O Maestro

This film is what Filming should be like. No special effects, just a great script and talented actors to portray the characters. Beautifully filmed, on a micro budget. wonderful direction. Xander Berkeley and Leo Marks, worked so well together. I felt like I was transported to LA 1949? This film was based on the screenwriters Father, Jerry Herst. CV Herst is not a first time writer. I expect to see more films that he writes and produces in the future. Happy to see this talent come to life,

As my title says, this is a beautiful and passionate slow burn. Written by the son of Jerry Herst, it's a wonderful tribute both to Herst and to the titular character.

Xander Berkeley is excellent as Mario Castelnuovo-Tedesco. His real-life wife, Sarah Clarke, portrays his wife Clara and she is wonderful as always. Clarke's fluent Italian brings extra authenticity to her character.

Watching this was a rewarding experience. Mario Castelnuovo-Tedesco deserves more recognition.

I really enjoyed this movie, Xander Berkeley is the perfect person to portray Mario Castelnuovo Tedesco! Mr. Berkeley is always is so believable in any character he plays! This movie is a timeless piece of art. Xanders portrayal along with all the details of that era transported me back into time as though I was watching this take place in real time. I am so happy to have seen it! It saddens me to know that the film industry senselessly and purposely forgot to honor such a wonderful composers work. Genius film and genuine heartfelt work by all talents that were involved! Thank you for telling his story! LOVE, LOVED, LOVED It!

Chances are that you've never heard of The Maestro--Mario Castelnuovo-Tedesco. I certainly hadn't. But you've no doubt heard and been influenced by his teaching and his music.

The Maestro is a slow and steady burn like a warm candle flickering in a darkened room examining the challenges and beauty of art. If you are looking for explosions and fast paced drama, this isn't the film for you. But if you'd like to cozy up by the fire, crack open a good book, and get a glimpse into a life that will keep you contemplating after the credits have rolled, then welcome to The Maestro.

Modest by intent, The Maestro gives the spotlight to the true talent behind the scenes, whose passion for art and pursuit of excellence have played a key role in the history of cinematic arts, but often received little to no recognition because film credit was taken by others.

Florentine composer and legendary Hollywood music teacher Mario Castelnuovo-Tedesco (Xander Berkeley) composed/scored over 200 films, and mentored, tutored, and influenced the biggest names in Post-WWII cinematic music composition, his list of pupils including John Williams, Henry Mancini, Andre' Previn, Nelson Riddle, Herman Stein, Marty Paich, and Jerry Goldsmith.

Most of Mario's scores in the 1940's and 1950's were credited to others as was common practice in that era.

At the center of the plot, is a paternal relationship that develops between Mario and one of his most talented but lesser known pupils Jerry Herst (Mackenzie Astin).

Director Adam Cushman and first-time screenwriter C.V. Herst provide an intimate look into career and life decisions each man makes to maintain their passion and dedication to music composition while navigating the Post-War Hollywood studio machine.

Cushman succeeds by keeping the focus completely away from the big names that would have resulted in this film being another Hollywood biopic that exploits famous names to succeed.

Instead, 'The Maestro' is a memorable, wonderfully understated and intimate film, with superb acting, and earns my highest recommendation as one of the best films of the year for 2018.