AVALIAÇÃO DA IMDb
7,7/10
10 mil
SUA AVALIAÇÃO
No Rio de Janeiro dos anos 1950, duas irmãs vivem vidas restritas com os pais conservadores. Depois de serem separadas e forçadas a viver longe da outra, elas assumem o controle de seus dest... Ler tudoNo Rio de Janeiro dos anos 1950, duas irmãs vivem vidas restritas com os pais conservadores. Depois de serem separadas e forçadas a viver longe da outra, elas assumem o controle de seus destinos, sem perderem a esperança de se encontrarem.No Rio de Janeiro dos anos 1950, duas irmãs vivem vidas restritas com os pais conservadores. Depois de serem separadas e forçadas a viver longe da outra, elas assumem o controle de seus destinos, sem perderem a esperança de se encontrarem.
- Direção
- Roteiristas
- Artistas
- Prêmios
- 38 vitórias e 53 indicações no total
Gregório Duvivier
- Antenor
- (as Gregorio Duvivier)
Avaliações em destaque
How much did our mothers and grandmothers suffer from the patriarchy? How much did they have to hide, supress and ignore to protect us from past abuses?
Karim Ainouz tells, in his emotional tropical melodrama, stories from a time when a woman was expected to be subordinate in every single aspect of her life. Guida and Eurídice, apart from each other, lived outrageous trajectories, and, unfortunately, with expressive scars that lasted until today. The lies of extremally conservative parents, the superb and envy of Eurídice's husband, the suffering in maternity, the crucial solidarity between desperate women - all of it built a strong indignation and, at last, everybody cries in the end: a real tragic one. Fernanda Montenegro is an acting gem.
With technical maestry, Karim's team guides the movie in a raw way. The cinematography of Hélène Louvart is outstanding capturing old, green and dirty Rio de Janeiro. Karim's directing choices are really touching and carry a whole bunch of social issues with flow. The cello and piano from Benedikt Schiefer are as unsettling as the character's obstacles.
I hope that when women (especially older ones) watch this movie, they identify themselves and keep fighting against the male authoritarianism, fighting for freedom. I hope that when men watch this movie, they identify in themselves traces of sexism to keep changing, to keep evolving and encouraging other ones to be better.
It's definitely an incredible and important movie that answers the questions above with some of the multiple possibilites, multiple realities that exist. It's a must see
Karim Ainouz tells, in his emotional tropical melodrama, stories from a time when a woman was expected to be subordinate in every single aspect of her life. Guida and Eurídice, apart from each other, lived outrageous trajectories, and, unfortunately, with expressive scars that lasted until today. The lies of extremally conservative parents, the superb and envy of Eurídice's husband, the suffering in maternity, the crucial solidarity between desperate women - all of it built a strong indignation and, at last, everybody cries in the end: a real tragic one. Fernanda Montenegro is an acting gem.
With technical maestry, Karim's team guides the movie in a raw way. The cinematography of Hélène Louvart is outstanding capturing old, green and dirty Rio de Janeiro. Karim's directing choices are really touching and carry a whole bunch of social issues with flow. The cello and piano from Benedikt Schiefer are as unsettling as the character's obstacles.
I hope that when women (especially older ones) watch this movie, they identify themselves and keep fighting against the male authoritarianism, fighting for freedom. I hope that when men watch this movie, they identify in themselves traces of sexism to keep changing, to keep evolving and encouraging other ones to be better.
It's definitely an incredible and important movie that answers the questions above with some of the multiple possibilites, multiple realities that exist. It's a must see
What a great movie it is! So beautiful in every sense. It's a very touching journey of two sisters who got separated and had to live separately without knowing each other's existence for a very very long time. Their emotional journey, the struggle and the pain they endure have been filmed so well. The representation of the patriarchy structure of society where the females struggle to live their dreams and how they put their everything for the family, has been shown very nicely. The journey through Brazil of 50's is very beautiful. A must watch!
This film is a piece of art. The acting, the cinematography and the soundtrack are all great. It will make you sad, though. As a woman, it hits me even harder seeing the amount of injustice these sisters went through. One of the merits of this story is that it showed how much women were oppressed in their daily, middle class lives. There's no evil villain here, these girls are victims of their own society, of their own family, of people who don't even realize the extent of the harm they are causing.
I do think it has its flaws, some pacing issues maybe, but overall it's a great movie that actually made me feel the agony, melancholy and frustration of the characters and reflect about how this was (and unfortunately still is) the reality for many women around the world.
I do think it has its flaws, some pacing issues maybe, but overall it's a great movie that actually made me feel the agony, melancholy and frustration of the characters and reflect about how this was (and unfortunately still is) the reality for many women around the world.
An immersive experience with great acting and a terrific story. One of the best movies of 2019. Highly recommended!
This movie has many good things in it: the sisters are very well cast and the acting in general is inspired.
Locations, costumes and colors are absolutely on point.
I just didn't really enjoy the plot and the script... I understand that this is meant to be a representation of repressive society, but the characters don't act as normal people would and I find it unnerving since this was meant to be a dramatic/realistic movie.
Você sabia?
- CuriosidadesBrazil's official submission for the 'Best Foreign Language Film' category at the 92nd Academy Awards in 2020. Runner-up was Bacurau (2019).
- ConexõesFeatured in Conversa com Bial: Episode dated 4 July 2019 (2019)
Principais escolhas
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- How long is Invisible Life?Fornecido pela Alexa
Detalhes
- Data de lançamento
- Países de origem
- Central de atendimento oficial
- Idiomas
- Também conhecido como
- A Vida Invisível de Eurídice Gusmão
- Locações de filme
- Pedregulho Housing Complex - Rua Marechal Jardim, São Cristóvão, Rio de Janeiro, Brasil(elder Euridice's apartment)
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Faturamento bruto nos EUA e Canadá
- US$ 146.535
- Fim de semana de estreia nos EUA e Canadá
- US$ 8.127
- 22 de dez. de 2019
- Faturamento bruto mundial
- US$ 1.776.017
- Tempo de duração
- 2 h 19 min(139 min)
- Cor
- Proporção
- 2.39 : 1
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