[go: up one dir, main page]

    Calendário de lançamento250 filmes mais bem avaliadosFilmes mais popularesPesquisar filmes por gêneroBilheteria de sucessoHorários de exibição e ingressosNotícias de filmesDestaque do cinema indiano
    O que está passando na TV e no streamingAs 250 séries mais bem avaliadasProgramas de TV mais popularesPesquisar séries por gêneroNotícias de TV
    O que assistirTrailers mais recentesOriginais do IMDbEscolhas do IMDbDestaque da IMDbGuia de entretenimento para a famíliaPodcasts do IMDb
    OscarsBest Of 2025Holiday Watch GuideGotham AwardsCelebrity PhotosPrêmios STARMeterCentral de prêmiosCentral de festivaisTodos os eventos
    Criado hojeCelebridades mais popularesNotícias de celebridades
    Central de ajudaZona do colaboradorEnquetes
Para profissionais do setor
  • Idioma
  • Totalmente suportado
  • English (United States)
    Parcialmente suportado
  • Français (Canada)
  • Français (France)
  • Deutsch (Deutschland)
  • हिंदी (भारत)
  • Italiano (Italia)
  • Português (Brasil)
  • Español (España)
  • Español (México)
Lista de favoritos
Fazer login
  • Totalmente suportado
  • English (United States)
    Parcialmente suportado
  • Français (Canada)
  • Français (France)
  • Deutsch (Deutschland)
  • हिंदी (भारत)
  • Italiano (Italia)
  • Português (Brasil)
  • Español (España)
  • Español (México)
Usar o app
  • Elenco e equipe
  • Avaliações de usuários
  • Curiosidades
  • Perguntas frequentes
IMDbPro

O Menino e a Garça

Título original: Kimi-tachi wa dô ikiru ka
  • 2023
  • 12
  • 2 h 4 min
AVALIAÇÃO DA IMDb
7,3/10
120 mil
SUA AVALIAÇÃO
POPULARIDADE
1.376
124
O Menino e a Garça (2023)
A young boy named Mahito yearning for his mother ventures into a world shared by the living and the dead. There, death comes to an end, and life finds a new beginning. A semi-autobiographical fantasy from the mind of Hayao Miyazaki.
Reproduzir trailer1:21
6 vídeos
99+ fotos
japonesaAnimação desenhada à mãoAnimação para adultosAnimeAventura épicaÉpicoFantasia épicaIsekaiAnimaçãoAventura

Depois de perder a mãe durante a guerra, Mahito muda-se para o campo. Lá, uma série de eventos misteriosos o levam a uma torre antiga, lar de uma garça cinzenta, onde ele entra em um mundo f... Ler tudoDepois de perder a mãe durante a guerra, Mahito muda-se para o campo. Lá, uma série de eventos misteriosos o levam a uma torre antiga, lar de uma garça cinzenta, onde ele entra em um mundo fantástico partilhado pelos vivos e pelos mortos.Depois de perder a mãe durante a guerra, Mahito muda-se para o campo. Lá, uma série de eventos misteriosos o levam a uma torre antiga, lar de uma garça cinzenta, onde ele entra em um mundo fantástico partilhado pelos vivos e pelos mortos.

  • Direção
    • Hayao Miyazaki
  • Roteirista
    • Hayao Miyazaki
  • Estrelas
    • Soma Santoki
    • Masaki Suda
    • Kô Shibasaki
  • Veja as informações de produção no IMDbPro
  • AVALIAÇÃO DA IMDb
    7,3/10
    120 mil
    SUA AVALIAÇÃO
    POPULARIDADE
    1.376
    124
    • Direção
      • Hayao Miyazaki
    • Roteirista
      • Hayao Miyazaki
    • Estrelas
      • Soma Santoki
      • Masaki Suda
      • Kô Shibasaki
    • 441Avaliações de usuários
    • 226Avaliações da crítica
    • 91Metascore
  • Veja as informações de produção no IMDbPro
    • Ganhou 1 Oscar
      • 34 vitórias e 86 indicações no total

