O Escândalo

Excellent acting and makeup transformed actors to real life people they portrayed. Interesting take on the fox news scandal. Mix of movie made news with real news was awesome.

We have been in a.period of change for some time, and it has taken some very brave women to stand up, make a stand and say enough is enough.

I watched this a few days ago, and borrowed it from a friend, who happens to be a feminist, she surprisingly didn't like it, stating that she felt they had added too much to the story to make it a little sensational, thus demeaning the film.

Personally I quite liked it, an interesting, relevant story of course, the acting on the whole was pretty good, I thought Theron was the standout.

It's definitely not a movie I would ever want to watch again, but I thought it was pretty good. 7/10.

I won't write too much because it doesn't seem to me that anyone is reviewing this film. If you're right wing, you don't like it and will condemn any review that compliments it, and vice versa.

I thought the acting was terrific but I have to agree with one reviewer here, the real story was about Gretchen Carlson, and there was less emphasis on her and more on Megyn Kelly. Carlson is the one who really put herself out there.

I haven't seen the film others are comparing this to, "The Loudest Voice," but I would be interested in seeing it.

July 2016. Gretchen Carlson was once one of the most popular presenters on Fox News but now has been relegated to minor timeslot. She is considering suing Fox News CEO Roger Ailes for sexual harassment and when she is let go by Fox, she does so. She tries to get other women to come forward but gains little traction. Megyn Kelly, another Fox reporter, has her own secrets regarding Ailes but is not sure whether she should come forward. Kayla, a junior reporter, has more recent experiences of the matter.

I set my expectations quite low, figuring it was just going to be a left-wing hatchet job. Not that that I'm a supporter of Fox News, far from it. (I hate every media organisation equally. That's my kind of fair and balanced). No, it just would have been too one-dimensional and predictable.

To my surprise, director Jay Roach has crafted a reasonably balanced view of the Gretchen Karlson-Roger Ailes saga. His past credits would have given an indication of his ability to tackle a politically-charged subject and yet present it an even-handed fashion and engage a wide audience. He directed Recount (2008), covering the 2000 US election, Game Change (2012), covering the Vice Presidential candidacy of Sarah Palin, Trumbo (2015), the biopic on the blacklisted McCarthy-era writer and All the Way (2016), covering President Lyndon Johnson's struggles to have the Civil Rights Act passed. All of these are excellent films.

Once again Roach takes us on an engaging, evolving journey without becoming too biased in the process. In the beginning Ailes is even painted in a reasonably non-negative light, as a tough but fair, hugely successful, businessman who stands by his employees. Starting from a position of neutrality means you don't have any biases as the plot develops.

Roach's deft direction is helped by a star-studded cast that delivers in spades. Great work from Charlize Theron (as Megyn Kelly), Nicole Kidman (as Gretchen Carlson), Margot Robbie (as Kayla) and John Lithgow (as Roger Ailes) in the main roles. Theron got a Best Actress Oscar nomination and Robbie a Best Supporting Actress nomination for their efforts. The remaining cast, which includes Alison Janney, Malcolm McDowell (as Rupert Murdoch), Connie Britton and Stephen Root, don't put a foot wrong.

Quite a complex story which highlights the difficulty of a class-action lawsuit. The need to get others to go public before she did was Megyn Kelly's Achilles heel - she didn't have the guts to go first. Gretchen Carlson was the real hero and Roger Ailes endless and bullish denial was typical.

The financial settlement for him exceeded the victims which is the true bombshell here.