Trapped
- 2016
- 1 h 45 min
AVALIAÇÃO DA IMDb
7,5/10
15 mil
SUA AVALIAÇÃO
Um homem luta para sobreviver depois de se trancar acidentalmente em um prédio sem comida, água e eletricidade.Um homem luta para sobreviver depois de se trancar acidentalmente em um prédio sem comida, água e eletricidade.Um homem luta para sobreviver depois de se trancar acidentalmente em um prédio sem comida, água e eletricidade.
- Direção
- Roteiristas
- Artistas
- Prêmios
- 7 vitórias e 13 indicações no total
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Avaliações em destaque
It keeps you on the edge of your seat.for all those who are giving more 'logical' solutions, it shows common behaviour that an ordinary man will exhibit. He was npt some bear grylls or some escape artist.
Trapped is an entertaining thriller/survival drama, and a great critical commentary on life in the big city, how lonely it could be even when it's full of people, how self-centred people can be, totally unaware of their surroundings. This is where our hero is stuck, on the high floor of one of Mumbai's uninhabited apartment skyscrapers. He gets to live there temporarily and jumps on the opportunity to pay minimal rent. But soon enough he gets locked in the apartment, without electricity and ability to contact anyone. The film's premise sounds rather peculiar at first, how would anyone get locked inside an apartment? But once the film is on, everything fits perfectly into the story in what turns out to be a realistic and very grippingly convincing film. The film is not perfect, and it does strain credulity on several occasions, but it's forgivable. It goes without saying that nothing would work if not for Rajkummar Rao's excellent performance. Being a sole player is a great challenge for any actor, and Rao rises to the occasion. Rao is the film, he is the story, he is the script, and he is everything Trapped is. The other star is of course director Vikramaditya Motwane, who directs this feature with heart and soul, and makes it much more than just another survival story. Kudos to him for successfully conveying his important social message and keeping the audience on the edge of their seats through this entertaining and highly captivating film.
we all Can do things we otherwise Wont even think of, only if we are tested under right circumstances. initially after trying everything that every human in his situation would do and even much more, he gives up hope but only after beautiful sign from his GOD he realize that his life is worth living and he cannot waste it , and that was the ONLY motivation he had throughout the story that was dividing the often bleak line between his life and death. And now as i have seen it i don't think anyone could have embodied Shaurya better than Rajkummar who did an amazing job of playing a guy who met his real self in the face of his 'worst nightmare' .
STORY : 10/10 SCREENPLAY AND DIRECTION : 10/10 PERFORMANCE : 10/10 PRODUCTION: movie did a great job of sticking the story to the point and cutting all the unnecessary cost of production. music was commendable.
other than that personally i felt movie also had a tone of modern hi-rise culture under which people have lost the real connection and empathy for others and also as we do not realize how alone and 'TRAPPED' we are until things turn for worse.
STORY : 10/10 SCREENPLAY AND DIRECTION : 10/10 PERFORMANCE : 10/10 PRODUCTION: movie did a great job of sticking the story to the point and cutting all the unnecessary cost of production. music was commendable.
other than that personally i felt movie also had a tone of modern hi-rise culture under which people have lost the real connection and empathy for others and also as we do not realize how alone and 'TRAPPED' we are until things turn for worse.
If there is one thing that still makes intelligent people go to the movies, it is the little bit of realism that today's independent movies adopt. While Neeraj Ghaywan's Masaan (2015) is one such film that comes to my mind right now, this emotional thriller here is going to be on my mind when I review a next similar-kinda film.
Shaurya (Rajkummar Rao) is a young working-class man who has finally found his purpose through his lady-love Noorie (Geetanjali Thapa), a coworker who is about to get married to someone else. He succeeds in cajoling her to marry and move in with him, but she only has one condition: get an apartment (rented will do) for himself and then they can start complementing each other. Shaurya agrees, pulls up his socks, and gets on with room hunting, only to be the victim of one hasty, badly-made decision.
Starting from the first scene, Rao keeps you hooked with his nuanced performance, as writers Amit Joshi and Hardik Mehta slowly introduce him as this desolate youngster trying to woo one of his coworkers. The tiny amount of playful romance the film uses to kick-start what quickly becomes an ordeal for the relatable protagonist is what essentially works for the film. With shades of subtle humor and realism in every few scenes as the story slowly inches forward, the film tries to address a handful of issues. The primary one being isolation (from the outside life) and its acknowledgment. It is the central theme of the film, which it then goes to explore and come to the point that fear breeds isolation, which can only be overcome by courage.
Other causes it faintly touches are real estate issues, religion, vegetarianism, and self-reliance. While it may be easy to eschew these delicate samples in the film, what you cannot ignore is the sheer simplicity of the plot-line. The film is inherently about Shaurya and his experience as a guy who gets locked up in a flat in a high-rise without food, water, or electricity, which robs him of more than just few days' life. But, what the film tries to say between the lines is something extremely relevant in this time of a connected world where people are moving away from each other.
Motwane's actors are brilliant in their collective act, and are real pleasure to watch. Rao is phenomenal as the taciturn, unlucky guy whereas National Award-winning Thapa mesmerizes me in this short role that she does with finesse and loveliness. Rao has always done roles that demand a great effort, and in here, his efforts have paid off. Of course, many people could have done this, but I cannot think of anyone else who would have done such a great job. The supporting cast are well directed, and support the film in its quest to convey a message or two without inducing ennui. Of course, there are long sequences where the central character just stares into the moonlit sky, but branding them as boring is like disrespecting the art of realistic cinema. Realism, surprisingly, comes with its fair share of bitterness, and Trapped balances it perfectly.
