Misutâ Ron

I was lucky to catch this film at Berlinale Film Festival and when the film ended, there was a sudden eruption of applause that went on for about a minute. Half the crowd stayed behind until the credits rolled and again another round of applause when the final curtain came down. It was THAT good.

The film was shocking at times of the brutality, heart warming, some really laugh-out loud moments mixed with gut wrenching sadness. All 3 leads playing Long, Jun and Lily were excellent in their portrayal of the characters and you do feel for each of their struggles.

When a movie really touches you it stays in your mind and I'm still thinking about the film even now after I saw the movie several days ago.

SABU is one of the most fearless and creative filmmakers these days. Most of his movies were comedies and this one is a bit more serious but his style is just as evident. Definitely of the most inspiring and emotional movies I have seen in a while. Absolutely recommended.

When you watch this Japanese 2017 Ryu san, you might suddenly remember there are many similar yet not quite similar storylines, scenarios, plots roughly close to what we have seen in Ajeossi (The Man from Nowhere), a Korean 2010 blockbuster.

The other similar but not quite similar part of these two movies: Ryu san was directed by Sabu, while Jeong-beom Lee directed Ajeossi, but both were also the writer of their own movie. But I am quite sure that Sabu's screenplay was influenced by Lee's movie, and Lee's screenplay was inspired by the French writer and director Luc Besson's Taken, a blockbuster of 2008.

The scenarios, plots and the storylines among these three movies are quite obvious:

Taken (2008): A retired CIA agent travels across Europe and relies on his old skills to save his estranged daughter, who has been kidnapped while on a trip to Paris. The locality is Paris and Europe. Leading role: An old guy.

Ajeossi (The Man from Nowhere) 2010: A quiet pawnshop keeper with a violent past takes on a drug-and-organ trafficking ring in hope of saving the child girl who is his only friend. But the pawnshop keeper was actually a Korean Special Force No.1 killer; a much younger secret soldier than the retired CIA in Taken. The locality is South Korea. Leading role: A loner around 30s.

Ryu san (2017): Professional hitman Long takes on an assignment in Japan. When things go awry, he has to flee. Badly injured, he takes refuge in a deserted part of a small town, befriended with a young boy. The localities: Taiwan and Japan. A loner around 35.

See the similarities and subtly changed revised or replaced racial, nationalities, backgrounds, localities, sets...?

Critics and reviewers often judged and or praised a good movie only by its director, but I have to say, without a good screenplay, no matter how great or talented a director would be, there's no way a good movie could exist. Directors are just persons who materialize, visualize, arrange screenplays to make them happen. If both the writer and director are the same person who made a movie great or good, then that director is the real deal and deserves the praise.

As to this Ryu san (2017), director Sabu obviously borrowed and changed a lot of stuff to distinguish it from the former two movie by adding many different ingredients too. But the pace is a bit too slow, the subplots also dragged its paces may be a bit too long.

There's a definite similar climax to these three movies: Fast, bloody, cruel and deadly. They all drive-you-nuts GREAT!!

As I was looking through the comments of this fantastic film I came across a comment which stated "Mr. Long" as being "John Wick" if directed by Kore-eda, to which I couldn't agree more! but then I realized this wasn't being stated as a complement, but it should, because it's exactly what this is in the best possible way.

I was hooked from the moment I read the synopsys, a trained assassin ready to leave his life behind and start over after a job gone wrong, but this was SO much more than I could ever expect, when this film needs to be ruthless it is without a shed of mercy, but when it needs to be tender, it is with all it's kindness, this is above all else a study on human emotion, whether it's rage or compassion, it's done with so many care you can't help but feel deeply connected to every single character, and you can feel that everyone envolved is giving everything they have.

The acting is suberb, for a film with minimal dialogue the acting team does a wonderful job at delivering every string of emotion to the screen, Mr. Long himself who doesn't speak a word of japanese spends most of the film completly mute and serious but you can still feel everything he's feeling, giving special props to the ending that gave these intense goosebumps.

Usually I don't like writing reviews for films liked as much as I did this one because I don't feel I can do them justice, or I can say anything that hasn't been said already, but I can't help but write one for "Mr. Long" because I feel it doesn't get enough praise as it should, it's a project filled with dedication and love, the director obviously thought about even the tiny details, small things you might not get at first but will definitly hit you days after you've seen this because trust me it's a film you will be thinking about days, if not weeks down the road, it doesn't go without it's flaws obviously, but it's damned worth it, if you're in the fence about watching this don't be, you will not waste your time!

Maybe because I've watch a lot of chinese kungfu & other superb action movies like Raid, Man from Nowhere, JohnWick I found this movie's fight scene is so lacking it's laughable. The main actor & actress did well but the extras is too woody it's like a B-movie. Or is it though?

By taiwan standard maybe 7/10 is spot on but since I watch it because imdb give this rating that high I have my expectation high & now I'm disappointed. Oh & it's too long too with 2hrs, should've been 1hr30 or 1hr45.