O Guardião dos Mundos

As a big fan of Lukjanenko, the author of the book and the book itself, I so wished the movie would be any good. But unfortunately it isn't. And I am very sad to give this review

First of all I would like to thank the author for a great story. For some reasons this book puts me in a special mental state, so I have listened to an audio version of it more than enough to know the story by heart.

Now about the movie. My major complain goes to the screenwriter. Almost all story lines and characters, including the main ones were changed so heavily, that the whole thing stopped to make any sense after the first 30 minutes of the movie. I probably said "whaat the hell??" 100 times watching the movie. Somehow, to my regret, bad screenwriting became an epidemic in the russian movie industry. It's like they think that if they add some visual effects to the movie, they are justified to make a sloppy work on the story, which is what a good movie is actually always about. Common guys, that is just a lazy thinking!

Ok, you might say that I am biased by the book and it's always difficult to convert a book to a movie. So what if you haven't read the book? To that I would say - it will be even worse to watch, because you will just fail to understand what the hell is going on. Characters suddenly start talking about things and calling names you've never heard before. In my opinion you will not understand motivations and the logic, so you will be left to sit and wonder who is doing what and why.

My advise - skip the movie, read or listen the book.

Film without the slightest sense, poorly written and with an avalanche of both logical and plot holes. In general the film opens very well giving you a very good introduction that makes you empathize with the protagonist and makes you enter completely into the story, but after the beginning the film begins to decline in quality, meaning and continuity as if they had lost the desire to make the film, and in the end you wonder how it could have happened to this film to degenerate in this way.

This film is ambitious but falls far short it has to be said.

Based on a Russian book, which as far as I'm aware is not around in the English world, its another one multiverse movie. Ready Player One and others have been heavily influenced by tech and popular science books that have been popularising this area.

What we have here is really a Russian super games programmer who one day finds that he has been erased from the real world and trapped in a virtual world etc etc. Its not really worth explaining more. It ain't the Matrix and closer to Notting Hill! 20 years ago if this was being made it would have starred Hugh Grant in some English language remake.

It's beautifully made, often too self indulgent, and that's all that's good about it. It's quite a boring film. The only character of any interest is just indeciperhable. I can remember the actress from Babylon Berlin, and her character & look is 100% the same. Very unoriginal.

This film tries but misses the mark across the board. Apparently there could be more to come, but I think it is best to cut the losses here. A waste of time.

I know nothing of the books, but shouldn't need to if the script was tight. It was not.

The main character's bizarre obsession with one woman and seemingly effortless adjustment to his new surreal job and surroundings had me rewinding several times, certain I'd missed something that explained what was happening.

I had not.

Also, none of the frequent Russian text displayed on the screen is translated, which is super annoying.

Don't let a few interesting visuals in the previews fool you. The rest are embarrassingly bad.

Sergey Lukyanenko's books are a treasure trove of ideas, and should lend themselves well to adaptations. Night Watch was a good one. Chernovik, however, is a mess. Too much has been crammed into a single movie. The visuals are spectacularly, but the numbers of characters, worlds, the weird transitions, the lack of character development or even fleshing, makes it nearly impossible to follow. Paradoxaly, the rhythm lulls several times in the movie, and keeping attention is difficult. Too bad.