Sem Amor

Moscow, 2012: Zhenya (Maryana Spivak) and Boris (Aleksey Rozin) are a miserably married couple preparing for a divorce as they try to sell their apartment. Each has a new lover as they prepare for their new lives but both are negligent of their tormented twelve-year old son, Alyosha (Matvey Novikov) - thus causing a major twist in the story.

Director/co-writer Andrey Zvyagintsev created a sensation with the very powerful "Leviathan" released in 2014. The earlier film was very critical of the authorities in Russian society (which irked actual Russian authorities) while "Loveless" is critical of the degradation of Russian individuals and society in general. Some characters are more attached to their smartphones than to the people around them. Boris is attached to the endless news cycle. (In one such scene, it is fascinating to hear the biased Russian media's take on the troubles in Ukraine a few years back).

Boris's worst characteristic is his extreme indifference to others while Zhenya is a verbally abusive monster. It is easy to despise her for the way she treats her husband and son but her story is brought to the forefront when the viewer witnesses her with her equally monstrous mother (Natalya Potapova). At this point the viewer sees Zhenya as someone at both ends of the tragic "unwanted child" syndrome - a trait that is sadly hereditary.

Among Zvyagintsev's gifts is the way he handles sex scenes. Rather than the quasi-pornography that is rampant in modern films, the sex scenes in this film are actually erotic and intimate. And despite the film's title, they do represent rare moments when people are loving toward each other.

He is also adept at maintaining a bleak mood throughout the film - one that reflects most of the characters and the society around them. There is an extended scene that involves an abandoned building. One can't help but observe that the building looks functional and even pleasant in some rooms. Like some of the human characters, it was unnecessarily neglected and left to rot.

The epilogue of "Loveless" takes place a few years after the main story. Without giving anything away, its conclusion is sad yet not altogether surprising considering the scenes that preceded it. It's the right conclusion for a very good film with very powerful performances. And its subtle jab against the degradation of people via modern technology is not just a Russian problem; it's truly universal. - dbamateurcritic

Loveless is a depressingly profound experience.

It paints the world as it is, not shying away from showing the bitter emptiness, disconnect and sorrow (which we usually choose to ignore) that surrounds our society. The desperate search for happiness, the unbelievable selfishness, lack of compassion and love, as the title suggests, that seperates generations of people in our modern times of self-absorbed("anti")social media. The film manages to achive these incredible feats (without being preachy) in its fantastically written and acted multi-layered and complex characters, whom as the story goes on beautifully unravel from just simple despicable people to characters that you understand and by the end sort of empathize with and pity (though not all of them: the character of the father is kind of an exception, he's a bit underdeveloped). Though our main characters represent what is wrong with our society, Loveless manages to keep a hopeful balance showing the good side as well with its selfless side-characters, the search party.

Andrey Zvyagintsev's direction is immaculate, from the beautiful cinematography, with its lingering shots of the dreary Russian winterlands and cityscapes filling you with a sense of melancholy and loneliness, to the authentic writing and the tragic story itself.

Loveless is a tough watch that challenges the warped values of the 21st century, holding a mirror towards our modern society, still unable to escape the same endless cycle it's always been trapped in. A dour but realistic meditation on humanity's need for love.

/as schmaltzy or cheesy as this review sounds I assure you the film is the furthest thing from being those things./

Andrey Zvyagintsev is one of the best directors nowadays and i truly regard Loveless his greatest film so far. It is a complex, deep portrait of a society in decay since it is composed of superficial people, extremely selfish and harsh. What really matters is their little world and their perfect image which is filtered through the social media. People totally empty whose attitude will have tragic consequences. Loveless is a socking experience because of its unbearable truth. This society that is described could be anywhere. Not only in Russia. So, besides the perfect screenplay, Loveless carries an absolutely powerful direction and a hauntingly beautiful cinematography. Moreover editing, music and acting are all top class. Loveless is an unforgettable experience, a film that is recommended to everyone. It will make you think and think for good. 10/10

...but as unfailingly engrossing as any film i've ever seen.

This is as dark as any theme comes but portrayed with such incredible realism that it will make you wince. Wounded, damaged, soulless parents that take your breath away. And although we meet the son only a short time, I personally felt such ache & pain for him, it was palpable. The scene with him in the bathroom one of the most devastating ever filmed. And yes, all the allegories & metaphors execute beautifully...about Russian, our society, technology & narcissism. Far more if you care to dig deeper. you will NOT easily get this film out of your head & that's testament to all involved.

Nominated for Academy Award for Best Foreign Language Film at the upcoming Oscars, Loveless is a tragedy film concerning a dysfunctional family that comes pierced with elements of mystery & political undercurrents. Encapsulated with a bleak tone & cold aura, it's a silent meditation on resentment, regret, loss & toxic relationships.

Set in Moscow, the story of Loveless follows a couple that's already broken up and is in final stages of a bitter divorce. Having already found new partners, their only unresolved matter is the custody of their 12-year old child whom neither of them want. But when the kid goes missing one day, the circumstances bring the parents together.

Co-written & directed by Andrey Zvyagintsev (best known for Leviathan), the film brims with a charged atmosphere whenever the parents are in the same room and its toll on their only son who already feels unloved is heartbreaking to watch. The parents' individual lives are firmly established before the main plot kicks in, which makes their scenes together later even more riveting.

Cinematography operates the camera in a silent but smooth fashion and employs exquisite use of its cold colour palette which, in addition to its wintry ambience, only amplifies its gloomy tone. Its 128 minutes runtime is glacially paced, giving the narrative a slow burn vibe. Performances from its leads are strong & vicious while the kid playing their son leaves a solid impression in his limited screen time.

On an overall scale, Loveless is finely directed, well written & brilliantly acted but it requires a bit of patience at first and cuts real deep by the time it's over. Silently brooding & intense, it's a stark depiction of modern life in Russia. Definitely not a film for all, its slow pace & lack of proper resolution may bother few while others will be mesmerised by its unnervingly quiet tone, arresting photography, subtle political shades & social dynamics.