    Vídeos6

    The Final Teaser
    Trailer 1:21
    The Final Teaser
    Official Trailer
    Trailer 1:56
    Official Trailer
    Official Trailer
    Trailer 1:56
    Official Trailer
    Official Teaser Trailer
    Trailer 1:12
    Official Teaser Trailer
    The Boy and the Heron
    Trailer 1:12
    The Boy and the Heron
    The Boy And The Heron: Toshio Suzuki On Hayao Miyazaki & The Future Of Animation
    Featurette 4:37
    The Boy And The Heron: Toshio Suzuki On Hayao Miyazaki & The Future Of Animation
    Promo
    Promo 0:33
    Promo

    Fotos211

    Ver pôster
    Ver pôster
    Ver pôster
    Ver pôster
    + 207
    Ver pôster

    Elenco Principal47

    Editar
    Soma Santoki
    • Mahito Maki
    • (narração)
    Masaki Suda
    Masaki Suda
    • The Grey Heron
    • (narração)
    Kô Shibasaki
    Kô Shibasaki
    • Kiriko
    • (narração)
    • (as Kou Shibasaki)
    Aimyon
    • Himi
    • (narração)
    Yoshino Kimura
    Yoshino Kimura
    • Natsuko
    • (narração)
    Takuya Kimura
    Takuya Kimura
    • Shoichi Maki
    • (narração)
    Keiko Takeshita
    • Maid #1
    • (narração)
    Jun Fubuki
    • Maid #2
    • (narração)
    Sawako Agawa
    • Maid #3
    • (narração)
    Karen Takizawa
    • Wara Wara
    • (narração)
    Shinobu Ôtake
    • Maid #4
    • (narração)
    Jun Kunimura
    Jun Kunimura
    • The Parakeet King
    • (narração)
    Kaoru Kobayashi
    Kaoru Kobayashi
    • Old Pelican
    • (narração)
    Shôhei Hino
    • Great-Uncle
    • (narração)
    Nami Uehara
    • Additional Voice
    Kiyoko Nishimura
    • Additional Voice
    Ryûnosuke Watanuki
    • Additional Voice
    Takuya Yagyu
    • Additional Voice
    • Direção
      • Hayao Miyazaki
    • Roteirista
      • Hayao Miyazaki
    • Elenco e equipe completos
    • Produção, bilheteria e muito mais no IMDbPro

    Avaliações de usuários441

    7,3120.3K
    1
    2
    3
    4
    5
    6
    7
    8
    9
    10

    Avaliações em destaque

    6yassirsolomah

    At best, a monstrous and beautiful art piece

    I'm a huge fan of Ghibli (I even have a Princess Mononoke tattoo to show).

    I have to say, this movie left me wanting more.

    The beginning of the movie feels slower (and mostly coherent) but slowly devolves into a beautiful collage of animation and music. Generally, it feels like the movie is formed as a sampler of the rest of Ghibli, pulling ideas and art from other titles like Spirited Away, Howl's, and Mononoke.

    By the time the story comes together in a somewhat haphazard manner, you're pretty much at the end of the movie, and the deep ideas that were to be conveyed had no time to develop. There are various decisions made by the protagonists that lack rhyme or reason because everything critical was saved for the end. I imagine if you watch the movie another 2-3 more times you might catch onto what Miyazaki was intending, but it was certainly lost in a singular conventional theatre style viewing.

    Is it worth watching simply based on art and music? In my opinion, yes, but if you're expecting a Ghibli level movie, you might be disappointed.
    VenVes

    A Disjointed Mess

    A disjointed mess of a movie, with many confusing elements, and a non-cohesive storyline.

    I went into it expecting a thoughtful farewell and bittersweet celebration of Miyazaki's legacy, and instead came out of the theater taken aback and disappointed. A work like this I would expect from Goro, not his father.

    I cannot fathom how so many reviewers have given this movie nines or tens. By no means is it deserving of such high praise, and I have to believe this dissonance is due to fanboy-ism and an inability to criticize the work of someone they love.

    Well, I love Miyazaki's work as well, but I also understand that it's important to be objective and not biased in an increasingly all too biased world.

    I hope he creates another, and redeems himself, as I do not want this to be the note he ends his praise-worthy legacy on. Regardless, thanks for all the fantastic memories and moments you've already provided me, Mr. Miyazaki.
    6KFstudios2009

    A big Mess!

