AVALIAÇÃO DA IMDb
6,1/10
4,2 mil
SUA AVALIAÇÃO
Uma inteligência artificial escapa de sua nave espacial para se tornar um fantasma e desafia dois corredores a uma perseguição galáctica.Uma inteligência artificial escapa de sua nave espacial para se tornar um fantasma e desafia dois corredores a uma perseguição galáctica.Uma inteligência artificial escapa de sua nave espacial para se tornar um fantasma e desafia dois corredores a uma perseguição galáctica.
- Direção
- Roteiristas
- Artistas
- Prêmios
- 6 vitórias no total
Alexandra Flandrin
- Tracy
- (narração)
Avaliações em destaque
I like the 80's vibes, music, production art and design is superb, even actors are pretty cool and it all could have gone as smooth as "Beyond the Aquila Rift " , but the script is below average and that is where I'd want to put a 7 but I'll put a 6, if you are into spaceship sci fi and art , you will enjoy it in a certain way, everyone else will just see flashy lights...
IMO it would've been much better if it were released without all the dialog and interaction between the characters. As a music video akin to Turbo Killer, it's really nice. As a full-fledged movie, it's pretty bad.
This needed to be 30 minutes overall. The vfx and atmosphere were great, but there was no coherent story. I still didn't understand what was really going on in there.
The gist of Blood Machines is "men abusive, men bad; women gentle; women good."
I know that seems like a crude way to sum up the film, but that's pretty much how it plays out.
The special effects -- for this to be a Kickstarted film -- really do put a lot of bigger budget Hollywood films to shame. It's mostly to do with the intricate attention to detail and physics, which make the world feel weighty and dangerous. It's just such a shame that what little dialogue we do get and what little character development we do see take place is basically to push a pro-feminist message.
It would have been so much cooler had the film been about actual villains trying to capture the souls of ships, and unbeknownst to the bounty hunters, they had no idea that the ships they were collecting had souls. At least then they could have molded a sympathetic redemption arc around the bounty hunters, having the Captain warm to the audience and to the space druid, Corey.
But instead the first season of three episodes beats audiences over the head with what's essentially a feminist revenge tale against men and their destructive weapons.
The '6' out of '10' ratings is basically for the effects, visual presentation and for Carpenter Brut's undeniably awesome soundtrack.
It's quite unfortunate because I really had high hopes for this one.
I know that seems like a crude way to sum up the film, but that's pretty much how it plays out.
The special effects -- for this to be a Kickstarted film -- really do put a lot of bigger budget Hollywood films to shame. It's mostly to do with the intricate attention to detail and physics, which make the world feel weighty and dangerous. It's just such a shame that what little dialogue we do get and what little character development we do see take place is basically to push a pro-feminist message.
It would have been so much cooler had the film been about actual villains trying to capture the souls of ships, and unbeknownst to the bounty hunters, they had no idea that the ships they were collecting had souls. At least then they could have molded a sympathetic redemption arc around the bounty hunters, having the Captain warm to the audience and to the space druid, Corey.
But instead the first season of three episodes beats audiences over the head with what's essentially a feminist revenge tale against men and their destructive weapons.
The '6' out of '10' ratings is basically for the effects, visual presentation and for Carpenter Brut's undeniably awesome soundtrack.
It's quite unfortunate because I really had high hopes for this one.
The imagery and atmosphere of this mini-series is jaw-dropping. Think Blade Runner meets Mandy meets Star Wars, and you'll have an idea (sort of) of what this is.
Beyond that, the plot is borderline nonsensical. It has to do with an AI manifesting as a weird demigod entity, and I'm sure there's some kind of commentary embedded in it that has to do with humanity's relationship to machines/religion/etc., but it's way too abstract.
Ultimately, this movie is best experienced as a visual feast, and that's about it. If you try to extract anything larger from it, you'll get caught up in an endless game of "maybe this is symbolism" that doesn't really go anywhere.
I'd love to see what this director could do with a well written script.
Beyond that, the plot is borderline nonsensical. It has to do with an AI manifesting as a weird demigod entity, and I'm sure there's some kind of commentary embedded in it that has to do with humanity's relationship to machines/religion/etc., but it's way too abstract.
Ultimately, this movie is best experienced as a visual feast, and that's about it. If you try to extract anything larger from it, you'll get caught up in an endless game of "maybe this is symbolism" that doesn't really go anywhere.
I'd love to see what this director could do with a well written script.
Você sabia?
- CuriosidadesThe film takes multiple images and visual stylings from Seth Ickerman's music video "Turbo Killer." Both stories deal with a mysterious stranger in a gas mask as well as ethereal beings with inverted crosses on their bodies. The video was for electronic artist Carpenter Brut, who provided the music for this movie's soundtrack.
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Detalhes
- Data de lançamento
- País de origem
- Central de atendimento oficial
- Idioma
- Também conhecido como
- Кровь машин
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
- Tempo de duração50 minutos
- Cor
- Proporção
- 2.35 : 1
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