Trinta anos após terem servido juntos no Vietnã, o ex-médico da Marinha Larry Shepherd se junta a seus velhos amigos, o ex-marine Sal Nealon e Richard Mueller, para enterrar seu filho, um jo... Ler tudoTrinta anos após terem servido juntos no Vietnã, o ex-médico da Marinha Larry Shepherd se junta a seus velhos amigos, o ex-marine Sal Nealon e Richard Mueller, para enterrar seu filho, um jovem fuzileiro naval morto na guerra do Iraque.Trinta anos após terem servido juntos no Vietnã, o ex-médico da Marinha Larry Shepherd se junta a seus velhos amigos, o ex-marine Sal Nealon e Richard Mueller, para enterrar seu filho, um jovem fuzileiro naval morto na guerra do Iraque.
- Direção
- Roteiristas
- Artistas
- Prêmios
- 2 vitórias e 11 indicações no total
- Hyped-up Employee
- (as Marc Moore Jr.)
Resumo
Avaliações em destaque
Larry "Doc" Shepherd (Steve Carell), a former Navy medic, has had the type of year that no one deserves. It's 2003 and he has just been notified that his Marine son was killed in action while on duty in the war in Iraq. This comes only a few months after Doc lost his beloved wife to breast cancer. It's too much for him to handle on his own, so he embarks on a mission to ask his Vietnam buddies from three decades prior to accompany him to claim his son's body at Arlington National Cemetery.
His two buddies are former Marines Sal Nealon (Bryan Cranston) and Richard Mueller (Laurence Fishbourne). Sal is a washed out dive bar owner and Mueller is now the Reverend at a small church. The three men share the burden of a war secret that each has tried to forget, and they begin what's basically a road trip movie of middle aged men bonding during what is the absolute low point in life for one of them. Simultaneously, it also seems like an opportunity for all three to rejoin the living.
Lost idealism is the shared trait now among the three men, though their levels of cynicism vary. Edwin Starr sang it, and the characters in this movie openly question: War What is it good for? Doc, Sal and Mueller have separated themselves from memories of war in three distinct ways – family, booze, and God. It's only by reconnecting with each other that they begin the long overdue process of reflection. TV's are tuned to the capture of Saddam Hussein from the spider-hole, and the similarities of the Vietnam and Iraq wars are contemplated. These are patriotic men who once trusted the government, but are now so disenchanted they ask "what's the point?"
Mr. Cranston has the showiest role, but it's Mr. Carell who shines as the still-in-shock father. J Quinton Johnson also excels as the young Marine charged with accompanying the gentlemen, and the best scene of the film features Cicely Tyson as the mother of a long ago fallen soldier who crossed paths with the three leads. As you might expect in a Linklater movie, the musical choices are unusual and spot on. Bob Dylan ("Not Dark Yet"), Neil Young ("Old Man"), Eminem ("Without Me"), and Levon Helm ("Wide River to Cross") are all included.
The film is certainly an unusual blend of comedy, tragic drama, and contemporary political commentary. Unfortunately, the contrivances are too many and too frequent to allow the film and characters to breathe and achieve the greatness of a true message movie. It teases us with flashes us brilliance and then pokes us in the ribs with another goofy sidebar as if to say "just kidding". It seems this would have been better served as an intimate portrayal of these three aging men who were willing to die for their country than as a giant political anti-war statement and an accusation of how evil the government is. The ultimate message Linklater drills home: be a good friend, and be a good person. We can never have enough of those.
A great, low-key mixture of comedy and sadness. The more it went on the more I appreciated the situation, which unfolds like a play, and the ensemble acting, which is sharp. Bryan Cranston steals the show as the outgoing practical bartender veteran, but Laurence Fishburne and Steve Carell are really spot on, too, in deliberately restrained ways. The film is trying to get to something here. At first it seems to be about some guys coming to terms with their time in Viet Nam, and how it compromised them then, with repurcussions ever onward. Then a slow critique of war and of the US approach to war, pretending everyone in uniform is always a hero, and fighting for questionable (or worse) causes. But an important third element grows-the actual meaning these men have for each other. They hadn't seen each other in decades, but their comraderie was almost unbroken because of some deep bond formed in wartime. And when it really comes down to it, even as they reject and hate the government for what they were forced to do, they still understood honor and respect. Including a love of country, somehow. That it's there, despite the flaws. Or something like that. (There are complications, and it would be easy and shameful to oversimplify.) The big point is: see this and give it time to settle in and warm up. The three men are deliberately an odd mix, and there are a couple of scenes that are rather too neatly contrived to make a fast point in the narrative, but overall it makes sense and is moving.
Você sabia?
- CuriosidadesSteve Carell consulted with his father, a WWII veteran, to prepare for his role.
- Erros de gravaçãoIncorrectly Regarded as Goof: Age of Steve Carell doesn't match up for Vietnam service. However, the movie takes place in the past. If you presume Steve Carrel is 55 (as he was at the time the film was shot) during the movie's setting of 2003, he would have turned 19 (when he was there as per the "Disneyland" story) in 1967, the height of the US involvement in the war.
- Citações
Larry 'Doc' Shepherd: I'm not going to bury a marine. I'm just going to bury my son.
- Trilhas sonorasSlow Walk
Written by Sil Austin and Irving Siders
Performed by Sil Austin
Courtesy of The Verve Music Group under license from Universal Music Enterprises
Principais escolhas
- How long is Last Flag Flying?Fornecido pela Alexa
Detalhes
- Data de lançamento
- País de origem
- Centrais de atendimento oficiais
- Idioma
- Também conhecido como
- Reencuentro
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Faturamento bruto nos EUA e Canadá
- US$ 965.481
- Fim de semana de estreia nos EUA e Canadá
- US$ 40.558
- 5 de nov. de 2017
- Faturamento bruto mundial
- US$ 1.872.950
- Tempo de duração
- 2 h 5 min(125 min)
- Cor
- Mixagem de som
- Proporção
- 1.85 : 1