Ô Rûshî!

Tokyo train station, overcast skies and a shout of "good bye" as a man jumps on the tracks in front of a train. Setsuko witnesses the suicide on the way to the office and her dull routine. She is middle-aged, lonely and unhappy. Perhaps she could snap like this. When Setsuko receives an invitation from her niece Mika to attend advanced English lessons, the classes provide unexpected light and warmth in her life. John, the foreign teacher, loosens Setsuko up with hugs, humor, role-play and a new nickname; Lucy. However, just as suddenly as John releases Setsuko from her funk, he disappears. Setsuko goes in search of him across an ocean, and goes even farther within herself.

Combining humor with seriousness and sincerity, the film reveals the wonders of what travel can do. It takes us outside ourselves and reveals truths that would not have been revealed if we stayed in our bubbles. It shows us our strengths and weaknesses, the good and bad. The film also shows that the difference between Japan and America goes beyond language. The Japanese are generally not as outgoing as Americans. There is not much in the way of touching or hugs. The Japanese are good at wearing masks. People like Setsuko go unnoticed and suicide is a big problem. It is wonderful that the director is giving a voice to those like Setsuko. While the transitions between scenes are a little funky and the story could use development in places, it is a charming and interesting story. The actors are experienced and adept at their roles. Seen at the Toronto International Film Festival.

This is a tragedy that you do not know is a tragedy until it's about 3/4 of the way through. Up until then, you think it's a comedy of errors. It's not. Heartbreaking and very well done.

Lauded Japanese-American female filmmaker Atsuko Hirayanagi's feature debut, OH LUCY!, derived from her own eponymous short, is a USA-Japan coproduction starring Shinobu Terajima as Setsuko, a Tokyo-dwelling, 40-something unwed, childless office lady (a kindred spirit of Kumiko in David Zellner's KUMIKO, THE TREASURE HUNTER, 2014), whose benumbed workaday existence is shunted into a new lane when she enrolls in an English class for beginners, welcomed by the open-handed warmth generated from the American teacher John (Hartnett, still handsome enough to conquer lonely-hearts), and christened with a new English name Lucy and sporting a blond wig, Setsuko instantly cottons to John, soon....

keep reading my review on my blog: cinema omnivore, thanks!

How does one reconcile reality and delusion when the illusion of love is at hand? A rather wound up and repressed Japanese woman takes a leap. An interesting twist in a woman's search for love. What crawled under my skin was how Japanese culture was portrayed...emotionally repressed, and the 'awkwardness' that ensues. I felt like I was in Japan again... Although topically a comedy, the underlying theme is loss. The actors do a magnificent job.

Even though the movie was Japanese, it could easily have been an American Indie movie. Complex characters and issues that can't result be resolved. No simple answers here