Desobediência

I really wanted to love this movie. Some parts I enjoyed but was repeatedly taken out of the narrative by filmmaker choices.

The editing left much to be desired-scenes are awkwardly edited where you can see it's a different take of the same scene. Many of the edits simply appeared ham-handed and amateur.

Continuity also seems an issue; the progress of the story is chunked out, like skipping around chapters in a book. The screenplay lacks the dialog which would convey the depth of the story and it's characters.

The actors are quite good but not able to fill all the missing bits of good filmmaking. The score was musically fine but seems to have been written for a different movie. The pacing too, is slow and awkward like much of this film.

The Rachels handled what little they had to work with well. The sex scene was interesting and respectfully shot but again, the editing sucked all the life out of this love story.

Though I think this film was a missed opportunity, the potential for a well-written and directed sequel could fix what didn't work in this outing.

I really wanted to like it but kinda didn't.

It's a sad fact too and I'm sorry for laughing about it. I'm imperfect just as you are. Some people perhaps were too offended, others just too interested and overinvolved in the lesbian aspect or a certain moral value or political slant blinded them. Whatever the case. So far this is DEFINITLY the 2nd best film I've seen from 2017. If you need to know, no, I'm not gay, I didn't even feel that the gay issue in the film was of any large significance. It is of some significance, sure, but they could've used another issue entirely; And the overall meaning and theme of the film would've still been essentially the exact same.

I thought the acting, story and direction were superb. I'm really surprised more people have not found this film to be as fantastic as I did. The current IMDb rating of 6.6 seems extremely low to me. Many critics loved it, as did I. Disobedience I suppose is not a film for everyone. Overthinking can easily get in the way of this one. Just sit back and watch this subtle and beautiful film and think about it later. As the Buddha is often credited with saying, "Think less, observe more.".

I'm pretty sure many people got so offended by certain things in the film that they missed nearly all of the rich and beautiful depth that this film actually has. Sometimes the most clever truths are not so obvious, especially to the distracted mind. Scientists at this point have actually even proven the very narrow focus of the average human mind.

In my view most of the greatest pieces of art in history are the pieces that challenge the way you/we look at things. This is definitely that kind of film. This is not just another piece of entertainment like much of the regurgitated and/or meaningless trash movies of our day. This truly is a beautiful piece of art; And to those of you who watched it and missed this fact...too bad for you. More than anything else, this film is about human choice, and sadly for many, that is a very scary subject. Far too scary for some to honestly deal with. May we All hope for a today filled with greater clarity. For those of you that thought this film was good, but not that good, I challenge you to watch it again without overthinking it while watching it. Shhh...just watch and listen. 8.5/10.

Ronit (Rachel Weisz), a single middle-aged photographer, returns to England from New York following the death of her father, an esteemed ultra-Orthodox rabbi who had been the spiritual leader of this non-Hasidic congregation and its institutions. It immediately becomes evident that due to personal issues she had left the community at a very young age and never looked back. As the story develops, we learn that Esti (Rachel McAdams), now wife of Dovid Kuperman (the departed rabbi's chief disciple and heir apparent, played by Alessandro Nivola) had struggled with similar issues alongside Ronit in their youth but had chosen a drastically different method of coping.

With Ronit's return, old sentiments are dredged up in a manner that upends the lives of all three in a community that simply has not developed tools for dealing with the full spectrum of matters involving private life, nature and choice that have in recent years become so normalized that we hardly lend them so much weight.

As each of the three struggle to cope with their issues, it becomes clear that there is a void in place of a guide in the doctrine of the community and that there is no one right way to cope with outlying struggles.

The directing of the picture and the portrayal of the three main characters is stellar. Aside from two seven-candle menorahs (which have no place in a Jewish home), this picture stands out as perhaps the most authentic portrayal of the ultra-Orthodox Jewish community in motion picture history.

This is not a story of a women caving in as some said, this is a realistic portait of a women that grew in a harsh community and succeed to confront her homosexuality. The acting of both Rachaels is superb, academy material ! And the male character is really complex and beautiful

While the movie is very slow paced, the story is a beautiful one! The two actresses are brilliant on their own, and shine together in this film. Worth a watch for any lover of cinema.