But when you closely observe it, it is sound with the movie's themes and illustrates rather well the important choice of our main character.
    6yassirsolomah

    At best, a monstrous and beautiful art piece

    I'm a huge fan of Ghibli (I even have a Princess Mononoke tattoo to show).

    I have to say, this movie left me wanting more.

    The beginning of the movie feels slower (and mostly coherent) but slowly devolves into a beautiful collage of animation and music. Generally, it feels like the movie is formed as a sampler of the rest of Ghibli, pulling ideas and art from other titles like Spirited Away, Howl's, and Mononoke.

    By the time the story comes together in a somewhat haphazard manner, you're pretty much at the end of the movie, and the deep ideas that were to be conveyed had no time to develop. There are various decisions made by the protagonists that lack rhyme or reason because everything critical was saved for the end. I imagine if you watch the movie another 2-3 more times you might catch onto what Miyazaki was intending, but it was certainly lost in a singular conventional theatre style viewing.

    Is it worth watching simply based on art and music? In my opinion, yes, but if you're expecting a Ghibli level movie, you might be disappointed.
    8knightoffun

    Miyazaki Surrenders His Art to All of Us

    The imagery that completely stuck with me is when things overwhelm Mahito. From the frogs, to the pelicans, the warawara, the fish guts, and the parakeets. And Mahito's reaction is not even fight or flight. He stays still as if frozen and completely unable to react.

    And that's maybe why it was important for Mahito to know that forgetting is normal. His feeling of loss and grief and the feeling of having to adjust to changes in his environment may be overwhelming and maybe a solution is trying to forget.

    The granduncle is Miyazaki himself. He tries to find someone who can continue his legacy but in the end completely accepts that the worlds that he built and the stories he has told may crumble and completely be forgotten. And that is one truth that an artist will find hard to take.
    VenVes

    A Disjointed Mess

    A disjointed mess of a movie, with many confusing elements, and a non-cohesive storyline.

    I went into it expecting a thoughtful farewell and bittersweet celebration of Miyazaki's legacy, and instead came out of the theater taken aback and disappointed. A work like this I would expect from Goro, not his father.

    I cannot fathom how so many reviewers have given this movie nines or tens. By no means is it deserving of such high praise, and I have to believe this dissonance is due to fanboy-ism and an inability to criticize the work of someone they love.

    Well, I love Miyazaki's work as well, but I also understand that it's important to be objective and not biased in an increasingly all too biased world.

    I hope he creates another, and redeems himself, as I do not want this to be the note he ends his praise-worthy legacy on. Regardless, thanks for all the fantastic memories and moments you've already provided me, Mr. Miyazaki.

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    Enredo

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    Você sabia?

    Editar
    • Curiosidades
      In December 2019, the film was announced to be 15% complete after three-and-a-half years of work. Producer Toshio Suzuki explained that Hayao Miyazaki, in the past, would be able to direct seven to ten minutes of animation per month, and they had scheduled five minutes of animation per month or about one hour per year on the film. However, Miyazaki was directing only about one minute of animation per month.
    • Erros de gravação
      When a knife is being honed on a steel the knife blade is facing up, it should be facing down. Whilst you can hone in either direction, up the steel away from you, or down the steel towards you, the blade should be facing towards the handle of the steel.
    • Citações

      The Grey Heron: I'll be your guide.

    • Conexões
      Featured in AniMat's Crazy Cartoon Cast: End of the Year Embarrassments (2020)
    • Trilhas sonoras
      Chikyûgi (Spinning Globe)
      Performed by Kenshi Yonezu

      Courtesy of Sony Music Labels Inc

    Principais escolhas

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    Perguntas frequentes18

    • How long is The Boy and the Heron?Fornecido pela Alexa

    Detalhes

    Editar
    • Data de lançamento
      • 22 de fevereiro de 2024 (Brasil)
    • País de origem
      • Japão
    • Central de atendimento oficial
      • Toho Site
    • Idioma
      • Japonês
    • Também conhecido como
      • El niño y la garza
    • Empresas de produção
      • Studio Ghibli
      • Toho
    • Consulte mais créditos da empresa na IMDbPro

    Bilheteria

    Editar
    • Faturamento bruto nos EUA e Canadá
      • US$ 46.832.867
    • Fim de semana de estreia nos EUA e Canadá
      • US$ 13.011.722
      • 10 de dez. de 2023
    • Faturamento bruto mundial
      • US$ 282.422.186
    Veja informações detalhadas da bilheteria no IMDbPro

    Especificações técnicas

    Editar
    • Tempo de duração
      2 horas 4 minutos
    • Cor
      • Color
    • Mixagem de som
      • Dolby Digital
      • IMAX 6-Track
      • Dolby Atmos
      • DTS:X
    • Proporção
      • 1.85 : 1

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