AVALIAÇÃO DA IMDb
5,6/10
30 mil
SUA AVALIAÇÃO
Jay e Silent Bob retornam a Hollywood para impedir que o filme 'Bluntman and Chronic' seja reiniciado.Jay e Silent Bob retornam a Hollywood para impedir que o filme 'Bluntman and Chronic' seja reiniciado.Jay e Silent Bob retornam a Hollywood para impedir que o filme 'Bluntman and Chronic' seja reiniciado.
- Prêmios
- 1 indicação no total
Johnny 'Bananas' Devenanzio
- Guy with Banana
- (as Johnny Bananas)
Ernest O'Donnell
- Cast of Clerks
- (as Ernest 'Ernie' O'Donnell)
Avaliações em destaque
There's just enough Nostalgia to make me finish it though I feel stupider for doing so. Bad acting, lazy script and jokes that just don't land that pretty much sums up this hopefully last outing
Clerks 2 was brilliant. Everything after that has been one terrible film worse than the last. Please stop. You are destroying your own legacy with these outings. Love you man. Now rest and do something else. Please.
When they learn that their alter egos are the subject of a reboot the eponymous Jay and Silent Bob head off to Hollywood to prevent the film from being made. Along the way they encounter some unexpected cargo and learn some home truths/unexpected life lessons whilst undertaking this journey...
Whilst I found the Jay and silent Bob reboot to be fairly enjoyable it did not really get the belly laughs from me that the original film got; although I am prepared to accept that I watched the original film at the cinema and haven't watched it since. Therefore, perhaps as I'm now quite a bit older (and believe me it's depressing for me to hear teenagers refer to people born before the 1990's as being old - like dude wtf??). However, there is a slight issue in watching 2 men who are in their late 40's still trying to behave like they are in their 20's. In fairness, the film offsets this slightly with Jay's character being forced to grow up a bit, but somehow it just doesn't work quite as well here or come off as convincingly.
The story in itself is quite flimsy and silly and in some ways it's hard to overlook the fact that this film may have merely acted as a very cheap way for a lot of cast members from Kevin Smith's previous films just to have something of a reunion. I can imagine that they all had fun making this film, but the feeling is that it was probably more fun for them than it was for the audience.
Not wishing to be too mean I have to admit that the film still has its funny moments and as director Kevin Smith deserves some credit for the self-deprecating approach that he brought to the material (which is arguably one of the film's biggest strengths).
It doesn't touch the original film and the sheer number of cameos shoehorned into the film does make the film reek of desperation, but the film still had some funny moments, but the film itself will probably appeal more to Kevin Smith and his peers rather than a mainstream audience.
Whilst I found the Jay and silent Bob reboot to be fairly enjoyable it did not really get the belly laughs from me that the original film got; although I am prepared to accept that I watched the original film at the cinema and haven't watched it since. Therefore, perhaps as I'm now quite a bit older (and believe me it's depressing for me to hear teenagers refer to people born before the 1990's as being old - like dude wtf??). However, there is a slight issue in watching 2 men who are in their late 40's still trying to behave like they are in their 20's. In fairness, the film offsets this slightly with Jay's character being forced to grow up a bit, but somehow it just doesn't work quite as well here or come off as convincingly.
The story in itself is quite flimsy and silly and in some ways it's hard to overlook the fact that this film may have merely acted as a very cheap way for a lot of cast members from Kevin Smith's previous films just to have something of a reunion. I can imagine that they all had fun making this film, but the feeling is that it was probably more fun for them than it was for the audience.
Not wishing to be too mean I have to admit that the film still has its funny moments and as director Kevin Smith deserves some credit for the self-deprecating approach that he brought to the material (which is arguably one of the film's biggest strengths).
It doesn't touch the original film and the sheer number of cameos shoehorned into the film does make the film reek of desperation, but the film still had some funny moments, but the film itself will probably appeal more to Kevin Smith and his peers rather than a mainstream audience.
I'll open with the simple fact that if you're not familiar with Kevin Smith's body of work, don't bother with this one. Every joke and reference will fly over your head. Having said that...