    From Studio Ghibli, The Boy and the Heron is an animated movie about a boy that dramatically lose his mother due the war in Japan, and he and his father have to move to a safer place. When they arrive, they live in a nice and quiet home. In a place, were strange things did happen, and will happen, too. First of all, I have to list up what was good about the film. It was absolutely beautiful animation with great paint, drawing techniques, and amazing colors. They had that mix with painting-like animation, but at the same time, classic Japanese anime. And I really liked that, I think it is a very nice thing, and I can see that this is a technique that Studio Ghibli is using a lot, and they are really doing it well. Very nice music. It was soft, easy and quiet, but at the same time it built up a hidden suspense that was holding. The music was some sort of anxiety mixed with calmness. Very strange. Last thing that was good was the overall atmosphere and the feeling of the movie, at least in the first act. Because then things started to get a little weird. Everything became unknown and messy, the story changed the course multiple times, and I wasn't sure which way the plot was going to go. At the end everything became a little more clear, but still a little weird. When you don't know what is really going on, the action becomes a little nonsense, too. And that was exactly what happened. The action sequences were sometimes fun and entertaining, but I was still questioning: Why are they doing it? Why are they running? What are they running from? What's the point of the story? Good enough that they had a good moral at the end. Very great with a good message about the balance of the world, and that the soul value is very important. After all, this was a movie on the middle. Great music and animation. Fine atmosphere in the first act. But it got a little messy, and the story changed course to many times. They rushed a lot and I didn't get time to think. Studio Ghibli could have definitely done better.
    8knightoffun

    Miyazaki Surrenders His Art to All of Us

    The imagery that completely stuck with me is when things overwhelm Mahito. From the frogs, to the pelicans, the warawara, the fish guts, and the parakeets. And Mahito's reaction is not even fight or flight. He stays still as if frozen and completely unable to react.

    And that's maybe why it was important for Mahito to know that forgetting is normal. His feeling of loss and grief and the feeling of having to adjust to changes in his environment may be overwhelming and maybe a solution is trying to forget.

    The granduncle is Miyazaki himself. He tries to find someone who can continue his legacy but in the end completely accepts that the worlds that he built and the stories he has told may crumble and completely be forgotten. And that is one truth that an artist will find hard to take.
    8sterlingrobson

    Visual pleasing, Imaginative world, Very complex story.

    If you have never watched a Hayao Miyazaki film, I wouldn't recommend starting with The Boy and the Heron.

    For an introduction I'd recommend to start with Spirited Away (2001) and Princess Mononoke (1997).

    If you become amused and the films resonate with you. Then you will enjoy The Boy and Heron. It isn't the strongest of Hayao Miyazaki and Ghibli films but a very good addition to their filmography.

    The film begins with a slow pace of mostly visually defining the world, characters and their dilemmas. As the movie progresses you see touches of another realm. Before you know it, it becomes a full-blown feverish dream of Hayao Miyazaki imagination and story telling. It eventually comes all together back on its feet at the end.

    Was it fun and visually pleasing? Yes.

    Was I confused at times And had a lot of unanswered question? Also yes.

    Mais itens semelhantes

    Navalny
    7,8
    Navalny
    Entre Mulheres
    6,9
    Entre Mulheres
    20 Dias em Mariupol
    8,6
    20 Dias em Mariupol
    Sem Chão
    8,2
    Sem Chão
    Ficção Americana
    7,5
    Ficção Americana
    RRR: Revolta, Rebelião, Revolução
    7,8
    RRR: Revolta, Rebelião, Revolução
    Pantera Negra: Wakanda para Sempre
    6,6
    Pantera Negra: Wakanda para Sempre
    Godzilla Minus One
    7,7
    Godzilla Minus One
    Zona de Interesse
    7,3
    Zona de Interesse
    A Verdadeira Dor
    7,0
    A Verdadeira Dor
    Anatomia de uma Queda
    7,6
    Anatomia de uma Queda
    A Baleia
    7,6
    A Baleia

