Um Inverno em Nova York

The understated quality of this movie might be why it hasn't received better reviews. I don't think it means to be a treatise on homelessness or a precise rendition of the conditions thereof (an assumption I've seen some high profile critics make). That's a fate that befalls one of the characters and her two children, part of an ensemble whose interlinked stories together make a case for empathy and impulsive altruism being among the most admirable aspects of human nature.

Homelessness is one thematic layer to a story that investigates kindness as the social glue that matters most and is possibly also the most underrated of dispositions or inclinations, often being seen as weak or oversensitive. Personally, I found it a lovely film, quite moving in places with its acknowledgment that, without kindness and the generosity of strangers, society would fall apart.

"What about you, Bonnie? Did you get manage to get through the week without hitting your dog?" Lone Scherfig has a unique fingerspitzengefühl and an absolute pitch for the distress of life. She has composed a breathtaking tale about a collection of odd existences colliding in the New York winter. A statement about life's many adversities but where goodness always triumphs in the end. A theme that the film industry is in dire need of.

It's a must see.

The production value isn't great - but honestly it's feel good , the characters are endearing and real and it's worth your time .

The protagonists didn't meet in some magical way , instead it really is through genuine kindness in real life situations which leaves the movie feeling genuine .

Good message , relatable characters and leaves you feeling better about humanity .

It appears that most reviewers sought an adrenaline-filled action thriller or jazzy melodrama. This is not one of that too-common coin. Rather, like most films in which the quietly brilliant Bill Nighy appears, this one is delicate, smooth, evocative, relevant to just about every human who is not trying to escape being human (or is working to escape the madness of modern society and return to being just human).

This film honorably expands the canon of interwoven lifelines each of which, like the Borromean rings, supports and enriches other already-solid stories. Like Crash, 360, Magnolia and Hereafter, all of the characters are entirely plausible, especially when they find themselves coping with unfamiliar and threatening circumstances. Most rise to opportunity for self-improvement; a few find a chute to the pit.

Like most truly mind-expanding (dare one say "spiritual"?) movies, this one faces the conscious viewer with a series of "I've been there too" and "what would I do?" and "who would help me?" moments. And for the generous of heart, two persistent questions: How have I been helped along by people with no reason to get involved but their own generous mindsets; and What opportunities to help others, and thereby myself and my world, are presenting themselves in this moment?

Quiet, compelling, and worth a slot in any ethics or social-psychology class.

The core story is about a young mother of two boys, married to an abusive policeman. They live outside the city and as the movie starts Zoe Kazan as Clara is driving into the city with the boys, her explanation is they are taking a short vacation.

In reality she is getting away from her abusive husband, desperate for a way out and to a better life for her and the boys. In the process things happen and her survival depends on the kindness of strangers. A nurse who leads a self-help group, workers at a soup kitchen, a manager of a Russian restaurant, and assorted others.

The success of the movie depends on how Zoe Kazan carries her part and she carries it well. Good movie for anyone who has an interest in human relations.

We watched it on Amazon movies via ROKU streaming.