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IMDbPro

Whose Streets?

  • 2017
  • R
  • 1 h 42 min
AVALIAÇÃO DA IMDb
6,0/10
1,4 mil
SUA AVALIAÇÃO
Whose Streets? (2017)
When unarmed teenager Michael Brown is killed by police and left lying in the street for hours, it marks a breaking point for the residents of St. Louis, Missouri. Grief, long-standing racial tensions and renewed anger bring residents together to hold vigil and protest this latest tragedy. Empowered parents, artists and teachers from around the country come together as freedom fighters. As the National Guard descends on Ferguson with military grade weaponry, these young community members become the torchbearers of a new resistance
Reproduzir trailer1:37
2 vídeos
8 fotos
Documentário

Adicionar um enredo no seu idiomaAn unflinching look at how the police killing of 18-year-old Mike Brown inspired a community to fight back and sparked a global movement.An unflinching look at how the police killing of 18-year-old Mike Brown inspired a community to fight back and sparked a global movement.An unflinching look at how the police killing of 18-year-old Mike Brown inspired a community to fight back and sparked a global movement.

  • Direção
    • Sabaah Folayan
    • Damon Davis
  • Roteirista
    • Sabaah Folayan
  • Artistas
    • Lezley McSpadden
    • Michael Brown Sr.
    • David Whitt
  • Veja as informações de produção no IMDbPro
  • AVALIAÇÃO DA IMDb
    6,0/10
    1,4 mil
    SUA AVALIAÇÃO
    • Direção
      • Sabaah Folayan
      • Damon Davis
    • Roteirista
      • Sabaah Folayan
    • Artistas
      • Lezley McSpadden
      • Michael Brown Sr.
      • David Whitt
    • 15Avaliações de usuários
    • 30Avaliações da crítica
    • 79Metascore
  • Veja as informações de produção no IMDbPro
    • Prêmios
      • 2 vitórias e 18 indicações no total

    Vídeos2

    Official Trailer
    Trailer 1:37
    Official Trailer
    Whose Streets? Official Trailer
    Trailer 2:01
    Whose Streets? Official Trailer
    Whose Streets? Official Trailer
    Trailer 2:01
    Whose Streets? Official Trailer

    Fotos7

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    Elenco principal29

    Editar
    Lezley McSpadden
    • Self - Mother of Mike Brown Jr.
    Michael Brown Sr.
    • Self - Father of Mike Brown Jr.
    David Whitt
    • Self
    Montague Simmons
    • Self
    Jamala
    • Self
    Ashley Yates
    • Self
    Anthony Shadid
    • Self
    • (as Brother Shadid)
    Kayla Reed
    • Self
    T-Dubb-O
    • Self
    Catherine Daniels
    • Self
    • (as Mama Cat)
    Tef Poe
    • Self
    Brittany Ferrell
    • Self
    Kenna Ferrell
    • Self
    Thomas Jackson
    • Self - Ferguson Police Chief
    • (cenas de arquivo)
    Bassem Masri
    • Self
    Tory Russell
    • Self
    Dhoruba
    • Self
    Jay Nixon
    Jay Nixon
    • Self - Governor of Missouri
    • (cenas de arquivo)
    • Direção
      • Sabaah Folayan
      • Damon Davis
    • Roteirista
      • Sabaah Folayan
    • Elenco e equipe completos
    • Produção, bilheteria e muito mais no IMDbPro

    Avaliações de usuários15

    6,01.4K
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    Avaliações em destaque

    9tesnitaylor

    Power boots-on-ground filmmaking

    This film entirely changed the way I saw Ferguson and how the death of Mike Brown impacted the local community. Please watch this film.
    ersbel

    A sad view of life

    The footage is so valuable. There is no story there. Still, the footage is powerful. I have no idea if the images were carefully edited to show the people in the streets all of African descent and the police all of European descent.

    The sad part comes later. Poor people exploited.

    Exploited by the thieves and robbers who make use of the revolt to destroy property. Not only they disgrace the manifestation, but they will make the lives of the people living there even worse without shops and restaurants nearby.

    Exploited by the police. The police who does not care or interfere with the problems of the people living there only to ask for more money, more wages, more equipment and bigger pensions.

    Exploited by the speakers. Young men and women taking about "our kids". Even if the "kid" was quite an adult. Progressive speakers who care about their possible speaking engagements and TV shows. Speakers who put salt on the wounds in the names of "being united". History shows these people usually move beyond the racial lines, in low crime towns and keep talking about the suffering while sending their kids to private schools.

    Exploited by the film makers who get to travel and walk the documentary.

    And the people are left there. With less police. Less places to shop. Less employments opportunities nearby.
    JohnDeSando

    Powerful doc dedicated to the power of the people.

    "A riot is the language of the unheard." chapter heading

    Having never participated in a protest, much less a riot, I felt I had done both after experiencing directors Sabaah Folay and Damon Davis's Whose Streets? Their documentary about Ferguson, Missouri, and the death of Mike Brown in 2014 is an unremittingly real and passionate participant point of view that celebrates the will of an oppressed people to be heard.

    Whose Streets? documents the thoughts and actions of the largely black population as they experience the white-cop brutality of Ferguson and St. Louis police forces, culminating in Mike Brown's being shot 8 times by an officer who justifies the assassination with his fear. The grand jury believed he was faultless, leading to disbelief and riots reminiscent of the reaction to Rodney King's killers' exoneration.

