Reverie

I have watched a few episodes and know this is a very promising show...however the pace is very slow and you must really get into it to appreciate it. The slow pace I feel lulls a viewer to almost boredom, I realize what the show is pushing, but we all know that Sarah Shahi was seen as an action type person as well. Just once in a while during Reverie and her battles with others, it would be nice to show her bad ass side again, then the nice side...The viewers then would anticipate her one side or another show up to take care of the people she is helping....Kind of a "giftedsuperwoman" , type person that no one can mess with, but also have a tender and caring side as well. Pick up the pace writers or this show, although really good will not keep the interest of the viewers much longer. This will please the viewers that like a little of both caring and action type personalities. Sarah Shahi has as huge following and then she was gone for awhile. People only really remember her on POA and her role on that show...She has always had the looks and that is a plus, but many like myself will be checking out her new role and trying to adjust to her new "calm" role.

Having now seen 3 episodes the only conclusion one can draw is that this series is nothing but a filler without development to make it interesting. It's just a show within a show, where the negotiator has only one task: to convince the participant in Reverie to get out as he is wanted back at home in the real world.

The production is good but the stories are not worth watching. I am exiting from Reverie too . . .

This pilot episode takes me back to the movie "Dreamscape" which depicts a near future (1980s era) where psychic individuals from a government funded agency can enter people's dreams. While visiting people's dreams and changing their outcomes (to help their waking lives) they discover a conspiracy. Some other agency is also entering people's dreams.

I know that Spielberg signed his name under this and I can't hold it against him, who's going to produce Sci-Fi if he won't? But when he signs his name he also needs to exercise some actual creative control, slap that stupid guy and send him back to do a rewrite instead of being an absentee landlord. He made the same mistake with that nonsense show in which dinos "liked to eat nickel" by a "great mind" of that Braga creature.

Sci-Fi is a genre of ideas, genre for smart people. Melodrama is genre for stupid people to wipe their tears on stupid "oh so emmo" concoctions. They don't live in the same universe and if you mix that you lose all audience. Melodrama lovers can't understand even a single word of Sci-Fi and Sci-Fi lovers puke when they see sappy "designs". Every character has a "sad backstory" which stinks on PVC and formaldehyde beyond endurance and destroys what could have been a decent average show.

In this show every episode is a steaming pile of sap concoctions. What was supposed to be the Sci-Fi "part" was spent in 16 min of the 1st episode, 8 of the 2nd, 4 of the 3rd 2 of the 4th, 1 of the 5th. Then it flatlined but didn't awake as The OA :-)))

Seriously, if he wants to do something really good he needs to stand behind a show like "The OA". I'm sure Brit Marling wouldn't have refused extra budget :-) and a better distribution channel and he'd have something he'd be proud to show around instead of having to hide his name (literally in this case).

The sole bright spot of this show is Sarah Shahi. She's in that class that can make a wooden pole look alive at the other side of the frame but she can't revive brainded scripts - even gods have their limits :-))

So, Steve, be nice, next time, give Brit this budget and you can ask Sarah to join her latter :-) At least she'll get to practice some good non-verbal acting and to learn text that is worth something.

What if we could go back and correct our mistakes? What if we could prolong our happiness forever, or re-visit whenever we needed a boost?

Like Westworld, this show is about fantasy. To create a fantasy around ourselves, and the pitfalls inherent.

Sarah Shahi plays a role very different from the assassin in Person Of Interest. Does well in the first episode.

The narrative is slick, the CGI is convincing and the storyline requires empathy.

The only negative is the quick and easy way that the problem was resolved in Episode One.

That said, the show has promise, and I do hope that it will remain interesting.