AVALIAÇÃO DA IMDb
5,7/10
3 mil
SUA AVALIAÇÃO
Adicionar um enredo no seu idiomaA young African-American living in Chicago enters into a seductive new world of money and power after he is hired as a chauffeur for an affluent businessman.A young African-American living in Chicago enters into a seductive new world of money and power after he is hired as a chauffeur for an affluent businessman.A young African-American living in Chicago enters into a seductive new world of money and power after he is hired as a chauffeur for an affluent businessman.
- Direção
- Roteiristas
- Artistas
- Prêmios
- 4 vitórias e 7 indicações no total
Aaron Moten
- Tony
- (as Aaron Clifton Moten)
Stephen McKinley Henderson
- Mr. Green
- (as Stephen Henderson)
Alan B. Jones
- Detective Calhoun
- (as Alan Bomar Jones)
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Avaliações em destaque
In his imagination a black guy hooked up with a white girl which never happened.
Was slow burning movie but well acted and good finish.
6.2
Was slow burning movie but well acted and good finish.
6.2
While I thought the characters were developed well in the first part of the film, the ending was extremely rushed. I read and loved the book but I felt these characters didn't stay true to the underlying themes within the novel that made it so great. This film doesn't really show the true effects of fear on Bigger and key elements were changed that once again took away from how wonderful this film could have been. I was disappointed.
I think this can only be seen as a metaphor because this "plot" can not be taken serious. For one hour the movie is alright even though is is poorly structured since usually within the first half hour you get what the story is about. Here you got no direction.
At one point our main character will do something unbelievable. I mean that in the literal sense. It is so ridiculously contrived to create drama that it is laughable. At this point it is as if you are watching a whole different movie. It becomes more of a montage and totally falls apart underlined by the unnecessary and pretentious voice over. Sad thing is there was very good acting in here.
At one point our main character will do something unbelievable. I mean that in the literal sense. It is so ridiculously contrived to create drama that it is laughable. At this point it is as if you are watching a whole different movie. It becomes more of a montage and totally falls apart underlined by the unnecessary and pretentious voice over. Sad thing is there was very good acting in here.
Quality acting, especially by our lead. The story alone garners it 5 stars...while the acting and directing does the rest. I enjoyed it and was hurt by it, while also being pulled on what character to route for...
McCarthyism drove Richard Wright away from his land ;he sought refuge in France where his novels were already famous ;so the first adaptation (by himself) was filmed in Argentina by French Pierre Chenal ,a film noir past master ; a colossal mistake was to have the writer play the part of Bigger (25) when he was in his forties; in spite of that ,the film is estimable.
A MTV work followed,in the eighties ,starring Victor Love ,Matt Dillon and Elizabeth McGovern was also interesting :were it for the faithfullness to the novel and good acting , it is to recommend.
The same cannot be said of this third adaptation , transferred to the modern era -which is highly debatable- : the boiler,to name but one detail ,becomes ridiculous in a wealthy family's house .Acting is undistinguished ,the script written in a slapdash manner,and the novel sweeetened ,cheapened and botched : the girlfriend's fate for instance ; the Bigger/Jan relationship is hardly skimmed over ; one never feels that the unfortunate hero knows that his fight is already lost ,and that his boss' patronizing and the rich kids ' social activism will always leave him a chauffeur , a flunkey ; the beginning is a mess, the ending takes the easy way out .Bigger 's frames of mind voice over are not enough to do the powerful novel justice.
A MTV work followed,in the eighties ,starring Victor Love ,Matt Dillon and Elizabeth McGovern was also interesting :were it for the faithfullness to the novel and good acting , it is to recommend.
The same cannot be said of this third adaptation , transferred to the modern era -which is highly debatable- : the boiler,to name but one detail ,becomes ridiculous in a wealthy family's house .Acting is undistinguished ,the script written in a slapdash manner,and the novel sweeetened ,cheapened and botched : the girlfriend's fate for instance ; the Bigger/Jan relationship is hardly skimmed over ; one never feels that the unfortunate hero knows that his fight is already lost ,and that his boss' patronizing and the rich kids ' social activism will always leave him a chauffeur , a flunkey ; the beginning is a mess, the ending takes the easy way out .Bigger 's frames of mind voice over are not enough to do the powerful novel justice.
Você sabia?
- CuriosidadesAdapted from Richard Wright's novel of the same name.
- ConexõesRemake of Native Son (1951)
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- How long is Native Son?Fornecido pela Alexa
Detalhes
- Data de lançamento
- País de origem
- Idioma
- Também conhecido como
- Native Son
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
- Tempo de duração1 hora 44 minutos
- Cor
- Proporção
- 2.39 : 1
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By what name was Filho Nativo (2019) officially released in India in English?
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