I actually went to a roadshow screening of this with Smith and Jason Mewes in attendance. Even with seeing those two live and getting a sweet intro, the movie just didn't do it for me. At the same time when it points a finger at the reboot model of Hollywood and mocks it, this movie falls into the same traps as bad reboots. If it were a clever take on the reboot model (22 Jump Street), that would be a different story altogether but instead it's just the same plot all over again with the same jokes all over again. That might be the most disappointing thing about this movie, the comedy. While there were moments I was laughing, so many of the intended jokes were either references to old jokes from Smith's previous films or line for line repeated jokes. This movie isn't Smith saying, "hey! I came up with some new jokes for these old characters" more than it's him saying, "remember all these jokes that were funny 20 years ago? Well....here they are again!" I will call out one scene where I thought to myself, "I wish the movie was as good as this scene" and that's the scene with Ben Affleck reprising his role of Holden McNeil. That scene was funny, heartfelt and concise. Flashes of the Kevin Smith of old with dialogue. While there is more heart in this story than the first Jay and Silent Bob movie, it's handled with the same subtlety as the comedy, beating you over the head with it. Overall, I will say that if you love Kevin Smith's filmography and cherish every one of those films, go see this movie and laugh your ass off. If you're hoping that this movie is Smith's return to form, you'll be greatly disappointed. It's a Kevin Smith's Greatest Hits Tour, the question is, "how much do you like his music?"
I actually went to a roadshow screening of this with Smith and Jason Mewes in attendance. Even with seeing those two live and getting a sweet intro, the movie just didn't do it for me. At the same time when it points a finger at the reboot model of Hollywood and mocks it, this movie falls into the same traps as bad reboots. If it were a clever take on the reboot model (22 Jump Street), that would be a different story altogether but instead it's just the same plot all over again with the same jokes all over again. That might be the most disappointing thing about this movie, the comedy. While there were moments I was laughing, so many of the intended jokes were either references to old jokes from Smith's previous films or line for line repeated jokes. This movie isn't Smith saying, "hey! I came up with some new jokes for these old characters" more than it's him saying, "remember all these jokes that were funny 20 years ago? Well....here they are again!" I will call out one scene where I thought to myself, "I wish the movie was as good as this scene" and that's the scene with Ben Affleck reprising his role of Holden McNeil. That scene was funny, heartfelt and concise. Flashes of the Kevin Smith of old with dialogue. While there is more heart in this story than the first Jay and Silent Bob movie, it's handled with the same subtlety as the comedy, beating you over the head with it. Overall, I will say that if you love Kevin Smith's filmography and cherish every one of those films, go see this movie and laugh your ass off. If you're hoping that this movie is Smith's return to form, you'll be greatly disappointed. It's a Kevin Smith's Greatest Hits Tour, the question is, "how much do you like his music?"
The positives:
Lots of callbacks for diehard fans Some excellent cameos Some decent jokes Nerdy references
The negatives:
Harley Quinn Smith Jokes that don't land Jason Mewes' distracting mouth The acting The wafer thin plot The writing in the 3rd act
Lots of callbacks for diehard fans Some excellent cameos Some decent jokes Nerdy references
The negatives:
Harley Quinn Smith Jokes that don't land Jason Mewes' distracting mouth The acting The wafer thin plot The writing in the 3rd act
Você sabia?
- Curiosidades(at around 1h 13 mins) When Jay & Silent Bob are talking to Ben Affleck and he (Affleck) introduces his daughter. The little girl is actually Jason Mewes' real-life daughter, Logan Mewes.
- Erros de gravação(at around 24 mins) There are palm trees visible outside of the Mooby's that is supposedly located in Chicago.
- Citações
Holden McNeil: I used to think life was all about me. I was the hero of my own story, a Bruce Wayne of one lifelong issue of Detective Comics, so for speak. And then that kid came along and suddenly you realize you're not Bruce Wayne anymore. You're Thomas Wayne. Or Bruce Wayne's mom, whose name escapes me.
- Cenas durante ou pós-créditosThere is a short tribute to Stan Lee during the credits.
- ConexõesFeatured in Diminishing Returns Diminisodes: Jay and Silent Bob Reboot (2020)
- Trilhas sonorasGoodbye Horses
Performed by Q. Lazzarus
Written by William Garvey
Courtesy of Metro-Goldwyn-Mayer Music Inc.
Under License from Universal Music Publishing Group
Principais escolhas
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Detalhes
- Data de lançamento
- País de origem
- Central de atendimento oficial
- Idiomas
- Também conhecido como
- O império (do besteirol) contra-ataca: Reboot
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 10.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 4.589.490
- Fim de semana de estreia nos EUA e Canadá
- US$ 93.520
- 20 de out. de 2019
- Faturamento bruto mundial
- US$ 4.691.248
- Tempo de duração
- 1 h 45 min(105 min)
- Cor
- Proporção
- 2.35 : 1
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