    The doc is especially effective bringing home the pain with portraits of such sufferers as Brittany Ferrell, a comely and articulate young lesbian who is not afraid to speak her outrage. We see her at home with her children and on the street with the microphone chanting the will to fight to be free, an anthem echoed by virtually everyone facing down the daunting police and national guard forces.

    The street's-eye view happens largely because cell phones recorded the abuse with a probing expertise heretofore only the province of professional filmmakers. But not today, when those little devices are adjuncts to the spirit of justice, albeit not always enough to bring convictions. David Whitt, a Copwatch citizen videographer, meticulously records and publishes images that damn the militaristic response, for the film's expert doc makers put them together to devastatingly powerful effect.

    Although white cop Darren Wilson, 28, had Brown in his sights after Brown allegedly robbed a convenience store, Brown should not have died for the crime nor should his body have lain in the street for hours while the community and security reacted. However, most of the forensic evidence and testimony proved that Wilson acted in self defense.

    If there can be a criticism of this doc, it would be that the evidence finally exonerating Wilson is not presented; he remains guilty in the spirit of the film if not the reality. Although the filmmakers could claim an interest only in the people's plight and reactions, full disclosure for me requires that I also see where the police can be at least partially exonerated.

    Justice both civil and spiritual is elusive. Whose Streets? is an estimable rendition of a disadvantaged populace struggling to be heard.
    8gabethurau

    White guy from Saint Louis. Sad that I watched the riots from my computer.

    With the recent #blackout tuesday taking social media by storm, I too feel the need to reflect and revisit crucial moments of unrest in recent history.

    I grew up in suburban Missouri. I had a few good friends who were half-black, but I largely lived in an insulated, middle class environment where racial tensions were out of sight and mind.

    My appreciation for hip hop, Jazz, James Baldwin, Dave Chapelle, and Ta-Nehisi Coates has brought me baby steps closer to appreciating black culture over the years. But there is still a lot of fetishization on my part.

    Overall, my laziness has kept race on the outskirts of understanding. And perhaps it should always be at the outskirts of understanding - me being a white man who will never truly understand the struggle of the African American in a America that doesn't give our black neighbors the time of day.

    I have learned to treat racial understanding like Zen. The impossibility of understanding means the process is both the journey and the endpoint. The moment I begin to think that I "understand" is the moment I get lazy again.

    Rewatching this movie, and being reminded of what happened right down the street from me in Ferguson, has given me a momentary respite from laziness. And I hope watching Whose Streets will give you the same chance for reflection.
    10bobina_sm

    There must have been a white nationalist viewing party recently...

    I came here to read about and review this documentary after viewing. I was so moved by it that I am leaving my first review of anything.

    Then I read the last two reviews, both posted on November 16, 2017. Neither are reviews of the documentary but attacks on Mike Brown. I won't get into how I grew up within 10 miles in of Ferguson or about how I've lived in St. Louis for 50. How I know that, even though I'm a white woman, racism is alive and well in St. Louis. This documentary was a very accurate portrayal of what the reality is for black people (and other POC) in St. Louis. I've witnessed it over and over again.

    The documentary was very well done. It was straight forward and real. Everybody should watch it.

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    Enredo

    Editar

    Você sabia?

    Editar
    • Curiosidades
      Michael Brown, the decedent whose death sparked 4 days of violent riots, never put his hands up in surrender and in fact, charged and grabbed the gun of the police officer that shot him.
    • Citações

      David Whitt: It was obvious military tactic. Come in, cut off their communication, round them up, you know what I'm saying? Then, once we had them under control, have them lose people, have a combat photographer come in and say like 'Hey, look, they going crazy' Yeah, they going crazy because we just cut off their communication and shot a couple of them. And then, later on, everything calm and all that and then everybody home, like 'Oh hey, they rounded up the insurgents' We in their country. How are they insurgents? You know what I'm saying? That's what's going on in Ferguson, man.

    • Conexões
      Featured in Subject (2022)
    • Trilhas sonoras
      Freedom Song
      Written by Natanjah Driscoll and Damon Davis

      Performed by Natanjah Driscoll

    Principais escolhas

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    Detalhes

    Editar
    • Data de lançamento
      • 11 de agosto de 2017 (Estados Unidos da América)
    • País de origem
      • Estados Unidos da América
    • Centrais de atendimento oficiais
      • Official Facebook
      • Official Instagram
    • Idioma
      • Inglês
    • Também conhecido como
      • Чьи улицы?
    • Locações de filme
      • Ferguson, Missouri, EUA(primary footage)
    • Empresa de produção
      • Magnolia Pictures
    • Consulte mais créditos da empresa na IMDbPro

    Bilheteria

    Editar
    • Faturamento bruto nos EUA e Canadá
      • US$ 182.799
    • Fim de semana de estreia nos EUA e Canadá
      • US$ 43.804
      • 13 de ago. de 2017
    • Faturamento bruto mundial
      • US$ 182.799
    Veja informações detalhadas da bilheteria no IMDbPro

    Especificações técnicas

    Editar
    • Tempo de duração
      • 1 h 42 min(102 min)
    • Cor
      • Color

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