Use Me

I read somewhere this is a documentary but it isn't. This is basically trying to promote a nobody to mainstream. She's not interesting and rather boring. Zero charisma. Just another young body with a face that looks pretty with makeup. They take "real" bits about some cam girl and add fiction to make it seem legit. Kind of like how "reality" tv is made. And if you're hoping to see this cam girl fully naked then don't waste your time with this. You'll see some footage of her cam sessions where she's wearing lingerie whilst posing in a sexually suggestive manner and that's about it.

Well, at least the Catfish film was well crafted even if it was BS.

Pretty much knew this was fake straight off but other obvious tells. So, the bill for bottle service in Vegas like almost matches the funds raised to the dollar? (If there really was a kickstarter)

Also, don't cast someone recognizable as the poor 'schmuck' who was scared of her ruining his life. This guy was married to Shannon Elizabeth from American Pie.

Also, why are these other women in the industry say she's psycho on film. Makes no sense.

It's the worst type of film.It is somehow elitist while being gaudy and cheap. It is pretentious but the confidence emanates from entitlement. Talent is assumed not earned or revealed. The plot is chaos without point, cohesion or a flicker of creativity. Watching this is like being around a gaggle of teenagers, giggling and shrieking while telling a story that they assume to be a riot but is just noise that goes on endlessly, way past the time you can maintain your polite smile.

Could have been great as the subject is fascinating, just a shame the director is a narcissistic that has to make the movie about himself.

As a viewer, the thrilling part of experiencing this film is trying to ascertain where the line of reality begins and where the fiction ends. Particularly when many players in the fetish scene make cameo appearances and footage from the annual Las Vegas sex expo is integrated into the story. "These characters are kind of ourselves, or like the dark sides of ourselves" explains Shaw. "Even these fictionalised versions of ourselves come from some place of truth and I've just greatly blown it up for dramatic effect"