It's an emotional thriller that should be lauded for its experimental nature, minimalistic storytelling, and brilliant overall filmmaking. It wouldn't have been what it is without the arresting music by Alokananda Dasgupta, crisp editing, and fine photography. The sequences and score are going to play with your mood and your emotions as you try to pointlessly help Shaurya get out of the flat. Furthermore, it is obvious that this is a thinking man's film and not a typical Bollywood thriller.
BOTTOM LINE: Vikramditya Motwane's "Trapped" is a brilliant fun- filled thriller made with so much less yet heavy substance that it drives home a point or two and tugs at your heartstrings once or twice all in a 100 minutes. Go watch it at your nearest theater.
Can be watched with a typical Indian family? NO
Shaurya (Rajkummar Rao) is a young working-class man who has finally found his purpose through his lady-love Noorie (Geetanjali Thapa), a coworker who is about to get married to someone else. He succeeds in cajoling her to marry and move in with him, but she only has one condition: get an apartment (rented will do) for himself and then they can start complementing each other. Shaurya agrees, pulls up his socks, and gets on with room hunting, only to be the victim of one hasty, badly-made decision.
Starting from the first scene, Rao keeps you hooked with his nuanced performance, as writers Amit Joshi and Hardik Mehta slowly introduce him as this desolate youngster trying to woo one of his coworkers. The tiny amount of playful romance the film uses to kick-start what quickly becomes an ordeal for the relatable protagonist is what essentially works for the film. With shades of subtle humor and realism in every few scenes as the story slowly inches forward, the film tries to address a handful of issues. The primary one being isolation (from the outside life) and its acknowledgment. It is the central theme of the film, which it then goes to explore and come to the point that fear breeds isolation, which can only be overcome by courage.
Other causes it faintly touches are real estate issues, religion, vegetarianism, and self-reliance. While it may be easy to eschew these delicate samples in the film, what you cannot ignore is the sheer simplicity of the plot-line. The film is inherently about Shaurya and his experience as a guy who gets locked up in a flat in a high-rise without food, water, or electricity, which robs him of more than just few days' life. But, what the film tries to say between the lines is something extremely relevant in this time of a connected world where people are moving away from each other.
Motwane's actors are brilliant in their collective act, and are real pleasure to watch. Rao is phenomenal as the taciturn, unlucky guy whereas National Award-winning Thapa mesmerizes me in this short role that she does with finesse and loveliness. Rao has always done roles that demand a great effort, and in here, his efforts have paid off. Of course, many people could have done this, but I cannot think of anyone else who would have done such a great job. The supporting cast are well directed, and support the film in its quest to convey a message or two without inducing ennui. Of course, there are long sequences where the central character just stares into the moonlit sky, but branding them as boring is like disrespecting the art of realistic cinema. Realism, surprisingly, comes with its fair share of bitterness, and Trapped balances it perfectly.
It's an emotional thriller that should be lauded for its experimental nature, minimalistic storytelling, and brilliant overall filmmaking. It wouldn't have been what it is without the arresting music by Alokananda Dasgupta, crisp editing, and fine photography. The sequences and score are going to play with your mood and your emotions as you try to pointlessly help Shaurya get out of the flat. Furthermore, it is obvious that this is a thinking man's film and not a typical Bollywood thriller.
BOTTOM LINE: Vikramditya Motwane's "Trapped" is a brilliant fun- filled thriller made with so much less yet heavy substance that it drives home a point or two and tugs at your heartstrings once or twice all in a 100 minutes. Go watch it at your nearest theater.
Can be watched with a typical Indian family? NO
#Trapped is Indian bollywood path breaking film that holds us from the start to the end. We saw Cast Away,127 hours, Life Of Pi and The Revenant Movie.We were thinking that when our bollywood filmmakers make this kind of survival film? This one is for those people.The best part of this movie is sharp screenplay by Amit Joshi and Hardik Mehta.They covered all little little detail of human nature and psychopaths.Rajkumar Rao takes us alive through all his acts.The background score and elements they have used are just amazing and eye catching.Throwing cardboards,Write by blood,The Chat with rat,eating pigeon and the abstract scenes that affects rajkumar's character are captivating.The one liner message is truly conveyed."Freedom lies beyond fear".Hats off to Vikramaditya Motwane for directing something that was not presented in our cinema and for not giving disturbance interval in the movie.Must watch for alive feeling....
Você sabia?
- CuriosidadesFor a sequence in the movie, Rajkummar Rao advised the crew to use his real blood and not artificial blood to get a more realistic look.
- Erros de gravaçãoWhile the protagonist spends a incredible amount of time trying to open the door via breaking off the door handle and trying to jimmy the key entry point with various tools when tying to escape, he does not even attempt to remove the butt hinge on the door, which could easily be dismantled with what he had available to him. Especially in a new building. Older versions can rust and jam over time or with various coats of paint, but the ones visible on the doors were new and would have easily come apart.
- ConexõesReferenced in The Creative Indians: Anurag Kashyap (2018)
- Trilhas sonorasDheemi
Music by Alokananda Dasgupta
Lyrics by Rajeshwari Dasgupta
Performed by Tejas Menon, Tanmay Pawar and Jake Charkey
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- How long is Trapped?Fornecido pela Alexa
Detalhes
Bilheteria
- Faturamento bruto mundial
- US$ 436.529
- Tempo de duração
- 1 h 45 min(105 min)
- Mixagem de som
- Proporção
- 1.66 : 1
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