Sobibor: A Revolta que Mudou os Rumos da Humanidade

Christopher Lambert stars as Karl Frenzel SS non-commissioned officer in Sobibór who was sentenced to life imprisonment for his part in killing 150,000 jews until he was released in 1985 for poor health but died in retirement home near Hannover in 1996. The film shows the horrors of the camp and the plan to escape and the resulting escape but not as good as original film. The end titles were hard to read, but when i did were very interesting.

Powerful and underrated. This film will stay with me a long time, along with the true story it depicts.

Is it possible to "enjoy" a film of this type? I would argue "no", but this film succeeded in keeping me gripped and on the edge of my seat. It made me emotional and left me stunned at times. It left me yelling at the screen. I was very engaged and invested in the plight of those in Sobibor.

There are some really tough scenes here (as would be expected). Some scenes work better than others. The film was suffocating in its grittiness and overwhelming grief. Numerous nationalities are depicted here (of which I am none), so I'll leave that up to their respective people as to how accurate or authentic they are portrayed.

It wasn't until later that I discovered Konstantin Khabensky (who plays Sasha) co-wrote and directed the film too. I'm impressed. His performance itself was very moving.

This is the type of film that gets you reading the true story after. I have since been touched to learn more about the likes of Alexander 'Sasha' Pechersky, Stanislaw Szmajzner and other heroes.

The final scene gives you just enough time to absorb the events at Sobibor and to reflect on what happened during the Holocaust. Powerful stuff.

..to watch these sort of films no matter how hard it might be.

As we should never forget what happened in these World War 2 concentration camps.

Sobibor is based on the real-life events that took place in 1943 German Occupied Poland. It's the story of Soviet Lieutenant and POW Alexander "Sasha" Pechersky (Konstantin Khabensky) who planned and executed the first successful escape from a German Nazi Extermination camp during WW-II. It was the official submission from Russia for 91st Academy Awards.

In 1943, a train arrives at Sobibor Camp with Jewish prisoners with an announcement "Welcome to Sobibor. Welcome to your new lives. This is your new home." None of them was aware that how horrible their lives are going to be there soon.

From the very opening scene of the film, we are served with the horrors of the extermination camp. A group of undressed women was killed in a gas chamber and the insane General watch them till every single woman dies. That's just the starting, and actor-director Khabensky never hesitated to show the gruesome life inside the camp. Most of the film focuses on showing brutal methods used to torture the prisoners. A detailed overview of the camp and it's daily activities was presented to the viewers. It's not easy to watch all these scenes but yet they are true.

The characters are well developed and introduced one by one to viewers before the finale can take place. Later in the film, each one of them contributes in one way or another in the escape plan. Every actor has given a believable performance. Cinematography by Ramunas Greiciusis is nice. The story is a little bit slow and flawed. In my opinion, the planning part should have been elaborated a little bit more.

Sobibor isn't a perfect war drama film. It has some flaws but it definitely documented a detailed overview of the conditions of prisoners from mental as well as physical perspective. It shows us the reason why Jews never dared or planned any revolt. All this makes it a powerful and well-crafted film and one must watch it to salute the heroism and courage shown by those people.

Holocaust films are easily made exploitive, because, in the words of the late and great Roger Ebert,, "we do not need movies to convince us of the evil of ... the Holocaust," but rather, it is a subject better served in "films ... about the ways good men try to work realistically within an evil system to spare a few of its victims." To merely recount the violence that human beings are capable of perpetuating against each other makes for transgressive reflection rather than a useful one, because it denies us hope. Sobibor passes Ebert's test: From the first scene to the last, the horrors of the Holocaust are contrasted against the humanity of its victims and the courage that they ultimately find to rise up and fight back. It helps that the Sobibor camp is more cinematically satisfying, as it represents one of the only successful uprisings in concentration camps - 400 prisoners successfully escaped, led by Russian soldier Alexander Pechersky, and the third act breakout generates genuine tension as the heroes slowly begin to implement a plan that begins with individual acts of violence and ends with a convincing revolution. It is one of the great prison-breaks in the movies, made all the more jaw-dropping when the closing scroll reminds us that it is all true. In contract, Inglorious Basterds (a great film) had to create a fantasy ending that was as emotionally satisfying as the history featured in Sobibor. The scenes leading up to the escape depict the daily lives of both soldiers and prisoners within the camp, in both its banalities and horrors, and there are some truly gory and disturbing moments here, but they never feel unnecessary because of the way that lead actor/director Konstaintin Khabenskiy depicts these events through the eyes of the prisoners who, slowly but surely, refuse to be victims any longer. Khabenskiy makes for a dogged and convincing hero, but it is Christopher Lambert's depiction of Karl Frenzel, the Nazi administrator of the camp, that really elevates the film's tension-Lambert plays the part as a man barely holding onto his sanity, having internalized the suffering that he constantly orders and witnesses. It is the most chilling portrait of an unhinged Nazi official since Ralpph Fiennes in Schindler's List. Less successful is Khabenskiy's decision to suggest a romantic connection between Pechersky and a female prisoner that he knew before the war, mainly because I struggled to believe an opportunity for such a romance convincing in this setting; nevertheless, this relationship is well-acted and leads to one of the best character exchanges in the film. Sobibor is the Russian submission for the 91st Academy Award for best foreign language film. The film was shot in Lithuania, in six languages: Russian, Polish, German, Dutch, Yiddish, and English. This helps give the film the epic scope of a truly international production, and that is exactly what it feels like. This is one of the best films centered on the theme of the Holocaust that I have ever seen-well-acted, handsomely stages, filled with sobering imagery, and ultimately, a satisfying resolution that makes an often difficult journey worth taking. What begins as a tragedy ends as a victory; the film's success, and whether or not we accept the set-up of the first two acts, hinges on the execution of the escape. Khabenskiy absolutely delivers. I would be very happy to see this film appear on the list of nominees.