    Interesses relacionados

    Hidetoshi Nishijima and Tôko Miura in Drive My Car (2021)
    japonesa
    Jodi Benson, Jason Marin, and Samuel E. Wright in A Pequena Sereia (1989)
    Animação desenhada à mão
    Seth Green, Mila Kunis, Alex Borstein, and Seth MacFarlane in Uma Família da Pesada (1999)
    Animação para adultos
    Steve Blum and Kôichi Yamadera in Cowboy Bebop (1998)
    Anime
    Peter O'Toole and Omar Sharif in Lawrence da Arábia (1962)
    Aventura épica
    Orson Welles in Cidadão Kane (1941)
    Épico
    Dev Patel in A Lenda do Cavaleiro Verde (2021)
    Fantasia épica
    Jun Fukushima in Konosuba: As Bençãos de Deus Neste Mundo Maravilhoso (2016)
    Isekai
    Daveigh Chase, Rumi Hiiragi, and Mari Natsuki in A Viagem de Chihiro (2001)
    Animação
    Still frame
    Aventura
    Naomie Harris, Mahershala Ali, Janelle Monáe, André Holland, Herman Caheej McGloun, Edson Jean, Alex R. Hibbert, and Tanisha Cidel in Moonlight: Sob a Luz do Luar (2016)
    Drama
    Elijah Wood in O Senhor dos Anéis: A Sociedade do Anel (2001)
    Fantasia

    Enredo

    Editar

    Você sabia?

    Editar
    • Curiosidades
      In December 2019, the film was announced to be 15% complete after three and a half years of work. The producer Toshio Suzuki explained that Hayao Miyazaki had previously been able to direct seven to ten minutes of animation each month, and they had planned for five minutes of animation per month, or about one hour annually, for the film. However, Miyazaki was only directing about one minute of animation per month.
    • Erros de gravação
      When a knife is being honed on a steel the knife blade is facing up, it should be facing down. Whilst you can hone in either direction, up the steel away from you, or down the steel towards you, the blade should be facing towards the handle of the steel.
    • Citações

      The Grey Heron: I'll be your guide.

    • Conexões
      Featured in Animat's Crazy Cartoon Cast: End of the Year Embarrassments (2020)
    • Trilhas sonoras
      Chikyûgi (Spinning Globe)
      Performed by Kenshi Yonezu

      Courtesy of Sony Music Labels Inc

    Principais escolhas

    Faça login para avaliar e ver a lista de recomendações personalizadas
    Fazer login

    Perguntas frequentes18

    • How long is The Boy and the Heron?Fornecido pela Alexa

    Detalhes

    Editar
    • Data de lançamento
      • 22 de fevereiro de 2024 (Brasil)
    • País de origem
      • Japão
    • Central de atendimento oficial
      • Toho Site
    • Idioma
      • Japonês
    • Também conhecido como
      • El niño y la garza
    • Empresas de produção
      • Studio Ghibli
      • Toho
    • Consulte mais créditos da empresa na IMDbPro

    Bilheteria

    Editar
    • Faturamento bruto nos EUA e Canadá
      • US$ 47.343.204
    • Fim de semana de estreia nos EUA e Canadá
      • US$ 13.011.722
      • 10 de dez. de 2023
    • Faturamento bruto mundial
      • US$ 283.062.267
    Veja informações detalhadas da bilheteria no IMDbPro

    Especificações técnicas

    Editar
    • Tempo de duração
      • 2 h 4 min(124 min)
    • Cor
      • Color
    • Mixagem de som
      • Dolby Digital
      • IMAX 6-Track
      • Dolby Atmos
      • DTS:X
    • Proporção
      • 1.85 : 1

    Contribua para esta página

    Sugerir uma alteração ou adicionar conteúdo ausente
    • Saiba mais sobre como contribuir
    Editar página

    Explore mais

    Vistos recentemente

    Ative os cookies do navegador para usar este recurso. Saiba mais.
    Obtenha o aplicativo IMDb
    Faça login para obter mais acessoFaça login para obter mais acesso
    Siga o IMDb nas redes sociais
    Obtenha o aplicativo IMDb
    Para Android e iOS
    Obtenha o aplicativo IMDb
    • Ajuda
    • Índice do site
    • IMDbPro
    • Box Office Mojo
    • Dados da licença do IMDb
    • Sala de imprensa
    • Anúncios
    • Empregos
    • Condições de uso
    • Política de privacidade
    • Your Ads Privacy Choices
    IMDb, uma empresa da Amazon

    © 1990-2025 by IMDb.com, Inc.